Impossibly catchy synthpop title track of Adam Lambert’s latest album. Full of thumping beats, squealing synths and a flawless vocal from Lambert, it’s a perfect summer track.
2) Disclosure & Sam Smith – Omen
Disclosure & Sam Smith already proved to be a dream formula with 2013 house hit ‘Latch’, both catapulting each other to fame. As Disclosure prepare to release their sophomore album later this year, second single ‘Omen’ attempts to regain some of the magic ‘Latch’ contained and it doesn’t do a bad job in the slightest. Smith’s vocals are raw with sincerity as always, crooning over Disclosure’s usual scatty production. Not quite as good as ‘Latch’ but a fine follow-up nonetheless.
3) Nicki Minaj – The Night Is Still Young
Nicki Minaj’s musical and artist output is certainly intriguing. Hits such as ‘Superbass’, ‘Fly’ and ‘Pound The Alarm’ were tolerable catchy music hits whereas ‘Anaconda’ slipped into the ‘utter garbage’ category. Still, she is a highly successful and interesting artist who clearly has a strong following. ‘The Night is Still Young’ is her latest release and whilst described by many as a dance-pop song, it borders on becoming a ballad with it’s relatively slow tempo. It’s a great song, however, more so musically than lyrically but certainly one of Minaj’s better efforts.
4) Carly Rae Jepsen – Run Away With Me
One of the most underrated females in Pop, Carly Rae Jepsen has a unique talent in being able to co-write effortlessly catchy and clean pop hits, suitable for audiences of all ages. With her seductive, airy vocals and synthpop hits, Rae Jepsen has carved herself a sucessful global career yet still seems to be largely ignored compared to other female artists such as Taylor Swift and Beyonce. ‘Run Away With Me’ is the follow-up to awesome lead single ‘I Really Like You’. Both singles are from Carly’s forthcoming album ‘Emotion’ and is produced by Shellback with assistance from Mattman & Robin (the producers of ‘Higher than Higher’ by Take That and Adam Lambert’s ‘The Original High’. It’s another fun synthpop track, a little bit 80’s with squeaky synths with shuffling percussion and powerful vocals from Rae Jepsen. One of the best songs around at the moment.
5) John Newman – Come and Get It
The British northern-soul crooner is back with massive hit ‘Come and Get It’, a catchy soul-funk track co-written by John himself with pop pioneer Greg Kurstin. It’s a huge song with powerful vocals from Newman.
6) Jessica Simpson – With You
It may be incredibly cheesy and lack credibility but ‘With You’ is pop music at its best. Pretty pop track.
7) Tame Impala – Cause I’m a Man
Gentle, dreamy psychedelic summer track by Australian band Tame Impala. Reminiscent of slow-disco hits from the 1970’s, this is a breath of fresh air in the current state of the music industry. One of my absolute favourite songs currently around.
8) Blonde ft Alex Newell – All Cried Out
Awesome track of the deep house genre with 90’s house piano riffs and incredible powerhouse vocals from American singer/actor Alex Newell.
9) George Ezra – Barcelona
Soft f0lk-styled track; the latest single from George Ezra’s incredible album ‘Wanted on Voyage’. Ezra’s rich, wise-beyond-his-years vocals really are distinctively beautiful.
10) One Direction – Drag Me Down
The killer new single from the much-loved Boyband; the first without Zayn Malik who departed the band earlier this year. It’s not as good as ‘Steal My Girl’ (lead single from the band’s last album ‘Four’) but it proves the continuity of the band’s maturer sound.
Haunting piece of electro-pop comprised of eerie synth sounds, soft beats, tinny guitars and fierce piano chords. La Havas’ soulful vocals and Aqualung’s excessively auto-tuned vocals are a surprisingly effective combination.
2) Years & Years – Memo
Stunning electropop ballad which closes Years & Years’ début album. Olly Alexander’s vocal performance is powerful and sincere as it drifts effortlessly over soft hip-hop beats, piano chords and distorted synthesisers.
3) Years & Years – Eyes Shut
Another beautiful gospel-influenced ballad with jazzy chords and soulful vocals from Olly Alexander. One of the highlights from Years & Years’ début album.
4) Years & Years – Ties
Years & Years doing what they do best; a powerful electronic piece with slamming beats, stuttering synths and sincere lyrics.
5) Seal – Kiss From A Rose
One of the most beautiful love songs ever written. Seal’s raspy vocals have a distinctive flare and powerfully soar above sweeping strings and acoustic guitar strums. It’s hard to believe this gorgeous ballad was not initially a success upon its release until it was included in the movie Batman Forever a year later. It’s also a shame Seal hasn’t maintained this level of success – his music is still just as well-written and powerful. One of the most underrated British artists around.
6) The Internet ft Kaytranada – Girl
A rich fusion of neo soul, electro and R&B with gorgeous vocals, shuffling percussion and littered with eerie sounds.
7) The Blue Nile – Sentimental Man
One of the most underrated bands of all time, not aided by their very limited output over a twenty+ year career. Gorgeous track from their 1996 album ‘Peace At Last’.
8) Nothing But Thieves – Trip Switch
LOVE this right now. Explosive track from Essex-born band Nothing But Thieves with a massive chorus. Conor Mason’s robust vocal delivery often drifting into his falsetto range really drives this powerful song.
9) Matthew Morrison & Laura Michelle Kelly – What You Mean To Me
Absolutely stunning ballad composed by Gary Barlow & Eliot Kennedy for the Broadway musical ‘Finding Neverland’. Matthew Morrison & Laura Michelle Kelly is a perfect pairing and their voices gel perfectly on this dreamy duet.
10) The Corrs – What Can I Do
Upon release in early 1998, this song wasn’t a hit until it was remixed by Tin Tin Out who added the punchy percussion and metallic guitar riffs. The remixed version was released in the summer 0f 1998 and became a massive hit. One of the greatest pop songs ever written with a syrupy sweet melody, gorgeous strings, a catchy beat and awesome vocals.
1) Mark Ronson – The Giver (Radio 1 Live Lounge Performance)
Radio 1’s live lounge performances present an opportunity for artists to really demonstrate their art through adapting and arranging existing songs by other artists. This is an awesome interpretation of Duke Dumont’s ‘The Giver’. Ronson gives his cover a 90’s vibe with funky guitar riffs, a drum machine loop and whistling synthesisers. It’s a little repetitive but it’s a great version.
2) Prides – Messiah
Explosive, synthpop track by Scottish band Prides. It’s a little bit 80’s with a powerful sing-along chorus. Can’t get enough of this right now.
3) Justin Bieber, Skrillex & Diplo – Where Are U Now?
A bit of a guilty pleasure on many levels. A collaboration between two artists which I usually don’t have much time for, there is something both endearing and catchy about this EDM track. Bieber’s vocals are sincere and Skrillex and Diplo’s chaotic production adds an extra dimension to what could otherwise work perfectly well as a gorgeous ballad.
4) Flo Rida & Robin Thicke – I Don’t Like It, I Love it
Another guilty pleasure; I don’t think it is possible to shamelessly admit to enjoying any song with Flo Rida’s involvement. This is irresistibly catchy, however. Funky guitar riffs and bass lines, hand-clap percussion, silky smooth vocals from Thicke and a frighteningly seductive whistle hook, it’s the perfect pop song.
5) Major Lazer, DJ Snake and MO – Lean on
Much of this song’s success is built upon it’s amalgamation of different genres. It draws upon EDM, electropop, trap and moombhaton music, resulting in an utterly irresistible track with bouncy percussion and squeaky synthesisers. SO good.
6) Carly Rae Jepson – I really Like You
Whatever your opinion on Carly Rae Jepson, she sure knows how to write and perform catchy pop music. It is already at risk of becoming as irritating as ‘Call Me Maybe’ but for the moment, it remains the perfect pop song with Jepson’s famous breathy vocals, slamming beats and a repetitive refrain. Catchy as hell.
7) Mark Owen – Giveaway
The entirety of Owen’s solo career is criminally underrated and last album ‘The Art of Doing Nothing’ is no exception. ‘Giveaway’ is the haunting, rousing opening track, building into a catchy electropop song with Owen’s distinctive vocals echoing endlessly into the heavily synthesiser dependent backing track. Awesome song.
8) Oasis – Stand By Me
An often commercially overlooked Oasis track but just as awesome as their other material from the 90’s. Well written as always by Noel Gallagher & Liam’s prominent drool carries the song.
