Can you believe that it’s July already?! We certainly can’t.
Here’s the July Mixtape – a testament to our love of Pop. Enjoy.
Can you believe that it’s July already?! We certainly can’t.
Here’s the July Mixtape – a testament to our love of Pop. Enjoy.
Happy June! Here’s 20 songs we’ve been loving this past month.
Better late than never, here’s 20 songs we’ve been loving, these past couple of months.
Welcome back to Music Monday. We’ve been a little bit AWOL in the last few months and for that, we’re sorry! Music Monday blogs will now feature five tracks instead of ten to enable us to continue to bring you the best in new music. Enjoy these 5 massive tracks!
Member of The Saturdays, Mollie King has delivered an incredible and triumphant debut solo single. ‘Back To You’ is a moody electropop track with an equally stunning cinematic video.
Usher at his most underrated is Usher at his best. Minimalist yet slick and catchy, this moody piece of R&B utilises Usher’s gorgeous and faultless falsetto over jittery percussion.
Ex member of the Spice Girls Melanie C once again proves her versatility and worth as a solo artist on this huge summer smash. This huge tropical house track is a collaboration with London production duo Sons of Sonix.
This simplistic yet effortlessly catchy artpop track is without a doubt one of the best tracks of 2016. It may have been around for a while but we haven’t had the opportunity to include it in a Music Monday edition yet so here it is!
This huge house track has earned a surge of popularity from its use in the new Fiat 500 TV advert. Repetitive, maybe but its house piano riffs and sturdy vocals make it a feel-good classic.
Ex member of The Wanted, Nathan Sykes returns with another brilliant single from his upcoming début album. Featuring rapper G-Eazy, ‘Give It Up‘ is a huge, catchy R&B track with funky guitar riffs and slick production.
Swedish producer Alesso returns with this huge club track. Featuring vocals from African-Norwegian duo Nico and Vinz, (best known for their number one smash ‘Am I Wrong’) it’s a low-key, chilled-out approach to club music through its avoidance of loud synths, instead utilising wailing guitars in a similar fashion to Robin Schulz’ remix of Mr Probz’ ‘Waves‘.
Brilliant psychedelic rock track, featuring baroque-pop and experimental rock influences by British super-group The Last Shadow Puppets. The chorus avoids making a big deal out of itself, yet is effortlessly catchy.
Another dramatic and massive pop track from All Saints. Taken from their new album ‘Red Flag’, luscious harmonies soar over orchestral riffs and thunderous percussion.
Irish Singer-Songwriter/YouTube blogger Bry releases this euphoric pop-rock track, the first single from his début album.
Brilliant electro-pop track from Texas musician Chelsea Lankes. Sugary, almost-whispered vocals over distorted guitar riffs evolve into an infectiously catchy chorus.
South-London singer-songwriter Raye returns with this massive R&B track comprised of electro-elements, hip-hop beats and sweeping strings. Both the track and her vocals are often reminiscent of Rihanna at her best.
Soulful and uplifting track comprised of funky guitar riffs and plenty of brass instrumentation. Brilliantly catchy.
Gentle and relaxing acoustic-based track by English singer-songwriter Ben Watt. Released ahead of his upcoming album with the same title, it is a collaboration with fellow musician Bernard Butler.
Canadian music producer Kaytranada teams up with Californian singer and rapper Anderson Paak on this alternative R&B/neo soul fusion. Utilising hip-hop and soul, it’s a chilled out track with a retro vibe.
Funky indie-rock ballad which mirrors work by INXS & Duran. Slamming percussion, frantic guitar riffs and skippy synthesiser sounds provide the song’s instrumentation as Matt Healy sings of cultural differences between him and his American girlfriend. It’s brilliantly catchy and very witty lyrically.
Perhaps the best song on The 1975’s new album. The band demonstrate their impeccable synchronicity through layering gospel melodies, silky vocals, slamming percussion, driving bass lines and snarling guitar riffs. It’s a throwback to the new-jack-swing era in the late eighties and early nineties bought to popularity through producers Jimmy Jam & Terry Lewis and Teddy Riley through musicians such as Bobby Brown, Janet Jackson and Michael Jackson.
Beautiful and mellow electropop ballad which imitates Yazoo’s ‘Only You’ to a point just before being eligible for a lawsuit. Sparse guitars, dizzy synthesisers and a gorgeous honeyed ‘again and again’ refrain makes this another of the album’s strongest tracks.
