Category: Music Mondays

Music Monday – Volume Sixty Four

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1) Chris Brown – Your World

Verging slightly on Beiber territory, on paper, this shouldn’t work but it somehow does… It’s easy to see why this didn’t make the main tracklisting for Brown’s album ‘Fortune’ (it only appears as a bonus track on the Japanese edition) – it’s a little on the cheesy side but it’s a pretty little R&B track.

2) Liberty-X – Holding on For You

Slushy pop ballad from one of the UK’s best and most underrated pop groups. A beautiful melody leads the track, lined by tight harmonies and catchy production.

3) Razorlight – America

A song too easily forgotten until its occasional re-play on the airwaves. Gentle dreamy verses escalate into a huge stadium-anthem chorus. Irresistibly catchy; one of the greatest indie-rock songs ever recorded.

4) Rita Ora and Chris Brown – Body On Me

Steamy and sensual R&B track with crashing beats and a rousing chorus. It’s a massive track; another success in both artists’ ever-increasing discography. One of the hottest tracks currently around.

5) Sigala – Easy Love

The song of the summer. Cleverly sampling massive Jackson 5 hit ‘ABC’, it’s a huge dance track full of house-tinged piano riffs and synthesisers mimicking steel pans, not too dissimilar to Duke Dumont’s huge 2014 summer hit ‘I Got U’. It’s impossible for this song not to leave the listener with a huge grin on their face.

6) Stylo G & Gyption – My Number One

Catchy reggae track. Depends on mood for the enjoyment of this one but it’s a great summer song.

https://www.youtube.com/watch?v=wPoHZ-IifZ0

7) Jess Glynne – You Can Find Me

Brilliant Prince styled track full of punchy percussion, gospel layered vocals, funky bass and 80’s synthesisers. SO good.

8) Galantis – Peanut Butter Jelly

It’s hard to determine if this is meant to be taken seriously or as a novelty track. Either way, it’s an impossibly catchy dance track full of sweeping 60’s styled strings.

9) Robbie Williams – Nan’s Song

Beautiful acoustic ballad which closed Williams’ best album ‘Escapology’. Williams croons about the loss of his grandparent, aching with sincerity. One of very few tracks Williams wrote alone, its a well-written and lovely track.

10) Michael & Janet Jackson – Scream

Aggressive and explosive electro-rock track by two of the Jackson siblings. Both Jacksons more or less spit the lyrics in assertion as they demand the press to “Stop f*****g with me”. The fury in the track is understandable considering it was Michael’s first single release since his 1993 child molestation allegations. Awesome, powerful track.

Music Monday – Volume Sixty Three

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  1. Selena Gomez & A$AP Rocky – Good For You

Moody and seductive, Gomez is pulling out all the stops to emphasise her new-found maturity. It never quite reaches its full potential; it’s crying out for a huge climax towards the end of the song but with its provocative message and the inclusion of A$Ap Rocky’s rap, it’s a step in the right direction of producing more grown-up music.

2) Jack Garratt – Weathered

Jittery with fierce beats, grunge-y guitars and a silky smooth vocal delivery from Garratt. It’s a huge song with fantastic production.

3) Jennifer Lopez – Play

Throwback to when J-Lo was still producing GOOD music. Drawing upon Prince and Madonna for influence, it’s a catchy and funk-driven dance-pop track with squeaky synths and slamming beats. One of the best pop tracks from the noughties era.

4) Leona Lewis – Fire Under My Feet

Explosive comeback single for 2006 X Factor winner Leona Lewis. Unfortunately, the lead single from Lewis’ forthcoming album has fallen under the radar due to slack promotion from new label Island/Def Jam. With stomping percussion layered with hand claps and moody piano chords, it’s Lewis at her best.

5) Chris Brown – Don’t Judge Me

Sombre, sulky and aching with sincerity, this is Brown at his best. The lyrical content is straight from the heart and Brown croons passionately over stuttering percussion and remote production.