9) Circa Waves – My Love
This song has been a favourite of mine since the release of Circa Waves’ debut album earlier this year. There’s something incredibly beautiful about it despite it not being a ballad. It’s a massive indie track with raw electric guitars, fierce drums, driving bass lines and a passionate vocal performance by frontman Kieran Shudall. The song has been re-recorded for release as a single, an unnecessary move as the album version remains superior but it’s still awesome. I’m so glad it’s the next single.
10) Wolf Alice – Bros
LOVE this. Tinny, manic percussion, gentle vocals, a powerful driving bass line and reverberating guitars with an instantly memorable hook. One of the best songs out there right now.
Luscious piece of R&B/Soul with silky smooth vocals. Co-written by Paul Epworth, frequent collaborator with the likes of Adele & Duffy, this soul infused track is oozing with class and perfection.
2) Lianne La Havas – What You Don’t Do
Lianne La Havas is my discovery of the week and I cannot get enough of these two tracks. Her jazz-styled vocals are full of passion and soul and I love the big-band and soul infusion that underpins this catchy track.
3) Miguel – Coffee
Sexy, sultry and sleek. Miguel’s smooth vocals smother stuttering synthesisers and heavy percussion, resulting in a powerful piece of R&B perfection. Awesome lyrics to this too. Cannot get enough of this right now.
4) Miguel – What is Normal anyway?
Effortlessly smooth, with pensive lyrics and tinny guitar sounds. Miguel at his best.
5) Night Drive – Drones
Awesome electro-pop track which clearly uses elements of 1980’s electro and rock music as an influence. Catchy as hell.
6) Royworld – Dust
Irresistibly catchy pop-rock driven song with an awesome hook.
7) Teitur – One and Only
Gentle acoustic track which draws upon folk influences. Beautiful.
8) Jesse Boykins III – Plain
Awesome dance track with slightly off-pitch synthesisers, a throbbing beat, soulful vocals and gorgeous harmonies. SO good.
9) Sam Feldt ft Kimberly Anne – Show Me Love
Based upon Robin S’ massive nineties dance track of the same name, Sam Feldt gives it the 21st Century treatment and makes it more electro than dance. It’s a pleasant update of the original.
10) Shura – White Light
LOVE Shura. This is SO 80’s; imagine a hybrid of Janet Jackson & Madonna and you reach Shura. Fierce tinny drums, aggressive bass lines and funky guitar riffs, it’s catchy as hell.
I cannot believe it is six years today since the death of Michael Jackson sent shockwaves through the world. I still recall that day very well, my Dad ringing me from LA, where he and my Mum were holidaying at the time, to inform me my musical hero had died. It was a bizarre and immensely sad day for many people, including me.
Some of you may know that prior to Take That, Michael Jackson was my main obsession. He still largely is, it’s just other artists and things have come into my life in the last five years or so and therefore I tend to go through phases of becoming re-obsessed with particular things! MJ will always be one of my heroes and his music continues to take me to another world.
To celebrate his life, this blog lists thirty of my favourite Michael Jackson songs. Many are singles but some are simply album tracks. I could be here all day listing all of my favourites, both released and unreleased, singles, album tracks, tracks recorded with his brothers etc. but I have chosen thirty of my ultimate favourites that most people will be familiar with. So, in album order, here we go:
1) Don’t Stop Till You Get Enough
A disco classic, it’s Michael’s smooth falsetto that carries this groovy number. Still a classic years later.
2) Rock with You
Smooth, soulful and catchy, another perfect disco classic.
3) I Can’t Help it
Another smooth and soulful track from the ‘Off The Wall’ album, co-written by the legendary Stevie Wonder.
4) Wanna Be Startin’ Somethin’
Funky, punchy opener to the ‘Thriller’ album full of funk and an introduction to the aggression shown in some of Jackson’s later work. That “Mama-say mama-sah ma-ma-coo-sah” refrain at the end remains a classic part of pop history.
5) Beat It
Just one example of Jackson’s ability to write and record in all genres, fusing rock with R&B. Contains that amazing, distinctive amazing guitar solo from Eddie Van Halen.
6) P.Y.T (Pretty Young Thing)
Classic disco/funk song from the ‘Thriller’ album. It was originally Jackson’s own song but was rejected by producer Quincy Jones. Jones liked the title, however and subsequently wrote a new version with James Ingram which became the catchy disco version greatly known and loved today. Also featured two of Jackson’s sisters: Janet and La Toya.
