Take That Live 2015 – My Experience

On 8th June 2015, after minimal sleep, I hopped on board a rather early train from Brighton to London to see my favourite band live at the O2 arena. It had been four long years since I last saw Take That, then a five-piece and performing to a sold-out Wembley Stadium, on their Progress tour. Evidently much has changed since then. Despite minor apprehension due to the inescapable fact that my second favourite member Jason Orange would not be onstage and sleep deprivation, I was exceptionally excited.

Much had changed for me too since 2011’s Progress Tour. Last time I had seen the boys, I was sixteen years old, had just finished sitting my GCSE’s, attended the tour with a friend I’m no longer in touch with and was positioned towards the back of Wembley Stadium. Four years on, I am now an adult (eek!) and a university student. I had a great time at Progress Live but being so far away, I spent most of it in envy of those standing close to the stage, particularly when the guys went and said goodbye to audience members during ‘Eight Letters’. I also spent far too much of the show absorbed in taking photos and videos and not being in the moment. Unfortunately, we were also surrounded by utter fools. Nobody stood until Rob came on, the family in front kept looking at each other in horror every time Rob swore (I know, they evidently weren’t familiar with Rob’s stage persona…), I got a dirty look for practically hyperventilating when the boys came onstage, the couple next to us spent 90% of the concert snogging and those behind appeared to just be there for a day out. So when it came to seeing Take That on their next tour, I vowed to do things completely differently. And that, I did.

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I purchased the hat in self-parody of myself and to stand out… Bizarrely, I think I managed to pull it off!

For this tour, I decided to go with full-on, die-hard Thatters like myself. I am lucky enough to have many friends who also love Take That but not quite to the same level as me. So this time I went with Kim & Andy – two of my favourite people on Twitter, two amazing friends and two people with a mutual appreciation of the boys. It was my first time going with Thatters and I plan to continue to do so in future! Eight hours of queueing passed amazingly quickly with them both aided by multiple trips to the toilet, to see other friends, purchasing tea and buying merchandise. The second difference this time was that for the first time I was not going to be high up in the venue. I was not going to be at the back. I was not going to be surrounded by people merely at the show for a night out. I was going to be standing. And not only standing but in the front pit! FINALLY! I’d always been apprehensive about doing so before, mainly because of being an Olympic worrier fearing needing the loo or not having enough water or feeling rammed in by everybody. But after my experience at Progress I craved to be around other Thatters – people who are actually familiar with all songs, lyrics and share my levels of excitement. Plus as we all had quite a shock with Jason’s departure, I learnt to take nothing for granted when it comes to Take That and vowed to experience the tour from as close as possible to the stage. I’ve never met any of the boys so to be in the pits and be so close to them was a dream come true.

Come 6:15pm and we were lined up like cattle by the turnstiles. There’d been around fifty people queueing in front of us so we had no idea how close we’d be able to get to the stage but remained optimistic, overall. Thankfully, the system was fair and nobody felt the need to sprint into the arena. We were let in in order and we managed to get three rows from the front! I was utterly mesmerised. To go from being towards the back of Wembley Stadium to three rows away from the stage in the O2 Arena was a dream come true.

Ella Henderson was an incredible support act. Take That’s choice of support act is always spot on and I’ve seen some amazing artists over the years – Beverley Knight, Gary Go and Lady Gaga, just to name a few. Despite liking the The Pet Shop Boys’ material, I was utterly bored throughout their set opening the Progress tour. Ella, on the other hand, bought class, sophistication and fun to the O2 Arena. Despite being familiar with many songs from her album, I wasn’t exactly able to sing along much but still had an awesome time and her thirty-five minute set whizzed by. I wore my tacky fluorescent yellow hat for her set which appeared to get her attention! I shared a couple of little moments with her where she smiled at me, particularly during my favourite of hers, ‘Rockets’ which no-one else knew but I was able to sing along to. Her voice is absolutely incredible and I wish her all the success in the world, I really do. I’m so glad she’s already had a number one single and album. She truly deserves it.

20150606_213537editedAnother difference for this tour is I had managed to avoid most spoilers (aside from the practically unavoidable pictures of the bike!) I muted lots of people on Twitter and any time I saw anything related to the tour, I would quickly scroll past. It was so, so tricky staying away from the setlist but I am SO glad I did. Even just one look at the set-list to a show will remain engrained in my memory. The problem with this is that I will then spend the concert thinking about what’s happening next so it was utterly refreshing to go to the show and know barely a thing about it! It turned out I knew most of the setlist through people spoiling online and my own guess work but wasn’t sure of the order and forgot lots of songs so it all worked out nicely as one big surprise!