6) Mark Owen – Makin’ Out

Much of this blog discusses how underrated I consider Mark Owen’s solo discography to be but I shall continue to reinforce my point! Quirky rock-fuelled track from Owen’s 2005 album ‘How The Mighty Fall’, this single was only a moderate success and deserved to fare far better. Brilliant lyrics and powerful vocal delivery from Owen as always.

7) Taylor Swift – Bad Blood

The album version is far superior to the single version with Kendrick Lamar although Lamar’s rap does not particularly detract from the power of the song. Fierce.

8) Taylor Swift – Style

Still one of Swift’s best singles of her career so far. Moody and sultry with funky 80’s styled guitars and crashing percussion.

9) Take That – Today I’ve Lost You

One of the most underrated songs of Take That’s career. Originally written as the follow up to 1995’s massive hit ‘Back For Food’, Barlow saved this one (many other songs written for what would have been Take That’s follow up album to ‘Nobody Else’ appeared on Barlow’s debut album ‘Open Road’) and it was recorded for the band’s 2005 Greatest Hits compilation. Barlow’s gentle vocals trickle over a soft and organic backing track, comprised of soft guitar strums and piano chords, sweeping strings and an awesome guitar solo. It’s a shame this was never taken further and released as a single; it’s a beautifully written and performed song.

10) Gary Barlow – My Commitment

Schmaltz-y love song from Barlow’s début solo album ‘Open Road’ which screams ’90’s!’ with its heavily programmed drum machine and glittery pianos. Co-written with songwriting legend Diane Warren, this is a beautiful ballad with a lovely message.

Music Monday – Volume Sixty Two

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1) Adam Lambert – The Original High

Impossibly catchy synthpop title track of Adam Lambert’s latest album. Full of thumping beats, squealing synths and a flawless vocal from Lambert, it’s a perfect summer track.

2) Disclosure & Sam Smith – Omen

Disclosure & Sam Smith already proved to be a dream formula with 2013 house hit ‘Latch’, both catapulting each other to fame. As Disclosure prepare to release their sophomore album later this year, second single ‘Omen’ attempts to regain some of the magic ‘Latch’ contained and it doesn’t do a bad job in the slightest. Smith’s vocals are raw with sincerity as always, crooning over Disclosure’s usual scatty production. Not quite as good as ‘Latch’ but a fine follow-up nonetheless.

3) Nicki Minaj – The Night Is Still Young

Nicki Minaj’s musical and artist output is certainly intriguing. Hits such as ‘Superbass’, ‘Fly’ and ‘Pound The Alarm’ were tolerable catchy music hits whereas ‘Anaconda’ slipped into the ‘utter garbage’ category. Still, she is a highly successful and interesting artist who clearly has a strong following. ‘The Night is Still Young’ is her latest release and whilst described by many as a dance-pop song, it borders on becoming a ballad with it’s relatively slow tempo. It’s a great song, however, more so musically than lyrically but certainly one of Minaj’s better efforts.

4) Carly Rae Jepsen – Run Away With Me

One of the most underrated females in Pop, Carly Rae Jepsen has a unique talent in being able to co-write effortlessly catchy and clean pop hits, suitable for audiences of all ages. With her seductive, airy vocals and synthpop hits, Rae Jepsen has carved herself a sucessful global career yet still seems to be largely ignored compared to other female artists such as Taylor Swift and Beyonce. ‘Run Away With Me’ is the follow-up to awesome lead single ‘I Really Like You’. Both singles are from Carly’s forthcoming album ‘Emotion’ and is produced by Shellback with assistance from Mattman & Robin (the producers of ‘Higher than Higher’ by Take That and Adam Lambert’s ‘The Original High’. It’s another fun synthpop track, a little bit 80’s with squeaky synths with shuffling percussion and powerful vocals from Rae Jepsen. One of the best songs around at the moment.