7) Human Nature
Effortlessly smooth and soulful, written by Toto’s Steve Poraco with lyrics later added by lyricist John Bettis. The low-key guitar which drives the song is reminiscent of much of Toto’s work as a band and was a song not originally intended for ‘Thriller’. It appeared on the end of a demo cassette handed to producer Quincy Jones as a rough idea. Jones loved the idea and approached Poraco to complete it with help from Bettis. Michael’s falsetto is absolutely stunning and flutters endearingly over shimmering synthesisers.
8) Liberian Girl
Another silky R&B number written solely by Jackson. It’s sleek, sexy and a beautiful addition to the ‘Bad’ album.
9) Dirty Diana
Another heavy-rock song, this time from the ‘Bad’ album. One of a handful of songs written by Jackson on the subject of groupies, it’s dark, gritty and remains a classic.
10) Man in the Mirror
One of Jackson’s iconic songs which addresses making a difference. Written by Siedah Garrett (Jackson’s duet partner on ‘I Just Can’t Stop Loving You’) with legendary composer Glen Ballard, it was a global hit but only managed to reach the top 10 of the UK singles chart after Jackson’s death in 2009.
11) I Just Can’t Stop Loving You
Sultry, schmaltzy affair but it remains one of Jackson’s best love songs. Assisted by Siedah Garrett on lead vocals, this was the lead single from the ‘Bad’ album but was never accompanied by a music video.
12) Leave Me Alone
Funky, gritty closer to the ‘Bad’ album, originally only included as a bonus track. The accompanying music video addressed Jackson’s troubled relationship with the press and aimed to dispel many of the apparently ludicrous rumours circling camp Jackson at the time.
13) Speed Demon
Funk rock song that appeared on the ‘Bad’ album. Its lyrical content isn’t perhaps as edgy or significant as Jackson’s other singles (it was reportedly written upon Jackson receiving a speeding ticket for driving too fast…), it’s still a lot of fun and a welcome addition to the ‘Bad’ album.
14) Smooth Criminal
We never did find out if Annie was okay, did we?! One of Jackson’s best-known and well-loved songs which discuss the unfortunate affairs of a woman named Annie who has been assaulted by a smooth assailant. It’s dark, groovy, and definitely one of Jackson’s best. The music video was pioneering at the time too, featuring that amazing anti-gravity forward-lean.
15) Heal The World
Another of Jackson’s ‘save the world’-themed songs, this time from 1991’s ‘Dangerous’ album. It remained one of Jackson’s proudest creations and was the stimulus to the creation of Jackson’s ‘Heal the World’ foundation. It was performed multiple times during Jackson’s career and remains well-loved.
16) Who Is It?
Paranoia infused R&B number which details a man’s despair after his lover leaves him for another man. The bass line is instantly recognisable and the percussion for the track is aided by Jackson’s own beat-boxing.Indeed, a snippet of Jackson beatboxing the song during an interview with Oprah Winfrey in early 1993 rocketed the track further up the charts. It’s lengthy (like much of Jackson’s work) but completely necessary. The choral introduction, the repeated fade-out all contribute to its success as a record.
17) Remember the Time
One of the pioneering New Jack Swing songs from the 90’s, ‘Remember The Time’ was written by Jackson along with ‘Dangerous’ producer Teddy Riley and Bernard Belle. The ‘Dangerous’ era marked a musical departure for Jackson who ventured into a more mature R&B/New Jack Swing sound as he made the transition from working with Quincy Jones to Teddy Riley. There are various interpretations on the subject of the song. Some argue it was about Jackson’s second wife Debbie Rowe whilst many believe it was about Jackson’s affection for Diana Ross. Accompanied by one of the greatest music videos of the 90’s, Egyptian themed with Eddie Murphy, Iman Bowie & Magic Johnson.
18) Black or White
Despite the widely perceived irony relating to Jackson’s ever-changing appearance, this remains one of his best-loved hits. Fused with a variety of genres including New Jack Swing, R&B, Hip hop and Rock, it’s a showcase of Jackson’s ability to blur the boundaries in music. Heavy percussion, grunge guitars, gritty vocals and a fun rap, it’s a little bit of everything but it works.
19) Will You Be There
Gorgeous, gentle gospel ballad from the ‘Dangerous’ album, also appearing on the Free Willy soundtrack. Features a lengthy introduction including an interlude by the Cleveland Orchestra and a portion of the Cleveland Chorus performing Beethoven’s ninth symphony.