I’ll save a lot of my comment on the show itself for a review I am planning (this post is just to discuss my personal experience more than anything) but will mention a few things from a fan-boy perspective (not a professional, like I aim for the tone of my review to be!). The fifteen minute introduction absolutely blew me away. Take That have a knack for absolutely incredible tour openers, both visually and musically. I loved the music that opened the show and the way the boys came onto the stage. The set-list was fantastic, particularly the emphasis on songs from the TT4 era. It was perfect to have so many songs from The Circus album. The balance between front-stage and b-stage was also wonderful as pretty much the whole arena was catered for nicely.

20150606_205437editedThe whole show was absolutely incredible but some parts were made even more so by being in the pits. Being in the left pit, just three rows from the stage, we got SO much Markie action! I love how he performs on a more intimate level, interacting with the nearby crowd. He sung to and smiled at so many people around me and I’m pretty sure he smiled and winked at me. It also meant we got to witness the ‘Flaws’ shirt lift rather close which was greatly appreciated by many 😉

The flames during ‘Get Ready For It’ were scorching but you certainly felt the full atmosphere being so close! I was also finally able to bounce properly to ‘Hold Up A Light’ (it doesn’t have the same effect when you’re in seats!). Being in the pits for the confetti explosion during ‘Greatest Day’ is also incredible, although trying not to ingest it was very tricky! I’m still leaving a trail of confetti around the house from my pockets, wallet, phone case etc (much to my mother’s annoyance…) Also, can we just discuss ‘The Garden’ for a moment?! It must have looked spectacular to anyone outside of the pit but for us inside, it was mesmerising. Having those huge curtains drawn around us made us feel completely cut off from the rest of the arena, like it was just Take That and us. It also provided some much needed cool air after the intensity of heat from the flames in ‘Get Ready For It’! It was incredible to watch the puppet show from inside the sheet-dome. Furthermore, being underneath Mark’s cape/costume during ‘Shine’ took me right back to Primary School parachute games! Looking around during ‘Rule The World’ and seeing all of the lights also blew me away, as did looking at all the arms in the air during ‘Never Forget’.

20150606_213904editedI don’t think it’s been a secret that I’ve found 2015 a challenge so far and happy days have been very few so far this year. Take That have been such a strong source of light for me (I know it’s cheesy but it’s true) and the ‘III’ era has been without a doubt the most important Take That era to me. I am feeling a lot better now but that day and evening was the most beautiful, amazing and happy day I have had this year. So much so, I decided right away that I had to book more tickets and go again! I know twice isn’t anywhere near as many times as most Thatters but it ended up being enough for me. I could just about afford it and wanted to experience it again and am so glad I did. I’ve thankfully managed to avoid the post-tour blues since seeing them for a second time and I think it’s out of my system now! Don’t get me wrong, if money was no object, I’d go and see the boys numerous times but at the same time I think going excessively would probably make it lose some of its magic. I had two AMAZING days/nights and feel satisfied now! My second date was just as spell-bounding as my first except we were able to get right next to the walk-way between main stage and b-stage. We were a little concerned about a mob of drunken people behind us but thankfully they were tamed by Take That’s arrival onstage and were relatively well-behaved for the rest of the show. I wasn’t feeling very optimistic about touching the boys because of the swarm of drunks that had closed in but Alice and I managed to barge our way through and we were able to touch them!! I cupped Gary Barlow’s upper arm (I can confirm it is rock solid -pure muscle), touched Howard Donald’s sweaty arm and Mark’s jacket! A dream come true for someone who has never ever been that close to them before.

Seeing Take That has without a doubt been my favourite part of 2015 so far and I cannot put into words how much I value their existence. I had so much fun both times and am so grateful I got to go twice. I’d also go as far to say the boys managed to surpass ‘Progress’ with this tour. It was absolutely incredible and I am so glad they have stayed together and proved all of the critics wrong.

Music Monday – Volume Fifty Six

1) Simply Red – Big Love

Smooth, soulful; everything Simply Red does best. Beautiful.

2) Simply Red – Love Wonders

Love the slightly dark, night-time tone of this.

3) Mark Morrison – Return of Mack

Without a doubt one of the best pop/R&B tracks of the 90’s. Funky and catchy as hell.

4) Joni Mitchell – How Do You Stop

Stunning cover that completely surpasses the original. Aided by Seal on backing vocals, this is a stunning interpretation. Joni and Seal’s voices blend beautifully together.