5) John Newman – Come and Get It

The British northern-soul crooner is back with massive hit ‘Come and Get It’, a catchy soul-funk track co-written by John himself with pop pioneer Greg Kurstin. It’s a huge song with powerful vocals from Newman.

6) Jessica Simpson – With You

It may be incredibly cheesy and lack credibility but ‘With You’ is pop music at its best. Pretty pop track.

7) Tame Impala – Cause I’m a Man

Gentle, dreamy psychedelic summer track by Australian band Tame Impala. Reminiscent of slow-disco hits from the 1970’s, this is a breath of fresh air in the current state of the music industry. One of my absolute favourite songs currently around.

8) Blonde ft Alex Newell – All Cried Out

Awesome track of the deep house genre with 90’s house piano riffs and incredible powerhouse vocals from American singer/actor Alex Newell.

9) George Ezra – Barcelona

Soft f0lk-styled track; the latest single from George Ezra’s incredible album ‘Wanted on Voyage’. Ezra’s rich, wise-beyond-his-years vocals really are distinctively beautiful.

10) One Direction – Drag Me Down

The killer new single from the much-loved Boyband; the first without Zayn Malik who departed the band earlier this year. It’s not as good as ‘Steal My Girl’ (lead single from the band’s last album ‘Four’) but it proves the continuity of the band’s maturer sound.

Music Monday – Volume Sixty One

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1) Aqualung ft Lianne La Havas – Eggshells

Haunting piece of electro-pop comprised of eerie synth sounds, soft beats, tinny guitars and fierce piano chords. La Havas’ soulful vocals and Aqualung’s excessively auto-tuned vocals are a surprisingly effective combination.

2) Years & Years – Memo

Stunning electropop ballad which closes Years & Years’ début album. Olly Alexander’s vocal performance is powerful and sincere as it drifts effortlessly over soft hip-hop beats, piano chords and distorted synthesisers.

3) Years & Years – Eyes Shut

Another beautiful gospel-influenced ballad with jazzy chords and soulful vocals from Olly Alexander. One of the highlights from Years & Years’ début album.

4) Years & Years – Ties

Years & Years doing what they do best; a powerful electronic piece with slamming beats, stuttering synths and sincere lyrics.

5) Seal – Kiss From A Rose

One of the most beautiful love songs ever written. Seal’s raspy vocals have a distinctive flare and powerfully soar above sweeping strings and acoustic guitar strums. It’s hard to believe this gorgeous ballad was not initially a success upon its release until it was included in the movie Batman Forever a year later. It’s also a shame Seal hasn’t maintained this level of success – his music is still just as well-written and powerful. One of the most underrated British artists around.

6) The Internet ft Kaytranada – Girl

A rich fusion of neo soul, electro and R&B with gorgeous vocals, shuffling percussion and littered with eerie sounds.

7) The Blue Nile – Sentimental Man

One of the most underrated bands of all time, not aided by their very limited output over a twenty+ year career. Gorgeous track from their 1996 album ‘Peace At Last’.

8) Nothing But Thieves – Trip Switch

LOVE this right now. Explosive track from Essex-born band Nothing But Thieves with a massive chorus. Conor Mason’s robust vocal delivery often drifting into his falsetto range really drives this powerful song.

9) Matthew Morrison & Laura Michelle Kelly – What You Mean To Me

Absolutely stunning ballad composed by Gary Barlow & Eliot Kennedy for the Broadway musical ‘Finding Neverland’. Matthew Morrison & Laura Michelle Kelly is a perfect pairing and their voices gel perfectly on this dreamy duet.

10) The Corrs – What Can I Do

Upon release in early 1998, this song wasn’t a hit until it was remixed by Tin Tin Out who added the punchy percussion and metallic guitar riffs. The remixed version was released in the summer 0f 1998 and became a massive hit. One of the greatest pop songs ever written with a syrupy sweet melody, gorgeous strings, a catchy beat and awesome vocals.