20) Stranger in Moscow
One of Jackson’s most heartfelt, sincere and darkest songs. It was critically acclaimed upon release and is widely recognised to be one of Michael’s best works. The lyrics are inspired by a poem Jackson wrote in a hotel room in Moscow whilst on the ‘Dangerous’ tour in 1993 with music later added by Brad Buxer (who was uncredited). It documents loneliness and isolation, cleverly incorporating Russian imagery and symbolism. The song was originally planned as one of the only a handful of new tracks to be added to a planned Greatest Hits compilation. Jackson was so satisfied with the result that ‘HIStory’ became a double disk album – one of greatest hits and the second, a collection of new material.
21) Smile
Based upon Charlie Chaplin’s instrumental composition and Nat King Cole’s original version with lyrics, this was the closing track to HIStory. Critical reception at the time was mostly negative but there is no doubt that Jackson’s vocal performance on this number is impeccable. Yes, it’s a little bit Disney, a bit schmaltzy but it’s also very beautiful, particularly the whistled outro.
22) They Don’t Care About Us
Gritty, aggressive R&B/Hip Hop track which remains Jackson’s most controversial song. A portion of its lyrical content was believed by many to be anti-Semitic which Jackson strenuously denied. He later re-worded and re-recorded the lyrics and current copies of ‘HIStory’ either feature the amended lyrics or sound effects in place of the said lyrics. The song also had two music videos, both also the subject of controversy. Nevertheless, it’s still a classic Michael Jackson track.
23) You Are Not Alone
Stunning ballad written by R.Kelly and recorded for the ‘HIStory’ album. The accompanying video caused a stir when it featured a half-nude Jackson and then-wife Lisa Marie Presley.
24) Childhood
Another stunning Jackson ballad which also appeared on the soundtrack to Free Willy 2: The Adventure Home. Gentle and a little eerie, the song’s instrumentation utilises piano, orchestra, choir and Jackson’s vocals. Lyrically, it documents Jackson’s perceived difficult upbringing, a matter which plagued most of his life.
25) Ghosts
Edgy New Jack Swing track from Jackson’s 1997 remix album: ‘Blood on the Dancefloor: History in the Mix’. Featuring lyrics such as ‘And who gave you the right to shake my family tree?’, it’s another paranoia infused track but one which works perfectly. It was accompanied by a similarly titled film of the same name in which Jackson played a variety of characters.
26) You are My Life
Gorgeous, soft ballad from Jackson’s last studio album in his lifetime, ‘Invincible’. Co-written by legendary composers Kenneth ‘Babyface’ Edmonds and Carole Bayer Sager along with John McClain, Jackson changed the original title from ‘You are My World’ and subsequently received lead song-writing credit. Recorded just weeks before the release of ‘Invincible’, this song demonstrates the difficulty Jackson had in selecting and producing material for the album. It’s a beautiful ballad, however.
27) Butterflies
Another gorgeous ballad from ‘Invincible’, written by British R&B duo ‘Floetry’ consisting of Marsha Ambrosius and Natalie Stewart. When Jackson’s ‘Invincible’ album was the subject of delays, the duo ended up also recording the track for their own album. Rumoured to be a single but never saw commercial release due to Jackson’s ongoing conflicts with his record label. Lush, gentle with stunning, soaring harmonies, this is one of Jackson’s most underrated and endearing works.
28) Cry
Second single from ‘Invincible’, written by R. Kelly. Another ‘change-the-world’ song, this failed to generate the same reception and publicity as previous songs with similar lyrical themes, not aided by Jackson’s refusal to appear in the music video. Still, it’s a pretty song with a fantastic gospel performed climax.
29) One More Chance
Jackson’s final song written by R. Kelly which was the lead single for his 2003 Greatest Hits album ‘Number Ones’. It’s a smooth, catchy R&B number which was a big hit across the world.
30) Best of Joy
Repetitive but beautiful song, rumoured to be Jackson’s final recording before he died. What it lacks in innovation it makes up for in its charming presentation and Jackson’s famous falsetto.
BONUS:
31) Gone Too Soon
Absolutely gorgeous ballad from the Dangerous album, dedicated to AIDS victim Ryan White who passed away in 1990. White became a national poster-boy for HIV/AIDS when he was expelled from school due to his infection. He became infected with the virus from a contaminated blood treatment and later passed away aged just 18. Written by Larry Grossman and Buz Kohan, this was the final single to be released from the ‘Dangerous’ album.