5) The Japanese House – Still

I love the debut EP by The Japanese House and this is one of its highlights. Produced by Matt Healy and George Daniel from The 1975, it’s a stunning piece of electro-pop full of dramatic drum breaks, layered vocals and squeaky synthesisers. Beautiful.

6) Joni Mitchell – Help Me

Love Joni Mitchell and I am slowly getting through listening to most of her discography. I absolutely love this! So uplifting, so jazzy and soulful. It’s reminiscent of cycling through the countryside on a summer’s day.

7) Jamie XX – Loud Places

Keep hearing this on the radio and it always manages to grab my attention. The distorted vocals on the chorus and the stamping beats all contribute to how endearing it is.

8) Rixton – Where are u now

Prior to hearing this on radio, I hadn’t bothered checking out the original. This absolutely blew me away and made me actually sit up and listen to Rixton properly for the first time. Harmonies are on point, the jazzy piano interpretation and eerie guitar screams are stunning. Jake Roche’s lead vocal is also fantastic. I ended up checking out the original after this and this is definitely the superior version.

9) Justin Timberlake – Cry Me A River

Throwback to 2002! What a tune.

10) Justin Timberlake – I Think She Knows

Awesome interlude from the FutureSex/LoveSounds album. Love the guitar work on this.

S Club 7 Bring it all Back Tour Live – Review

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Back in their hey day

There was a lot riding on S Club 7’s 2015 Bring it all Back reunion tour. A rather rusty and slack performance on Children in Need last year left the public all rather apprehensive on the reunion of the spectacular seven. “Can Jo no longer sing?” “I’m not sure Paul can get down on the floor anymore.” “Do they not have a stylist?” You get the drift. Still, there was an air of excitement and a consistent buzz on social media for weeks in the aftermath of S Club 7’s first performance as  a seven-piece in twelve long years. Since their break up in 2003, S Club 7 have long been affiliated with nostalgia. They were an integral part of many’s childhoods, more so than anything could be to children today. They had their own TV show(s), documentaries, albums, tours etc. They were huge. And rightly so. What they lacked in credibility they made up for in fun. Every song was a hit (usually co-written by pop genius Cathy Dennis) and guaranteed to leave a huge smile on your face (except the ballads which could admittedly result in the odd tear…) S Club 7 were all that was good about the 90’s and noughties. They were the soundtrack to people’s childhoods, a pure reflection of joy and elation. No wonder, then, that demand to see them was so high for their reunion tour.

Fans needn’t have been worried about that Children in Need performance. It was evident that much hard work and intense rehearsals had taken place prior to the tour. Dance routines were slick and polished, harmonies were tight (admittedly aided by a little pre-recorded playback) and most importantly lead-singer Jo O’Meara has DEFINITELY still got it. Critics were quick to comment upon her shaky and flat vocal performance during the CIN extravaganza which O’Meara dismissed as nerves. Over the course of the tour, she more than proved she’s still got her powerhouse vocal, the backbone of all S Club 7 recordings.

The show opened with pulsing techno beats, more smoke than a sauna and six dancers in fluorescent clothing ostentatiously bouncing around the stage. “This is not a drill”, an assertive voice resonated into each corner of the 02 arena. A countdown from seven to zero with clips of the S Club 7 from their heyday climaxed with each member rising one by one from the inner depths of the stage. “7” album track “Bring the House Down” was a brave choice to begin a reunion concert with, considering it was never a single release but it was a wise choice. A common favourite of fans with tonnes of energy, it truly got the party in swing. From then on in, the group powered through their hits with more gusto than an 80’s workout video, sending the audience wild. Aside from minor weight gain and a few wrinkles, it was like no time had passed. Tina still did her thing, Jon is still looking for romance, Paul could just about get down on the floor, okay, you get it. “S Club Party” sent a rapture through the entire arena whilst “You’re My Number One’ had a slight musical makeover which dragged it from the 90’s more into euro-pop territory. “Love Ain’t Gonna Wait for You” was accompanied by a highly polished dance routine which went down a treat.