A proficient, cleverly-created instrumental which punctuates the album beautifully. Pretty and melodic piano particles flutter over driving electronica whilst Healy’s lusciously layered vocals beg his lover not to leave. The track is lengthy at six minutes but is split into two parts, evolving into an uplifting and exquisitely beautiful house track.
Giggling synthesisers and hiphop beats form the backdrop as Matt Healy half-raps his best lyrics to date; a cultural observation on the impact pop culture and celebrity have on youth.
Chilled-out neosoul track which carries a retro vibe. Gallant’s incredible vocals flutter into a rich falsetto over brass instruments, driving bass lines and twinkling keyboards.
Uplifting and euphoric pop-rock track which is this year’s UK Eurovision entry. Whilst criticised by many for its generic formula and chord structure, it’s a powerful and beautiful track.
Moody alternative-pop track which avoids over-production, instead focussing on using organic, pure instruments.
Catchy alt-R&B track featuring elastic synthesisers, synthetic percussion and a brilliantly sing-song chorus.
Quirky and brilliantly written track which utilised genres such as baroque pop, psychedelic pop and experimental rock.
We know this has been featured before but we’re including the studio version this time. Stunning downtempo R&B track which utilises a minimalistic feel. Zayn’s gentle flasetto soars over fluttering synths and wailing guitars.
https://www.youtube.com/watch?v=F9Yvhblizmo
Moody and powerful alternative-rock track with a huge chorus.
https://www.youtube.com/watch?v=uplb2OtGapc
Innovative neo-soul track which utilises jazzy guitars, twinkling keys and sonic elements. It’s electro verses evolve into a breezy chorus which mirror ’70’s soul.
Another brilliant neo-soul/alt-R&B track from East Londoner Nao. Her vocals glide over industrious synthesisers and hip-hop beats, resulting in a chilled-out track.
https://www.youtube.com/watch?v=-RX2xi2WSvo
Brilliant hip-hop/indie rock fusion with an incessantly catchy chorus. It does remind us somewhat of another song, however… *ahem The Beastie Boys’ ‘Body Movin’…*
Punchy bass lines, house beats and Azaelia Banks-influenced vocals drive this huge club smash.
Reminiscent of 90’s house with synthetic piano riffs and sweet vocals, this disco influenced club track is both uplifting and brilliant.
Catchy electro-track featuring elements of soul and rap. Comprised of funky bass lines, squeaky synths and slick vocals, this is underrated perfection.
We’ve wanted to include lots of material from The 1975’s latest album for a while but we’re waiting for it to appear on Spotify! We had to include this track, however so here’s a recent live version which is loyal to the studio one. Stunning and accomplished biblical track on which Matt Healy searches for and beseeches a higher power to curb his loneliness. It channels Prince and D’angelo, utilising organic percussion, spine-tingling gospel choir vocals, eerie electro elements and an understated horn solo to create the best track The 1975 have ever done. [Read our review of their latest album here.]
Stunning alt-R&B track from American singer-songwriter Christopher Gallant, under his stage name Bourborn. Syrupy vocals, including a stunning falsetto, coat dreamy 80’s-influenced synthpop instrumentation.
Brilliant brass-infused tune which utilises a range of genres such as jazz, hip hop, EDM, trap and swing impeccably. Front-man Brendon Urie does his best imitation of Frank Sinatra amid hip hop beats, jittery synths and organic brass instruments.
Powerful, emotive and raw song which lyrically tells of dealing with a past over moving onto somebody new. Gentle, tinkling synthesisers evolve into slamming ’80’s-influenced beats on this stunning love song. One of The 1975’s best ever songs.
Gentle and tentative synthpop track featuring fuzzy synths, pretty piano chords and ethereal vocals from Shura. Gorgeous.
Catchy EDM track with gospel vocals, fierce drum patterns and catchy piano riffs. Much in the same vein as Sigma’s ‘Nobody To Love’ two years ago in terms of repetition, catchiness and the use of piano riffs.
Gwen Stefani resurrects her solo career with this catchy and funky disco-pop track. Chanelling The Cardigans’ ‘Lovefool’ and elements of Kylie, it’s one of Stefani’s best.
Gorgeous downtempo R&B ballad on which Zayn fully utilises his gorgeous feathery falsetto.
https://www.youtube.com/watch?v=QoB7c3miDrg
Dark electropop track featuring hollow beats, heavily processes vocals and gentle guitar riffs. Absolutely gorgeous.
Fierce electro-guitar track with a brilliant chorus and reverberating guitar riffs.
