Tag: music magazine

Music Monday – Volume Ninety Four

MarcyB0yLeave a comment

1) Nathan Sykes & G-Eazy– Give It Up

Ex member of The Wanted, Nathan Sykes returns with another brilliant single from his upcoming début album. Featuring rapper G-Eazy, ‘Give It Up‘ is a huge, catchy R&B track with funky guitar riffs and slick production.

2) Alesso featuring Nico & