Here’s the mixtape for April! 20 songs old and new that we’re loving at The Music Box.
Here’s the mixtape for April! 20 songs old and new that we’re loving at The Music Box.
Moody, downtempo hip-hop track with an overall melancholic tone and brilliant lyrics.
[Because Kanye is a tool and won’t put any of his latest music anywhere where people may actually listen, this is the only clip available: http://bbc.in/1OmSlT4]
Fuzzy, spaced-out electro-remixes of three tracks from Shura’s forthcoming highly-anticipated début album ‘Nothing’s Real’. Reverberating vocal samples, frolicking synthesisers and eerie sounds all echo infinitely throughout this nine-minute sampler track.
Gentle but majestic 80’s-influenced synthpop track. Mirroring Fleetwood Mac at their peak, precarious percussion, dreamy harmonies and fluttering synthesisers drift beautifully through this brilliant song.
Lovely, breezy acoustic-based track with great lyrics.
Dream-like, heavily auto-tuned synthpop track from up-and-coming band Liss, comprised of clinking synths, a waltz-like bass line and a meandering rhythm.
Another brilliantly catchy R&B track with electro elements from West-London collective WSTRN. Sampling Evelyn King’s 1982 hit ‘Love Come Down’, the trio have created another smash record.
A beautifully chilled-out instrumental track from Canadian musician KAYTRANADA. Twinkling pianos, soulful and eerie synthesisers and fierce percussion drives this retro alternative-R&B track.
Brilliant track on which witty lyrics are growled over unsteady percussion and fierce guitar work. Haunting vocal samples evolve into a neurotic punk-pop track which perfectly captures losing your mind.
Dark and melancholic shoegazing track which is musically simple but incredibly powerful. Heavy, distorted electric guitar riffs and hazy synthesisers form the backdrop as frontman Matt Healy drones ‘And he said, I lost my head, can you see it, can you see it?’. It eventually climaxes in a brilliant orchestral track with percussion.
Jazzy and soulful track by electronic artist Patrick Gossi, under his working name of Active Child. Gentle percussion and jazzy pianos with Gossi’s beautiful falsettos all result in a beautiful song.
Here’s February’s mixtape!
1) Tove Lo – Moments
Emotive and powerful electro-pop ballad with brutally honest lyrics. Produced by one of the hottest production duos currently around – Mattman and Robin, ‘Moments’ is abundant with crashing percussion, reverberating vocals and eerie sound effects. One of the hottest tracks around right now.
2) Tori Kelly – Should’ve Been Us
Pop perfection with hip-hop beats and a powerful vocal performance.
3) J. Tillman – Howling Light
Gorgeous folk ballad comprised of little more than guitars and organic instruments. It’s refreshing to hear music in its natural form, free of autotune and other programmable effects.
4) The Japanese House – Cool Blue
A gorgeous and gentle intro builds into a shuffling 80’s synthpop-esque track featuring pretty guitar riffs, spacey synthesisers and auto-tuned vocals. One of the hottest tracks in the world right now.
5) The 1975 – Love Me
Yet another pop track which reinforces the return of ’80’s pop. Abundant with detuned guitar riffs, squeaky synthesisers and gated percussion, The 1975’s comeback single is an explosive and effortlessly catchy affair. Healy’s vocals are the clearest they have ever been and the lyrical content is as witty and clever as always. A fine return.
6) Drake – Hotline Bling
Utilising both hiphop and trap, Drake’s ‘Hotline Bling’ heavily samples Timmy Thomas’ 1972 song “Why Can’t We Live Together”. It may be somewhat repetitive and Drake’s vocals may not be the most powerful but it’s effortlessly catchy.
7) Kanye West – Love Lockdown
One of Kanye’s best. The ‘808’s and Heartbreak’ album is often overlooked due to West’s attempt at singing rather than rap but it contains innovation and power that could never have been projected through rap. The song’s power lies in its minimalistic pop style – piano riffs, a Roland TR-808 drum machine imitating tribal percussion and West’s heavily autotuned vocals dominate this repetitive but catchy and powerful synthpop track.
8) Olly Murs – Kiss Me
Catchy pop track featuring a punchy bass line, ’80’s-eque synthesisers, funky bass riffs and an effortlessly catchy chorus. Just try to ignore the fact it is more or less a rip off of Nick Jonas’ ‘Jealous’…
9) James Morrison – Demons
James Morrison triumphantly returns with this powerful, eerie and beautifully sincere pop-soul track. The sped-up/high-pitched “I’ve got demons” refrain which opens the track and appears throughout is heavily reminiscent of Simon Webbe’s pop hit ‘No Worries’ and adds an extra dimension to Morrison’s gorgeous track. ”
10) Selena Gomez – Sober
Gomez wails over jittery synthesisers, reverberating percussion and spacey vocal effects on this great pop track.