One of Take That’s best songs in their twenty five year career. So much optimism, so much energy and so much power. Mark Owen’s vocals are on point and the harmonies are perfect too. Since seeing the Take That boys live and seeing this performed live again, it’s completely reinforced what an incredible song this is.
2) Take That – The Garden
Absolutely stunning song, opener of ‘The Circus’ album. I love the little touches of production by John Shanks – from the eerie and soft opening to Howard’s stomping bridge leading into the second chorus. It’s perfect that each member gets to perform lead vocals during different sections and once again, this has to be one of the best Take That songs in their back catalogue. Gorgeous, inspiring lyrics, stunning falsetto vocals from Gary Barlow and so much power in those final explosive chorus’.
3) Take That – Flaws
Gentle but powerful ballad from the ‘III’ album. I’ve always loved this but its beauty has certainly been reinforced since seeing Mark Owen & Howard Donald’s stunning contemporary dance to it on Take That’s current tour. Very raw and very beautiful.
4) Take That – Up All Night
This was never one of my favourites from ‘The Circus’ album but I always appreciated the musicianship within it and what a great song it was overall. As the years have gone by, however, I’ve finally come to love it. I love its energy and it is the epitome of fun.
5) Finley Quaye – Sunday Shining
Heard this on the radio the other day and fell in love. Love its almost grunge-rock feel but it’s also infused with elements of Soul. Catchy with a distinctive vocal.
6) Olly Murs – Beautiful To Me
Probably my favourite Olly single in years! Catchy and emotive with beautiful lyrics, it’s a perfect pop track. Love the stomping percussion and Olly’s vocal is very strong (although the autotune usage could be reduced a little…) Can’t get enough of this right now.
7) Jennifer Lopez & Trey Songz – What You Mean to Me
Beautiful rendition of a stunning song written by Gary Barlow and Eliot Kennedy for the Finding Neverland musical. Gorgeous lyrics and JLO & Trey sound fantastic together.
8) Rixton – Let the Road
This is utterly refreshing. The majority of this track is performed acapella before launching into a dynamic album opener. Like this band a lot.
9) Rixton – We All Want The Same Thing
I know this only featured the other week but I honestly can’t get enough of this right now. Irresistibly catchy. Pop music at its best.
10) Tinie Tempah & Jess Glynne – No Letting Go
Catchy as hell and bound to be an integral part of the soundtrack to summer 2015. Jess Glynne’s voice is just awesome. A winning combination of artists.
Smooth, soulful; everything Simply Red does best. Beautiful.
2) Simply Red – Love Wonders
Love the slightly dark, night-time tone of this.
3) Mark Morrison – Return of Mack
Without a doubt one of the best pop/R&B tracks of the 90’s. Funky and catchy as hell.
4) Joni Mitchell – How Do You Stop
Stunning cover that completely surpasses the original. Aided by Seal on backing vocals, this is a stunning interpretation. Joni and Seal’s voices blend beautifully together.
5) The Japanese House – Still
I love the debut EP by The Japanese House and this is one of its highlights. Produced by Matt Healy and George Daniel from The 1975, it’s a stunning piece of electro-pop full of dramatic drum breaks, layered vocals and squeaky synthesisers. Beautiful.
6) Joni Mitchell – Help Me
Love Joni Mitchell and I am slowly getting through listening to most of her discography. I absolutely love this! So uplifting, so jazzy and soulful. It’s reminiscent of cycling through the countryside on a summer’s day.
7) Jamie XX – Loud Places
Keep hearing this on the radio and it always manages to grab my attention. The distorted vocals on the chorus and the stamping beats all contribute to how endearing it is.
8) Rixton – Where are u now
Prior to hearing this on radio, I hadn’t bothered checking out the original. This absolutely blew me away and made me actually sit up and listen to Rixton properly for the first time. Harmonies are on point, the jazzy piano interpretation and eerie guitar screams are stunning. Jake Roche’s lead vocal is also fantastic. I ended up checking out the original after this and this is definitely the superior version.
9) Justin Timberlake – Cry Me A River
Throwback to 2002! What a tune.
10) Justin Timberlake – I Think She Knows
Awesome interlude from the FutureSex/LoveSounds album. Love the guitar work on this.
