Music Monday – Volume Ninety

1) Zayn – It’s You

We know this has been featured before but we’re including the studio version this time. Stunning downtempo R&B track which utilises a minimalistic feel. Zayn’s gentle flasetto soars over fluttering synths and wailing guitars.

https://www.youtube.com/watch?v=F9Yvhblizmo

2) Bring me the Horizon – Follow You

Moody and powerful alternative-rock track with a huge chorus.

https://www.youtube.com/watch?v=uplb2OtGapc

3) Corrine Bailey Rae – Been To The Moon

Innovative neo-soul track which utilises jazzy guitars, twinkling keys and sonic elements. It’s electro verses evolve into a breezy chorus which mirror ’70’s soul.

4) NAO – Fool To Love

Another brilliant neo-soul/alt-R&B track from East Londoner Nao. Her vocals glide over industrious synthesisers and hip-hop beats, resulting in a chilled-out track.

https://www.youtube.com/watch?v=-RX2xi2WSvo

5) Ratboy – Move

Brilliant hip-hop/indie rock fusion with an incessantly catchy chorus. It does remind us somewhat of another song, however… *ahem The Beastie Boys’ ‘Body Movin’…*

6) Riton – Rinse & Repeat

Punchy bass lines, house beats and Azaelia Banks-influenced vocals drive this huge club smash.

7) BB Diamond – Feeling

Reminiscent of 90’s house with synthetic piano riffs and sweet vocals, this disco influenced club track is both uplifting and brilliant.

8) The Knocks – The Key

Catchy electro-track featuring elements of soul and rap. Comprised of funky bass lines, squeaky synths and slick vocals, this is underrated perfection.

9) The 1975 – If I Believe you

We’ve wanted to include lots of material from The 1975’s latest album for a while but we’re waiting for it to appear on Spotify! We had to include this track, however so here’s a recent live version which is loyal to the studio one. Stunning and accomplished biblical track on which Matt Healy searches for and beseeches a higher power to curb his loneliness. It channels Prince and D’angelo, utilising organic percussion, spine-tingling gospel choir vocals, eerie electro elements and an understated horn solo to create the best track The 1975 have ever done. [Read our review of their latest album here.]

10) Gallant – Bourborn

Stunning alt-R&B track from American singer-songwriter Christopher Gallant, under his stage name Bourborn. Syrupy vocals, including a stunning falsetto, coat dreamy 80’s-influenced synthpop instrumentation.

 

Music Monday – Volume Eighty Nine

1) Panic! At the Disco – Death of a Bachelor

Brilliant brass-infused tune which utilises a range of genres such as jazz, hip hop, EDM, trap and swing impeccably. Front-man Brendon Urie does his best imitation of Frank Sinatra amid hip hop beats, jittery synths and organic brass instruments.

2) The 1975 – Somebody Else

Powerful, emotive and raw song which lyrically tells of dealing with a past over moving onto somebody new. Gentle, tinkling synthesisers evolve into slamming ’80’s-influenced beats on this stunning love song. One of The 1975’s best ever songs.

3) Shura – Touch

Gentle and tentative synthpop track featuring fuzzy synths, pretty piano chords and ethereal vocals from Shura. Gorgeous.

4) Netsky ft Digital Farm Animals – Work It Out

Catchy EDM track with gospel vocals, fierce drum patterns and catchy piano riffs. Much in the same vein as Sigma’s ‘Nobody To Love’ two years ago in terms of repetition, catchiness and the use of piano riffs.

5) Gwen Stefani – Make Me Like You

Gwen Stefani resurrects her solo career with this catchy and funky disco-pop track. Chanelling The Cardigans’ ‘Lovefool’ and elements of Kylie, it’s one of Stefani’s best.

6) Zayn – It’s You

Gorgeous downtempo R&B ballad on which Zayn fully utilises his gorgeous feathery falsetto.

https://www.youtube.com/watch?v=QoB7c3miDrg

7) MUNA – Winterbreak

Dark electropop track featuring hollow beats, heavily processes vocals and gentle guitar riffs. Absolutely gorgeous.

8) All Tvvins – Unbelievable

Fierce electro-guitar track with a brilliant chorus and reverberating guitar riffs.

9) BJ The Chicago Kid & Kendrick Lamar – The New Cupid

Chilled out, retro inspired R&B/hiphop track with soulful guitar riffs and syrupy smooth vocals.

https://www.youtube.com/watch?v=heRre3KXLGY

10) The Knocks & Walk The Moon – Best for Last

Brilliant electronic infused track with catchy bass riffs and Nicholas Petricca’s smooth vocals.