Music Monday – Volume Fifty Nine

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1) Mark Ronson – The Giver (Radio 1 Live Lounge Performance)

Radio 1’s live lounge performances present an opportunity for artists to really demonstrate their art through adapting and arranging existing songs by other artists. This is an awesome interpretation of Duke Dumont’s ‘The Giver’. Ronson gives his cover a 90’s vibe with funky guitar riffs, a drum machine loop and whistling synthesisers. It’s a little repetitive but it’s a great version.

https://www.youtube.com/watch?v=An-xqjnHoHc

2) Prides – Messiah

Explosive, synthpop track by Scottish band Prides. It’s a little bit 80’s with a powerful sing-along chorus. Can’t get enough of this right now.

3) Justin Bieber, Skrillex & Diplo – Where Are U Now?

A bit of a guilty pleasure on many levels. A collaboration between two artists which I usually don’t have much time for, there is something both endearing and catchy about this EDM track. Bieber’s vocals are sincere and Skrillex and Diplo’s chaotic production adds an extra dimension to what could otherwise work perfectly well as a gorgeous ballad.

4) Flo Rida & Robin Thicke – I Don’t Like It, I Love it

Another guilty pleasure; I don’t think it is possible to shamelessly admit to enjoying any song with Flo Rida’s involvement. This is irresistibly catchy, however. Funky guitar riffs and bass lines, hand-clap percussion, silky smooth vocals from Thicke and a frighteningly seductive whistle hook, it’s the perfect pop song.

5) Major Lazer, DJ Snake and MO – Lean on

Much of this song’s success is built upon it’s amalgamation of different genres. It draws upon EDM, electropop, trap and moombhaton music, resulting in an utterly irresistible track with bouncy percussion and squeaky synthesisers. SO good.

6) Carly Rae Jepson – I really Like You

Whatever your opinion on Carly Rae Jepson, she sure knows how to write and perform catchy pop music. It is already at risk of becoming as irritating as ‘Call Me Maybe’ but for the moment, it remains the perfect pop song with Jepson’s famous breathy vocals, slamming beats and a repetitive refrain. Catchy as hell.

7) Mark Owen – Giveaway

The entirety of Owen’s solo career is criminally underrated and last album ‘The Art of Doing Nothing’ is no exception. ‘Giveaway’ is the haunting, rousing opening track, building into a catchy electropop song with Owen’s distinctive vocals echoing endlessly into the heavily synthesiser dependent backing track. Awesome song.

8) Oasis – Stand By Me

An often commercially overlooked Oasis track but just as awesome as their other material from the 90’s. Well written as always by Noel Gallagher & Liam’s prominent drool carries the song.

9) Circa Waves – My Love

This song has been a favourite of mine since the release of Circa Waves’ debut album earlier this year. There’s something incredibly beautiful about it despite it not being a ballad. It’s a massive indie track with raw electric guitars, fierce drums, driving bass lines and a passionate vocal performance by frontman Kieran Shudall. The song has been re-recorded for release as a single, an unnecessary move as the album version remains superior but it’s still awesome. I’m so glad it’s the next single.

10) Wolf Alice – Bros

LOVE this. Tinny, manic percussion, gentle vocals, a powerful driving bass line and reverberating guitars with an instantly memorable hook. One of the best songs out there right now.

Music Monday – Volume Fifty Eight

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1) Lianne La Havas – Unstoppable

Luscious piece of R&B/Soul with silky smooth vocals. Co-written by Paul Epworth, frequent collaborator with the likes of Adele & Duffy, this soul infused track is oozing with class and perfection.

2) Lianne La Havas – What You Don’t Do

Lianne La Havas is my discovery of the week and I cannot get enough of these two tracks. Her jazz-styled vocals are full of passion and soul and I love the big-band and soul infusion that underpins this catchy track.

3) Miguel – Coffee

Sexy, sultry and sleek. Miguel’s smooth vocals smother stuttering synthesisers and heavy percussion, resulting in a powerful piece of R&B perfection. Awesome lyrics to this too. Cannot get enough of this right now.