Chilled out, retro inspired R&B/hiphop track with soulful guitar riffs and syrupy smooth vocals.
https://www.youtube.com/watch?v=heRre3KXLGY
Brilliant electronic infused track with catchy bass riffs and Nicholas Petricca’s smooth vocals.
Quirky yet utterly beautiful pop song which makes full use of Ruess’ idiosyncratic vocals over a backdrop of jazzy piano chords, squeaky string sections and eerie music box sounds. Dreamy and magical.
Bittersweet Pop track which serves as a perfect ‘goodbye’ (at least for now) to fans. Considered by many as an update of Toy Story classic ‘You’ve Got A Friend In Me’, acoustic guitar strums and a sing-along Chorus make this a perfect Pop anthem.
Rihanna returns with this laid-back reggae-pop track, aided by Drake. It’s rhythmic and catchy with Rihanna’s heavily auto-tuned vocals sliding effortlessly over clever production.
http://www.bbc.co.uk/music/clips#p03grqg5
Stunning synthpop track in the same vein as material on Goulding’s debut ‘Lights’. Over jittery guitar samples, crashing percussion and simmering synths, Goulding sings of her best friend.
Sexy and sultry alternative R&B track comprised of thunderous beats, eerie electro elements, broken vocal samples, wailing guitars and soaring melodies. It’s a far-cry from Zayn’s One Direction days and conveys a far greater depth of maturity, mostly through its sexual themes.
Funky disco-themed neo soul track from New York City duo Lion Babe.
Dramatic synthpop track comprised of broken vocal samples, gated percussion and Swift’s almost whispered vocals. One of the highlights of Swift’s ‘1989’ album, it’s perhaps the best representation of the album, utilising scatty samples and ’80’s electro sounds.
Lawson return after a period of instability in terms of musical output. The release of the band’s second album has been repeatedly delayed but they are now preparing or its release in March. ‘Money’ is its lead single (excluding last year’s single ‘Roads’), a catchy pop-rock track in a similar vein to ‘When She Was Mine’ and ‘Brokenhearted’.
https://www.youtube.com/watch?v=eGgFZufBB20
Catchy, jittery and squeaky pop track by American singer and producer Dawin featuring a rap from Silento.
Ex member of The Wanted Tom Parker impresses on this catchy house track which he has also produced.
Australian songstress/hit songwriter Sia delivers a hot new Pop track co-written with none other but Mr Kanye West. Relatively jovial and laid back compared to Sia’s other works, this is a catchy chilled-out track with bizzarely, hospital-like beeping, rich harmonies and a seriously funky bass line.
Raleigh Ritchie delivers another hit, this time aided with a rap from Stormzy. Warm synthesisers, Ritchie’s rich vocals and catchy dance beats carry this utterly brilliant R&B track.
Cool, chilled-out synthpop track from American duo Chairlift. The care-free, minimalistic production and Caroline Polachek’s syrupy sweet vocals are perfect.
‘Keeping Your Head Up’ marks a significant musical departure for Birdy, best known for her haunting, heartfelt piano ballads. Channelling Foxes, ‘Keeping Your Head Up’ is a catchy dance-pop track full of hand claps, catchy piano riffs and an irresistibly catchy hook.
Co-written with Howard from Disclosure, this chilled-out house track mirrors 70’s Pop with lushly layered harmonies, rich gospel-like vocals and squeaky synthesisers. It’s a different side to Frances but one which works beautifully.
Hot, idiosyncratic club record featuring a reggae-like bounce, clinking synths and a devilishly catchy chorus.
The King of Cool, Prince released ‘HitNRun Phase 2’ in December. This is its funky opening track featuring polished brass elements, raw acoustic guitar strums and a dirty rhythm, it’s Prince at his best.
Chic legend Nile Rodgers lends his production to funky jazz/R&B fusion. Mvula’s pure, soulful vocals are perfect as always and lushly layered into a glorious wall of sound over Rodgers’ funky guitar riffs.
The second single from The 1975’s upcoming second album ‘I Like it When You Sleep For You Are So Beautiful Yet So Unaware Of It’, ‘The Sound’ is a huge tropical-house influenced Pop track. Incessantly catchy with a brilliantly buoyant Chorus, it’s one of the funkiest and catchiest Pop tracks in a long time.
Sultry electropop track with an insanely huge Chorus. Clearly influenced by 80’s Pop, it’s cool, brilliantly layered and an overall huge song.