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[Photo from Digital Spy].
Unfortunately, the show dangerously lost its focus for a while. Each member performed a solo number, an unnecessary move that to many, was an excuse to nip to the bar or have a quick loo break. Tina Barrett’s performance of ‘Stronger’ (an S Club 7 album track from ‘Sunshine’) would have been fine if she had been accompanied by the other six members. Hanna Spearitt lip-synched her way through Paula Abdul’s 1988 hit ‘Straight Up’ whilst Bradley McIntosh ‘DJ’ed’ a mixture of throwback S Club songs. They were far from bad performances, just rather baffling to fans. Other solos were more successful however. Paul Cattermole’s solo version of ‘Reach’ in which he accompanied himself with an acoustic guitar, began slightly apprehensively but soon won fans over and was a beautiful moment in the show. Jon Lee and Jo O’Meara, by far the strongest vocally in the group, performed old S Club 7 b-side ‘Hello Friend’. Their fantastic and incredibly underrated vocal abilities were really showcased and their voices blended effortlessly with each other. Rachel Stevens performed a mash-up of two of her massive solo hits – ‘Some Girls’ and ‘Sweet dreams my LA ex’, again, a welcome addition to the show. It does feel a little like the inclusion of all other members’ solos were squeezed in to justify Stevens’ solo segment, however. It’s most likely most S Club 7 fans would rather them have been replaced with other S Club material. There was a missed opportunity to perform “Show Me Your Colours”, an album track from ‘Sunshine’ and firm fan favourite. Even more disappointing when Stevens (soloist on the track) informed a fan it was originally on the setlist. Other material such as ‘Friday Night’, ‘Best Friend’, ‘Sunshine’, ‘Summertime Feeling’, ‘Let Me Sleep’ and ‘Gangsta Love’, the list of potential successes goes on.

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The white costumes are out which can only mean one song… Never Had a Dream Come True! [Fan photo from Twitter].
That said, the solos are hardly worth of a complaint. The hits were all there and the running order worked well too. Fans went wild for biggest hits ‘S Club Party’, ‘Reach’, ‘Don’t Stop Movin’ and ‘Bring it all back’ and each of these songs were performed with as much energy and charisma as the first time around.  The ballads were some of the finest moments of the show, however. Of course, these too were more saccharine than a tub of Ben & Jerry’s ice cream but it’s easy to forget quite how beautiful they were. “Two in a Million” has to be one of the greatest and most underrated cheesy-pop love songs ever. “Say Goodbye” only served as a painful reminder to the group’s break up and was surprisingly rather poignant, resulting in the group standing on-stage to regain their composure and take-in the atmosphere for a couple of minutes before ploughing on. “Have You Ever”, easily one of the group’s best songs in their catalogue was a stunning moment in the show where O’Meara really showcased her incredible voice and the group’s harmonies formed a gorgeous wall of sound. “Never Had a Dream Come True”, the penultimate song, was also gorgeous but was gladly followed by the more up-tempo and less intense “Don’t Stop Movin’ to close the show.

Perhaps the most refreshing element of the show was the group’s genuine appreciation to be there. Of course, money is always a significant factor in groups reforming but with S Club 7, it was evident that they were overwhelmed by the response of their ever-loyal fans and were having a whale of a time onstage. This created an even more vibrant energy and atmosphere. There was also a much-valued acknowledgement of the fact their fanbase are all adults now, demonstrated in each member’s statement in the tour programme and enjoyable cover of ‘Uptown Funk’.

The only real fault in the show aside from the bizarre solos was the lack of a live band. Considering their past shows always featured a live band to accompany them, it felt a bit slap-dash, a bit Eurovision/X Factor, a shame when the production in general was so well constructed. Despite this, the show provided an evening of nostalgia, a time capsule back to the late 90’s where all of us twenty-somethings could become primary school children again. And if that doesn’t brighten up your life for just a moment or two, nothing will.

Rating: 4/5.

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The last date of the tour involved the other six band members joining Paul onstage for his acoustic rendition of ‘Reach’. [Image from entasia.net].

Simply Red – Big Love Album Review

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It’s been five years since Mick Hucknall disbanded Simply Red following an extensive farewell tour and greatest hits album. Fans were under the impression that this was the last we’d see of Simply Red as Hucknall expressed a desire to spend more time with his family and release material under his own name. But now, Simply Red have returned with an album and tour to celebrate thirty years since their formation.

It was always rather peculiar, Hucknall’s decision to continue recording music under his own name rather than the Simply Red label. Simply Red, after-all, is Mick Hucknall. The band is well-known for its revolving-door policy regarding band members; there has not been an original member (aside from Hucknall of course) in the band since 1995’s ‘Life’ album. This appears to have finally dawned upon Hucknall and the band’s 30th anniversary has seen him go to great lengths to celebrate the band’s long and hugely successful career.