4) Miguel – What is Normal anyway?

Effortlessly smooth, with pensive lyrics and tinny guitar sounds. Miguel at his best.

5) Night Drive – Drones

Awesome electro-pop track which clearly uses elements of 1980’s electro and rock music as an influence. Catchy as hell.

6) Royworld – Dust

Irresistibly catchy pop-rock driven song with an awesome hook.

7) Teitur – One and Only

Gentle acoustic track which draws upon folk influences. Beautiful.

8) Jesse Boykins III – Plain

Awesome dance track with slightly off-pitch synthesisers, a throbbing beat, soulful vocals and gorgeous harmonies. SO good.

9) Sam Feldt ft Kimberly Anne – Show Me Love

Based upon Robin S’ massive nineties dance track of the same name, Sam Feldt gives it the 21st Century treatment and makes it more electro than dance. It’s a pleasant update of the original.

10) Shura – White Light

LOVE Shura. This is SO 80’s; imagine a hybrid of Janet Jackson & Madonna and you reach Shura. Fierce tinny drums, aggressive bass lines and funky guitar riffs, it’s catchy as hell.

Music Monday – Volume Fifty Seven

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1) Take That – Hold Up A Light

One of Take That’s best songs in their twenty five year career. So much optimism, so much energy and so much power. Mark Owen’s vocals are on point and the harmonies are perfect too. Since seeing the Take That boys live and seeing this performed live again, it’s completely reinforced what an incredible song this is.

2) Take That – The Garden

Absolutely stunning song, opener of ‘The Circus’ album. I love the little touches of production by John Shanks – from the eerie and soft opening to Howard’s stomping bridge leading into the second chorus. It’s perfect that each member gets to perform lead vocals during different sections and once again, this has to be one of the best Take That songs in their back catalogue. Gorgeous, inspiring lyrics, stunning falsetto vocals from Gary Barlow and so much power in those final explosive chorus’.

3) Take That – Flaws

Gentle but powerful ballad from the ‘III’ album. I’ve always loved this but its beauty has certainly been reinforced since seeing Mark Owen & Howard Donald’s stunning contemporary dance to it on Take That’s current tour. Very raw and very beautiful.

4) Take That – Up All Night

This was never one of my favourites from ‘The Circus’ album but I always appreciated the musicianship within it and what a great song it was overall. As the years have gone by, however, I’ve finally come to love it. I love its energy and it is the epitome of fun.

5) Finley Quaye – Sunday Shining

Heard this on the radio the other day and fell in love. Love its almost grunge-rock feel but it’s also infused with elements of Soul. Catchy with a distinctive vocal.

6) Olly Murs – Beautiful To Me

Probably my favourite Olly single in years! Catchy and emotive with beautiful lyrics, it’s a perfect pop track. Love the stomping percussion and Olly’s vocal is very strong (although the autotune usage could be reduced a little…) Can’t get enough of this right now.

7) Jennifer Lopez & Trey Songz – What You Mean to Me

Beautiful rendition of a stunning song written by Gary Barlow and Eliot Kennedy for the Finding Neverland musical. Gorgeous lyrics and JLO & Trey sound fantastic together.

8) Rixton – Let the Road

This is utterly refreshing. The majority of this track is performed acapella before launching into a dynamic album opener. Like this band a lot.

9) Rixton – We All Want The Same Thing

I know this only featured the other week but I honestly can’t get enough of this right now. Irresistibly catchy. Pop music at its best.

10) Tinie Tempah & Jess Glynne – No Letting Go

Catchy as hell and bound to be an integral part of the soundtrack to summer 2015. Jess Glynne’s voice is just awesome. A winning combination of artists.