I love this guy. His entire discography has this soft, soothing quality about it like a hot drink on a bitter winter’s day, that makes everything seem okay. The studio version hasn’t surfaced on YouTube yet but here’s a pleasant live performance of it. Beautiful song.
2) Victoria Beckham – Let Your Head Go
Guilty pleasure, as most of the Spice Girls’ solo material tends to be! In all fairness, whilst Victoria lacked vocal ability (she’s definitely found her niche in fashion designing), her brief pop career was enjoyable. She produced some great pop hits. This is dance-pop at its best; irresistibly catchy.
3) Will Young – Blue
Despite being a long-term fan of Will, new album ‘85% Proof’ left me greatly underwhelmed. Previous album ‘Echoes’ marked a change in direction but it had flare. ‘85% Proof’ falls a little bit flat for me – there’s no particular stand-out track strong enough to represent the album (hence why lead single ‘Love Revolution’ failed to make the Top 40). 85% Proof isn’t awful – it’s well written and has a nice flow to it, it’s just not really my thing if I am honest. This is one of a sheer minority that I enjoyed a lot during my listening experience, however. It’s got a ’70’s feel to it – a kind of glam-rock sound.
4) Backstreet Boys – She’s a Dream
Lyrics aside (a boyband declaring that “Shorty ain’t got cable, she don’t even got a radio” is rather idiosyncratic but what more can you expect from a song co-written by T-Pain?!) this is a fine piece of R&B. It feels like all participants have had a somewhat fantastic time tampering with as many gadgets and effects on this one, especially with its over-usage of autotune, but its rich harmonies and catchy beat make it an irresistible track.
5) Lemar – Very Best
Lemar’s last album ‘Invincible’ was criminally underrated. It marked a departure from his usual R&B/Soul sound and advanced more into a pop-rock territory. Unfortunately, it massively underperformed which is a real shame when it’s such a strong, enjoyable album. “Very Best” is one of its high points, a rather sweet and sentimental affair with a powerful message. The middle eight (1:56 – 2:19) is also one of my favourite parts of a song ever.
6) 5ive – Let’s Dance
One of the first singles I ever bought. Pop perfection.
7) S Club 7 – Love Ain’t Gonna Wait For You
Catchy disco-pop from the group’s final album ‘Seeing Double’. It’s a little more mature than the group’s earlier material but still manages to be catchy with an irresistible sing-along chorus.
8) Alesha Dixon – The Way We Are
I’m not a massive fan of Alesha or her music, although ‘To Love Again’, written by Gary Barlow & John Shanks was a beautiful song and ‘The Boy Does Nothing’ was a great track too. This is enjoyable, however. Catchy and a return to her Garage roots.
9) A1 – Caught in the Middle
Without a doubt, one of the greatest boyband ballads ever. I wouldn’t even regard this as a guilty pleasure, it’s that bloody good. More mature than the band’s earlier work, this was a risk that paid off and this became a massive hit back in 2002. That middle eight is awesome too.
10) Wet Wet Wet – Goodnight Girl
One of my all time favourite love songs. Marti Pellow has such a beautiful voice and the layered harmonies are gorgeous. I love the concept of the song too.
Catchy disco track from the ‘Seeing Double’ era that never made it onto the album. Bit of a guilty pleasure, this!
2) Rachel Stevens – Heaven Has To Wait
Rachel Stevens had a great, if short, solo career. Debut album ‘Funky Dory’ contained lots of fantastic songs and was a wonderful pop album. This is an absolutely gorgeous ballad taken from it.
3) Rachel Stevens – Blue Afternoon
Love the chilled-out, jazz feel to this track.
4) S Club 7 – Show Me Your Colours
Underrated track from the ‘Sunshine’ album. A firm favourite of many fans and this should have been a single. It’s more mature than a lot of their other material and Miss Rachel Stevens sounds fantastic on it. Moody, sultry and catchy. Awesome song.
5) Lawson – We are Kings (Acoustic)
Heard a full live performance of this and wasn’t as keen. This stripped back version is absolutely stunning, however. Andy Brown has such a great voice and his falsetto is just gorgeous. Love the message in this song.