And “Big Love” is just that. A celebration. A celebration of love and life. It’s a concept album relating to family and love which is part of its overall success. It’s an optimistic, uplifting album; a real joy to listen to. It’s obvious Hucknall has seen a surge in creativity and inspiration for this album; it’s the first album of all original material since 1995’s ‘Life’ album. Family life has evidently tamed the former wild sex-crazed front-man.

The album utilises up-tempo, catchy tracks to maintain its pace. Lead single “Shine On” is a big, fun track with funk-driven guitars and punchy percussion – a true reflection of the album as a whole. “Daydreaming” is a catchy ’70’s disco-infused number on which Hucknall’s glossy vocals really shine whilst the album ventures into a soft rather bizarre rock ‘n’ roll-gospel infusion on “Tight Tones”.

Elsewhere, “Big Love” demonstrates Hucknall’s softer side. The title track is a schmaltz-y affair, with a sweeping melody, gentle vocals and fairground piano arpeggios. “Dad” is a syrupy sweet ballad about… yes, you’ve got it, Hucknall’s father. It’s rather saccharine, with a lovely message but the lyrics themselves are a little bit ‘teen’ with some lazy rhymes. Nevertheless, it’s a poignant addition to the album following the loss of his father during Simply Red’s absence. The album also makes use of previously successful formulas for the band. There’s a throwback to ‘Night Nurse’ on ‘Love Wonders’ with its reggae-styled beat, sweeping strings and Hucknall’s butterscotch vocals. There’s also a nod back to 2003’s ‘Home’ album on ‘Love Gave Me More’ with its tinkling piano and 60’s sweeping strings.

From time to time, hitting notes requires some strain from Hucknall and it’s evident his wild past has caught up with him slightly. Nevertheless he has always had one of the most powerful voices in the industry, soft and syrupy for the ballads, a growling rasp for more uptempo songs and an incredible vocal range that would make most of today’s acts envious.

Whilst it may lack the polished finish of 2003’s ‘Home’ and the power of 1991’s ‘Stars’, it is far from a bad album. It seems Hucknall has got his mojo back. I for one hope it stays.

Rating: 3/5.

“Big Love” is available now on East West Records.

The reinvention of The 1975…

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1st June.

Fans of The 1975 have been waiting for this day for months. We have been subjected time and time again to the same cryptic tweet (“1st June, The 1975”) from front man Matt Healy over the past four months with the expectation of an announcement or new music.

Of course, die-hard fans will recognise this date as being an integral part in the band’s history. The origin of thee band’s name lies within a scrawled phrase Matty found on the back page of an old Beat diary he was given. Finding the use of ‘the’ prior to ‘1975’ fascinating, it became the band’s name after a multitude of others (B I G S L E E P and Drive Like I Do being just a couple of examples).

Yesterday evening, (31/05/2015) each member posted an image of a cartoon strip on their social media accounts, seemingly implying The 1975 were to disappear. The cartoon appeared to centralise on the themes of finality and change through a series of statements and speech bubbles. There’s a swipe at NME magazine, two contrasting depictions of Healy (‘Old Matty’ presented as a figure dressed in black whilst ‘new Matty’ is a male dressed in pink) and a series of gossip-y, social media inspired speech bubbles. Fans were left even further perplexed this morning upon discovering all propaganda related to The 1975; official website, Facebook, Twitter and Instagram pages in addition to the band’s solo social media accounts had all vanished from the web.

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Fans were sent into overdrive as they perceived these manoeuvres as signifying the end of the band. This seems highly unlikely, however, considering the band’s existing success and reputation. It appears that the band is in the process of reinvention, a concept Matt Healy is obsessed with. This bold move more than likely reinforces his discontent of social media culture. Furthermore, it appears to signify the end of The 1975 as the public know them and the caricature Healy felt he had become of himself. It’s a clever move, one that’s certainly earned them publicity.

Whilst this may be an uncertain time for fans, it’s also an exciting one as it marks the beginning of a whole new era…

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Music Monday – Volume Fifty Five

1) William Fitzsimmons – I had to carry her

I love this guy. His entire discography has this soft, soothing quality about it like a hot drink on a bitter winter’s day, that makes everything seem okay. The studio version hasn’t surfaced on YouTube yet but here’s a pleasant live performance of it. Beautiful song.

2) Victoria Beckham – Let Your Head Go

Guilty pleasure, as most of the Spice Girls’ solo material tends to be! In all fairness, whilst Victoria lacked vocal ability (she’s definitely found her niche in fashion designing), her brief pop career was enjoyable. She produced some great pop hits. This is dance-pop at its best; irresistibly catchy.

