Don’t Judge Me

Selena Gomez & A$AP Rocky – Good For You

Moody and seductive, Gomez is pulling out all the stops to emphasise her new-found maturity. It never quite reaches its full potential; it’s crying out for a huge climax towards the end of the song but with its provocative message and the inclusion of A$Ap Rocky’s rap, it’s a step in the right direction of producing more grown-up music.

2) Jack Garratt – Weathered

Jittery with fierce beats, grunge-y guitars and a silky smooth vocal delivery from Garratt. It’s a huge song with fantastic production.

3) Jennifer Lopez – Play

Throwback to when J-Lo was still producing GOOD music. Drawing upon Prince and Madonna for influence, it’s a catchy and funk-driven dance-pop track with squeaky synths and slamming beats. One of the best pop tracks from the noughties era.

4) Leona Lewis – Fire Under My Feet

Explosive comeback single for 2006 X Factor winner Leona Lewis. Unfortunately, the lead single from Lewis’ forthcoming album has fallen under the radar due to slack promotion from new label Island/Def Jam. With stomping percussion layered with hand claps and moody piano chords, it’s Lewis at her best.

5) Chris Brown – Don’t Judge Me

Sombre, sulky and aching with sincerity, this is Brown at his best. The lyrical content is straight from the heart and Brown croons passionately over stuttering percussion and remote production.

6) Mark Owen – Makin’ Out

Much of this blog discusses how underrated I consider Mark Owen’s solo discography to be but I shall continue to reinforce my point! Quirky rock-fuelled track from Owen’s 2005 album ‘How The Mighty Fall’, this single was only a moderate success and deserved to fare far better. Brilliant lyrics and powerful vocal delivery from Owen as always.

7) Taylor Swift – Bad Blood

The album version is far superior to the single version with Kendrick Lamar although Lamar’s rap does not particularly detract from the power of the song. Fierce.

8) Taylor Swift – Style

Still one of Swift’s best singles of her career so far. Moody and sultry with funky 80’s styled guitars and crashing percussion.

9) Take That – Today I’ve Lost You

One of the most underrated songs of Take That’s career. Originally written as the follow up to 1995’s massive hit ‘Back For Food’, Barlow saved this one (many other songs written for what would have been Take That’s follow up album to ‘Nobody Else’ appeared on Barlow’s debut album ‘Open Road’) and it was recorded for the band’s 2005 Greatest Hits compilation. Barlow’s gentle vocals trickle over a soft and organic backing track, comprised of soft guitar strums and piano chords, sweeping strings and an awesome guitar solo. It’s a shame this was never taken further and released as a single; it’s a beautifully written and performed song.

10) Gary Barlow – My Commitment

Schmaltz-y love song from Barlow’s début solo album ‘Open Road’ which screams ’90’s!’ with its heavily programmed drum machine and glittery pianos. Co-written with songwriting legend Diane Warren, this is a beautiful ballad with a lovely message.

1) Kodaline – The One

Beautiful ballad. Simple but effective!

2) Jessie J – I need this

Powerful emotive song from Jessie’s debut album ‘Who You Are’. Originally written for Chris Brown and featured as a bonus track on his Graffiti album, Jessie sticks to his formula despite the key change and some extra nice little ad libs at the end. The piano arpeggios are pretty, the explosive guitar heavy chorus adds sheer power and the lyrics are fantastic. Awesome song.

3) Chris Brown – Don’t Judge Me

I prefer the David Aude remix of this, funnily enough, despite not usually being a fan of remixes. This past week, I have fallen in love with the original version however. Smooth, emotive and a great, great song. Very chilled. Haven’t been able to get enough of this over the past week.

4) Chris Brown – I Love U

There’s something impossibly endearing about this album track from Chris’ ‘Graffiti’ album. Whether it’s the use of an accordion, the incredibly catchy chorus or the sing-song melody, it’s just a great, great track.

5) London Grammar – If You Wait

Haunting, stunning, emotional; three things every London Grammar song tends to be. This is no exception. Absolutely gorgeous.

6) Fleetwood Mac – Sara

It’s Fleetwood Mac, what’s not to love? Soft, rather haunting with catchy piano instrumentation. Stevie Nicks’ voice is one of the greatest in history.

7) John Mayer – Gravity

Perhaps his signature song and rightly so. Blues-y, chilled out and so simple but so damn good. I’ve been able to completely relate to these lyrics this past week. Very cleverly written. The man’s a musical genius. “Gravity is working against me, gravity wants to bring me down.”