Music Monday – Volume Fifty Six

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1) Simply Red – Big Love

Smooth, soulful; everything Simply Red does best. Beautiful.

https://www.youtube.com/watch?v=mGYMZWs9wPs

2) Simply Red – Love Wonders

Love the slightly dark, night-time tone of this.

https://www.youtube.com/watch?v=AK7HCNAGHHI

3) Mark Morrison – Return of Mack

Without a doubt one of the best pop/R&B tracks of the 90’s. Funky and catchy as hell.

4) Joni Mitchell – How Do You Stop

Stunning cover that completely surpasses the original. Aided by Seal on backing vocals, this is a stunning interpretation. Joni and Seal’s voices blend beautifully together.

5) The Japanese House – Still

I love the debut EP by The Japanese House and this is one of its highlights. Produced by Matt Healy and George Daniel from The 1975, it’s a stunning piece of electro-pop full of dramatic drum breaks, layered vocals and squeaky synthesisers. Beautiful.

6) Joni Mitchell – Help Me

Love Joni Mitchell and I am slowly getting through listening to most of her discography. I absolutely love this! So uplifting, so jazzy and soulful. It’s reminiscent of cycling through the countryside on a summer’s day.

7) Jamie XX – Loud Places

Keep hearing this on the radio and it always manages to grab my attention. The distorted vocals on the chorus and the stamping beats all contribute to how endearing it is.

8) Rixton – Where are u now

Prior to hearing this on radio, I hadn’t bothered checking out the original. This absolutely blew me away and made me actually sit up and listen to Rixton properly for the first time. Harmonies are on point, the jazzy piano interpretation and eerie guitar screams are stunning. Jake Roche’s lead vocal is also fantastic. I ended up checking out the original after this and this is definitely the superior version.

https://www.youtube.com/watch?v=zJnMqeJrD5Y

9) Justin Timberlake – Cry Me A River

Throwback to 2002! What a tune.

10) Justin Timberlake – I Think She Knows

Awesome interlude from the FutureSex/LoveSounds album. Love the guitar work on this.

Music Monday – Volume Fifty Five

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1) William Fitzsimmons – I had to carry her

I love this guy. His entire discography has this soft, soothing quality about it like a hot drink on a bitter winter’s day, that makes everything seem okay. The studio version hasn’t surfaced on YouTube yet but here’s a pleasant live performance of it. Beautiful song.

2) Victoria Beckham – Let Your Head Go

Guilty pleasure, as most of the Spice Girls’ solo material tends to be! In all fairness, whilst Victoria lacked vocal ability (she’s definitely found her niche in fashion designing), her brief pop career was enjoyable. She produced some great pop hits. This is dance-pop at its best; irresistibly catchy.

https://www.youtube.com/watch?v=fcskhTEHAP0

3) Will Young – Blue

Despite being a long-term fan of Will, new album ‘85% Proof’ left me greatly underwhelmed. Previous album ‘Echoes’ marked a change in direction but it had flare. ‘85% Proof’ falls a little bit flat for me – there’s no particular stand-out track strong enough to represent the album (hence why lead single ‘Love Revolution’ failed to make the Top 40). 85% Proof isn’t awful – it’s well written and has a nice flow to it, it’s just not really my thing if I am honest. This is one of a sheer minority that I enjoyed a lot during my listening experience, however. It’s got a ’70’s feel to it – a kind of glam-rock sound.

https://www.youtube.com/watch?v=JrBPqZ4-dz4

4) Backstreet Boys – She’s a Dream

Lyrics aside (a boyband declaring that “Shorty ain’t got cable, she don’t even got a radio” is rather idiosyncratic but what more can you expect from a song co-written by T-Pain?!) this is a fine piece of R&B. It feels like all participants have had a somewhat fantastic time tampering with as many gadgets and effects on this one, especially with its over-usage of autotune, but its rich harmonies and catchy beat make it an irresistible track.