3) Will Young – Blue

Despite being a long-term fan of Will, new album ‘85% Proof’ left me greatly underwhelmed. Previous album ‘Echoes’ marked a change in direction but it had flare. ‘85% Proof’ falls a little bit flat for me – there’s no particular stand-out track strong enough to represent the album (hence why lead single ‘Love Revolution’ failed to make the Top 40). 85% Proof isn’t awful – it’s well written and has a nice flow to it, it’s just not really my thing if I am honest. This is one of a sheer minority that I enjoyed a lot during my listening experience, however. It’s got a ’70’s feel to it – a kind of glam-rock sound.

4) Backstreet Boys – She’s a Dream

Lyrics aside (a boyband declaring that “Shorty ain’t got cable, she don’t even got a radio” is rather idiosyncratic but what more can you expect from a song co-written by T-Pain?!) this is a fine piece of R&B. It feels like all participants have had a somewhat fantastic time tampering with as many gadgets and effects on this one, especially with its over-usage of autotune, but its rich harmonies and catchy beat make it an irresistible track.

5) Lemar – Very Best

Lemar’s last album ‘Invincible’ was criminally underrated. It marked a departure from his usual R&B/Soul sound and advanced more into a pop-rock territory. Unfortunately, it massively underperformed which is a real shame when it’s such a strong, enjoyable album. “Very Best” is one of its high points, a rather sweet and sentimental affair with a powerful message. The middle eight (1:56 – 2:19) is also one of my favourite parts of a song ever.

6) 5ive – Let’s Dance

One of the first singles I ever bought. Pop perfection.

7) S Club 7 – Love Ain’t Gonna Wait For You

Catchy disco-pop from the group’s final album ‘Seeing Double’. It’s a little more mature than the group’s earlier material but still manages to be catchy with an irresistible sing-along chorus.

8) Alesha Dixon – The Way We Are

I’m not a massive fan of Alesha or her music, although ‘To Love Again’, written by Gary Barlow & John Shanks was a beautiful song and ‘The Boy Does Nothing’ was a great track too. This is enjoyable, however. Catchy and a return to her Garage roots.

9) A1 – Caught in the Middle

Without a doubt, one of the greatest boyband ballads ever. I wouldn’t even regard this as a guilty pleasure, it’s that bloody good. More mature than the band’s earlier work, this was a risk that paid off and this became a massive hit back in 2002. That middle eight is awesome too.

10) Wet Wet Wet – Goodnight Girl

One of my all time favourite love songs. Marti Pellow has such a beautiful voice and the layered harmonies are gorgeous. I love the concept of the song too.

Music Monday – Volume Fifty Four

1) S Club 7 – Discotek

Catchy disco track from the ‘Seeing Double’ era that never made it onto the album. Bit of a guilty pleasure, this!

2) Rachel Stevens – Heaven Has To Wait

Rachel Stevens had a great, if short, solo career. Debut album ‘Funky Dory’ contained lots of fantastic songs and was a wonderful pop album. This is an absolutely gorgeous ballad taken from it.

3) Rachel Stevens – Blue Afternoon

Love the chilled-out, jazz feel to this track.

4) S Club 7 – Show Me Your Colours

Underrated track from the ‘Sunshine’ album. A firm favourite of many fans and this should have been a single. It’s more mature than a lot of their other material and Miss Rachel Stevens sounds fantastic on it. Moody, sultry and catchy. Awesome song.

5) Lawson – We are Kings (Acoustic)

Heard a full live performance of this and wasn’t as keen. This stripped back version is absolutely stunning, however. Andy Brown has such a great voice and his falsetto is just gorgeous. Love the message in this song.

6) Little Mix – Black Magic

One of the best pop tracks I have heard in ages. Staying loyal to the Little Mix sound but adding a little more guitar and 80’s into the mix, this is a massive step forward in the right direction for them. That guitar riff is SO nicked from ‘Girls Just Wanna Have Fun’, however…

7) The 1975 (Drive Like I Do) – One Wish

This track by The 1975 from their Drive Like I Do era recently surfaced online and it’s awesome. Even their work prior to their fame is polished and faultless. You can hear the Ladysmith Black Mambazo influence on this and a bit of The Talking Heads too. It’s simple but dreamy and irresistible with great harmonies.

8) Nathan Sykes – Kiss Me Quick

Cringey intro aside, this is incredibly catchy and really showcases Nathan’s incredible voice. Funky.