Music Monday – Volume Sixty Three

  1. Selena Gomez & A$AP Rocky – Good For You

Moody and seductive, Gomez is pulling out all the stops to emphasise her new-found maturity. It never quite reaches its full potential; it’s crying out for a huge climax towards the end of the song but with its provocative message and the inclusion of A$Ap Rocky’s rap, it’s a step in the right direction of producing more grown-up music.

2) Jack Garratt – Weathered

Jittery with fierce beats, grunge-y guitars and a silky smooth vocal delivery from Garratt. It’s a huge song with fantastic production.

3) Jennifer Lopez – Play

Throwback to when J-Lo was still producing GOOD music. Drawing upon Prince and Madonna for influence, it’s a catchy and funk-driven dance-pop track with squeaky synths and slamming beats. One of the best pop tracks from the noughties era.

4) Leona Lewis – Fire Under My Feet

Explosive comeback single for 2006 X Factor winner Leona Lewis. Unfortunately, the lead single from Lewis’ forthcoming album has fallen under the radar due to slack promotion from new label Island/Def Jam. With stomping percussion layered with hand claps and moody piano chords, it’s Lewis at her best.

5) Chris Brown – Don’t Judge Me

Sombre, sulky and aching with sincerity, this is Brown at his best. The lyrical content is straight from the heart and Brown croons passionately over stuttering percussion and remote production.

6) Mark Owen – Makin’ Out

Much of this blog discusses how underrated I consider Mark Owen’s solo discography to be but I shall continue to reinforce my point! Quirky rock-fuelled track from Owen’s 2005 album ‘How The Mighty Fall’, this single was only a moderate success and deserved to fare far better. Brilliant lyrics and powerful vocal delivery from Owen as always.

7) Taylor Swift – Bad Blood

The album version is far superior to the single version with Kendrick Lamar although Lamar’s rap does not particularly detract from the power of the song. Fierce.

8) Taylor Swift – Style

Still one of Swift’s best singles of her career so far. Moody and sultry with funky 80’s styled guitars and crashing percussion.

9) Take That – Today I’ve Lost You

One of the most underrated songs of Take That’s career. Originally written as the follow up to 1995’s massive hit ‘Back For Food’, Barlow saved this one (many other songs written for what would have been Take That’s follow up album to ‘Nobody Else’ appeared on Barlow’s debut album ‘Open Road’) and it was recorded for the band’s 2005 Greatest Hits compilation. Barlow’s gentle vocals trickle over a soft and organic backing track, comprised of soft guitar strums and piano chords, sweeping strings and an awesome guitar solo. It’s a shame this was never taken further and released as a single; it’s a beautifully written and performed song.

10) Gary Barlow – My Commitment

Schmaltz-y love song from Barlow’s début solo album ‘Open Road’ which screams ’90’s!’ with its heavily programmed drum machine and glittery pianos. Co-written with songwriting legend Diane Warren, this is a beautiful ballad with a lovely message.

Music Monday – Volume Fifty Eight

1) Lianne La Havas – Unstoppable

Luscious piece of R&B/Soul with silky smooth vocals. Co-written by Paul Epworth, frequent collaborator with the likes of Adele & Duffy, this soul infused track is oozing with class and perfection.

2) Lianne La Havas – What You Don’t Do

Lianne La Havas is my discovery of the week and I cannot get enough of these two tracks. Her jazz-styled vocals are full of passion and soul and I love the big-band and soul infusion that underpins this catchy track.

3) Miguel – Coffee

Sexy, sultry and sleek. Miguel’s smooth vocals smother stuttering synthesisers and heavy percussion, resulting in a powerful piece of R&B perfection. Awesome lyrics to this too. Cannot get enough of this right now.

4) Miguel – What is Normal anyway?

Effortlessly smooth, with pensive lyrics and tinny guitar sounds. Miguel at his best.

5) Night Drive – Drones

Awesome electro-pop track which clearly uses elements of 1980’s electro and rock music as an influence. Catchy as hell.

6) Royworld – Dust

Irresistibly catchy pop-rock driven song with an awesome hook.

7) Teitur – One and Only

Gentle acoustic track which draws upon folk influences. Beautiful.

8) Jesse Boykins III – Plain

Awesome dance track with slightly off-pitch synthesisers, a throbbing beat, soulful vocals and gorgeous harmonies. SO good.

9) Sam Feldt ft Kimberly Anne – Show Me Love

Based upon Robin S’ massive nineties dance track of the same name, Sam Feldt gives it the 21st Century treatment and makes it more electro than dance. It’s a pleasant update of the original.

10) Shura – White Light

LOVE Shura. This is SO 80’s; imagine a hybrid of Janet Jackson & Madonna and you reach Shura. Fierce tinny drums, aggressive bass lines and funky guitar riffs, it’s catchy as hell.