6) Little Mix – Black Magic
One of the best pop tracks I have heard in ages. Staying loyal to the Little Mix sound but adding a little more guitar and 80’s into the mix, this is a massive step forward in the right direction for them. That guitar riff is SO nicked from ‘Girls Just Wanna Have Fun’, however…
7) The 1975 (Drive Like I Do) – One Wish
This track by The 1975 from their Drive Like I Do era recently surfaced online and it’s awesome. Even their work prior to their fame is polished and faultless. You can hear the Ladysmith Black Mambazo influence on this and a bit of The Talking Heads too. It’s simple but dreamy and irresistible with great harmonies.
8) Nathan Sykes – Kiss Me Quick
Cringey intro aside, this is incredibly catchy and really showcases Nathan’s incredible voice. Funky.
9) James Bay – Your Love Keeps Lifting Me Higher and Higher
I knew before even listening that James would do this classic justice and I was not wrong! It’s a very chilled out take in true James Bay style but it’s just so relaxing and beautiful. What a talent.
10) Victoria Beckham – IOU
Co-written by one of my favourite songwriters Chris Braide, I forgot all about this beautiful song until recently. Okay so it may lack credibility and may be slightly overloaded with cheese but that’s what great pop music is all about. Apparently written for husband David, this was an album track from Victoria’s debut album. Very pretty.
I love every single song from The 1975’s debut album but some tracks do get more listens than others! I neglected this song for quite a while but was recently reminded of how awesome it is. The slamming beats and funky guitar riffs contribute to its catchiness.
2) Gabrielle – I Wish
90’s R&B at its best with an awesome new jack swing vibe. Smooth, soulful with a message we can all relate to, this is an underrated beauty! Gabrielle has one of my favourite voices in Pop music and is worthy of far more credit than she receives. Many only know her for ‘Dreams’, ‘Out of Reach’ and ‘Rise’ but a listen to her Greatest Hits album proves her diversity and her level of talent. Love this.
3) Broken Social Scene – Major Label Debut
I watched ‘It’s Kind of a funny story’ for the first time last week and completely fell in love with it. Funny and moving, it tells the story of a teen boy who checks himself into a mental-health clinic. These guys did the score all the way through and this song played during the credits. It’s just a great feel-good song.
4) Queen & David Bowie – Under Pressure
One of Queen’s best songs and certainly one of my favourites. Gives me plenty of fond memories from performing in my school production of ‘We Will Rock You’ and from seeing the musical live in the West End twice. Bowie is a legend too of course. Irresistibly good.
5) Janet Jackson – That’s The Way Love Goes
Smooth and sultry, this song captures everything Janet Jackson is as an artist. Awesome production, clever sampling of James Brown’s ‘Papa don’t take no mess’ and a timeless song.
6) Michael Jackson – Beautiful Girl
Stunning demo which appeared on Michael’s 2004 Ultimate Collection box set. The finished version (if it was ever fully completed) has never come to light but fans value this version greatly. Michael’s falsetto is gorgeous. Even his unreleased material was in a different league. Beautiful song.
7) S Club 7 – Sunshine
Track from the album with the same name, I’ve always adored this song. It’s so optimistic, so catchy and has an irresistible feel-good vibe. It’s a little bit more mature than some of their best known singles and Jon Lee’s voice is absolutely incredible on it. Some beautiful memories always return to me with this song.
8) S Club 7 – Have You Ever
Upon its release, I was never that fond of this track. Since their split, however, this song has found a place in my heart and it’s now one of my all time favourite S Club 7 songs. Written by one of my favourite songwriters Chris Braide along with Cathy Dennis (responsible for many of S Club 7’s material in addition to some of the best loved pop music over the past twenty years), this was released as Children in Need’s Official Single back in 2001. Beautiful, relatable lyrics, amazing vocals from Jo O’Meara and simply pop music at its best. Gorgeous.
9) S Club 7 – Two In A Million
Beautiful, mellow ballad from S Club 7’s début album and one of their more underrated singles. Jo O’Meara’s voice is absolutely incredible.
10) S Club 7 – S Club Party
This remains an absolute classic in the history of pop! Was very lucky to be able to experience this live once again when I saw a newly reformed S Club 7 perform live at the 02 Arena – the atmosphere was incredible during this song. Still much loved today.
NEW:
Album of the week:
Revolutionary Road: Original Motion Picture Soundtrack by Thomas Newman
Stunning score by my favourite composer, Thomas Newman. He’s been responsible for the scores of some of my favourite films e.g. American Beauty, The Green Mile & The Shawshank Redemption. His scores are always haunting and accompany any scene perfectly.
the-music-box.co.uk 