9) James Bay – Your Love Keeps Lifting Me Higher and Higher

I knew before even listening that James would do this classic justice and I was not wrong! It’s a very chilled out take in true James Bay style but it’s just so relaxing and beautiful. What a talent.

10) Victoria Beckham – IOU

Co-written by one of my favourite songwriters Chris Braide, I forgot all about this beautiful song until recently. Okay so it may lack credibility and may be slightly overloaded with cheese but that’s what great pop music is all about. Apparently written for husband David, this was an album track from Victoria’s debut album. Very pretty.

Music Monday – Volume Fifty Three

1) The 1975 – Settle Down

I love every single song from The 1975’s debut album but some tracks do get more listens than others! I neglected this song for quite a while but was recently reminded of how awesome it is. The slamming beats and funky guitar riffs contribute to its catchiness.

2) Gabrielle – I Wish

90’s R&B at its best with an awesome new jack swing vibe. Smooth, soulful with a message we can all relate to, this is an underrated beauty! Gabrielle has one of my favourite voices in Pop music and is worthy of far more credit than she receives. Many only know her for ‘Dreams’, ‘Out of Reach’ and ‘Rise’ but a listen to her Greatest Hits album proves her diversity and her level of talent. Love this.

3) Broken Social Scene – Major Label Debut

I watched ‘It’s Kind of a funny story’ for the first time last week and completely fell in love with it. Funny and moving, it tells the story of a teen boy who checks himself into a mental-health clinic. These guys did the score all the way through and this song played during the credits. It’s just a great feel-good song.

4) Queen & David Bowie – Under Pressure

One of Queen’s best songs and certainly one of my favourites. Gives me plenty of fond memories from performing in my school production of ‘We Will Rock You’ and from seeing the musical live in the West End twice. Bowie is a legend too of course. Irresistibly good.

5) Janet Jackson – That’s The Way Love Goes

Smooth and sultry, this song captures everything Janet Jackson is as an artist. Awesome production, clever sampling of James Brown’s ‘Papa don’t take no mess’ and a timeless song.

6) Michael Jackson – Beautiful Girl

Stunning demo which appeared on Michael’s 2004 Ultimate Collection box set. The finished version (if it was ever fully completed) has never come to light but fans value this version greatly. Michael’s falsetto is gorgeous. Even his unreleased material was in a different league. Beautiful song.

7) S Club 7 – Sunshine

Track from the album with the same name, I’ve always adored this song. It’s so optimistic, so catchy and has an irresistible feel-good vibe. It’s a little bit more mature than some of their best known singles and Jon Lee’s voice is absolutely incredible on it. Some beautiful memories always return to me with this song.

8) S Club 7 – Have You Ever

Upon its release, I was never that fond of this track. Since their split, however, this song has found a place in my heart and it’s now one of my all time favourite S Club 7 songs. Written by one of my favourite songwriters Chris Braide along with Cathy Dennis (responsible for many of S Club 7’s material in addition to some of the best loved pop music over the past twenty years), this was released as Children in Need’s Official Single back in 2001. Beautiful, relatable lyrics, amazing vocals from Jo O’Meara and simply pop music at its best. Gorgeous.

9) S Club 7 – Two In A Million

Beautiful, mellow ballad from S Club 7’s début album and one of their more underrated singles. Jo O’Meara’s voice is absolutely incredible.

10) S Club 7 – S Club Party

This remains an absolute classic in the history of pop! Was very lucky to be able to experience this live once again when I saw a newly reformed S Club 7 perform live at the 02 Arena – the atmosphere was incredible during this song. Still much loved today.

 

NEW:

Album of the week:

Revolutionary Road: Original Motion Picture Soundtrack by Thomas Newman

Stunning score by my favourite composer, Thomas Newman. He’s been responsible for the scores of some of my favourite films e.g. American Beauty, The Green Mile & The Shawshank Redemption. His scores are always haunting and accompany any scene perfectly.

Music Monday – Volume Fifty Two

1) Usher – I don’t mind

God-damn awful lyrics aside, I love this. Slick, smooth and simple: the characteristics of the perfect pop song! Just don’t pay too much information to the lyric content and try and block out Juicy J’s completely useless rap!

2) Gary Barlow – Offer My Peace

B-Side from the Japanese release of the wonderful ‘So Help Me Girl’. It’s classic 90’s schmaltz complete with bongo-type percussion and an electric piano but that’s a lot of what makes it so endearing! Wait for that key change 😉 Lovely little song.