5) Lemar – Very Best

Lemar’s last album ‘Invincible’ was criminally underrated. It marked a departure from his usual R&B/Soul sound and advanced more into a pop-rock territory. Unfortunately, it massively underperformed which is a real shame when it’s such a strong, enjoyable album. “Very Best” is one of its high points, a rather sweet and sentimental affair with a powerful message. The middle eight (1:56 – 2:19) is also one of my favourite parts of a song ever.

6) 5ive – Let’s Dance

One of the first singles I ever bought. Pop perfection.

7) S Club 7 – Love Ain’t Gonna Wait For You

Catchy disco-pop from the group’s final album ‘Seeing Double’. It’s a little more mature than the group’s earlier material but still manages to be catchy with an irresistible sing-along chorus.

8) Alesha Dixon – The Way We Are

I’m not a massive fan of Alesha or her music, although ‘To Love Again’, written by Gary Barlow & John Shanks was a beautiful song and ‘The Boy Does Nothing’ was a great track too. This is enjoyable, however. Catchy and a return to her Garage roots.

9) A1 – Caught in the Middle

Without a doubt, one of the greatest boyband ballads ever. I wouldn’t even regard this as a guilty pleasure, it’s that bloody good. More mature than the band’s earlier work, this was a risk that paid off and this became a massive hit back in 2002. That middle eight is awesome too.

10) Wet Wet Wet – Goodnight Girl

One of my all time favourite love songs. Marti Pellow has such a beautiful voice and the layered harmonies are gorgeous. I love the concept of the song too.

Music Monday – Volume Fifty Four

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1) S Club 7 – Discotek

Catchy disco track from the ‘Seeing Double’ era that never made it onto the album. Bit of a guilty pleasure, this!

2) Rachel Stevens – Heaven Has To Wait

Rachel Stevens had a great, if short, solo career. Debut album ‘Funky Dory’ contained lots of fantastic songs and was a wonderful pop album. This is an absolutely gorgeous ballad taken from it.

3) Rachel Stevens – Blue Afternoon

Love the chilled-out, jazz feel to this track.

4) S Club 7 – Show Me Your Colours

Underrated track from the ‘Sunshine’ album. A firm favourite of many fans and this should have been a single. It’s more mature than a lot of their other material and Miss Rachel Stevens sounds fantastic on it. Moody, sultry and catchy. Awesome song.

https://www.youtube.com/watch?v=CjBcb1hGeJ8

5) Lawson – We are Kings (Acoustic)

Heard a full live performance of this and wasn’t as keen. This stripped back version is absolutely stunning, however. Andy Brown has such a great voice and his falsetto is just gorgeous. Love the message in this song.

https://www.youtube.com/watch?v=z3MAhlt41r0

6) Little Mix – Black Magic

One of the best pop tracks I have heard in ages. Staying loyal to the Little Mix sound but adding a little more guitar and 80’s into the mix, this is a massive step forward in the right direction for them. That guitar riff is SO nicked from ‘Girls Just Wanna Have Fun’, however…

7) The 1975 (Drive Like I Do) – One Wish

This track by The 1975 from their Drive Like I Do era recently surfaced online and it’s awesome. Even their work prior to their fame is polished and faultless. You can hear the Ladysmith Black Mambazo influence on this and a bit of The Talking Heads too. It’s simple but dreamy and irresistible with great harmonies.

https://www.youtube.com/watch?v=1l9P52K9ETs

8) Nathan Sykes – Kiss Me Quick

Cringey intro aside, this is incredibly catchy and really showcases Nathan’s incredible voice. Funky.

9) James Bay – Your Love Keeps Lifting Me Higher and Higher

I knew before even listening that James would do this classic justice and I was not wrong! It’s a very chilled out take in true James Bay style but it’s just so relaxing and beautiful. What a talent.

10) Victoria Beckham – IOU

Co-written by one of my favourite songwriters Chris Braide, I forgot all about this beautiful song until recently. Okay so it may lack credibility and may be slightly overloaded with cheese but that’s what great pop music is all about. Apparently written for husband David, this was an album track from Victoria’s debut album. Very pretty.