3) Iggy Azalea & Jennifer Hudson – Trouble

Despite my best efforts not to like any of Iggy’s music, I always seem to get drawn in eventually… Despite some of her others which I won’t readily admit to enjoying, I will openly admit that I absolutely love this! Effortlessly catchy, simple, jazzy and just SO damn great. Completely forgot what an incredible voice J-Hud has. She makes it what it is, of course but there’s the perfect balance of rap and singing on it.

4) Longfellow – Where I Belong

Heard this on the radio and completely fell in love with it. It’s not ground-breakingly original but it’s a powerful song. Gorgeous falsetto on that chorus and love the piano too!

5) Janet Jackson – Let’s Wait Awhile

Critics would argue that this is classic 80’s cheese and yes it does have a particular element of that to it. Despite that, the message is still relevant today. It’s such an important song to multiple generations and utterly irresistible. Janet was an incredibly proficient artist in using her music as a means of raising awareness on many important issues back in the 80’s. This song is a part of that movement. The song’s producers Jimmy Jam & Terry Lewis also do a sterling job on this beautiful song.

6) Janet Jackson – Nothing

Beautiful simple song by Miss Jackson. The resemblance to Michael is uncanny in some places…

7) George Michael – Please Send Me Someone to Love (Anselmo’s Song)

Lovely track from George’s last album ‘Patience’. Chilled out and obviously very personal (Anselmo was George’s lover who died from AIDS related illness back in the mid-90’s)  it’s George at his best.

8) John Mayer & Katy Perry – Who You Love

Yes it may be a little cheesy but it’s such a beautiful song. Love how the lyrics come from two different perspectives by the couple and it’s lovely to hear Katy’s raw, organic vocals without any of the usual processing it receives. I love this couple so much – two of my favourite artists together.

9) JLS – Close to You

Not exactly innovative but a lovely R&B love song all the same. Really love this.

10) Usher -Burn

An often forgotten gem from eleven (was it really that long ago?!) years ago. Usher does heartbreak R&B ballads like no other. Such a beautiful song.

Music Monday – Volume Fifty One

1) Still Parade – Fields

Found this on a Spotify playlist.  Rather haunting with soft vocals and a tinny guitar sound. Great song.

2) Scarlet Pleasure – Windy

An irresistibly catchy, funky number by Danish band Scarlet Pleasure. The low-key chorus doesn’t make a big deal out of itself but it’s the scatty synths, driving bass and lead singer Emil Goll’s soaring falsetto that make it what it is. The synthesisers simulating the wind is also a clever trick. Can’t get enough of this right now.

3) Ryan O’Shaughnessy – Evergreen

Okay so this is apparently a Christmas song but it’s only loosely connected so I think I can just about get away with it! If you’ve read my previous Music Monday blogs, you’ll know how much I admire this guy’s talent. I really hope he goes onto good things. His début EP following his stint on Britain’s Got Talent fared well in the charts but I hope he’s able to experience a successful career. He deserves it, afterall. Very pretty song. This guy is so talented as a songwriter it’s unreal.

4) M.O – Preach

The UK’s hot new girl band. This is incredibly catchy. Absolutely love this.

5) Snoop Dogg – Peaches ‘n’ cream

You can hear Pharrell’s uncredited influence on this track with its retro production and old-school feel. Apparently he worked on the track but was uncredited afterwards. Charming! Love a bit of Snoop.

6) Hozier – Someone New

I know it’s an unpopular opinion but I never warmed to ‘Take Me To Church’ so I dismissed Hozier as an artist. How wrong I was. This is so soulful and uplifting it’s impossible not to enjoy listening to it.

7) Shura – 2Shy

I am unbelievably obsessed with this right now. SO chilled out, so late 80’s/early 90’s and SO Janet-esque. It’s like Janet Jackson herself has released an out-take from one of her first albums. It’s gentle, simplistic but pretty and really quite catchy.

8) OMI – Cheerleader

Just irresistibly catchy. Believe it or not, this was originally released back in 2012. The original version is good but it’s the Felix Jaehn Remix that makes it what it is and it’s this version that has shot into Number One all over the world.

9) Nickelback – Photograph

Love the chord progression in this. Great song.

10) Lawson – Royals

Not a fan of the original in the slightest (despite those pretty harmonies on ‘I rule’) but this chilled out, acoustic based version completely turns it on its head and completely revamps it. Lawson have an amazing talent in producing the most endearing, great covers and this is no exception. There’s a great summer vibe in this. Can’t get enough of this right now.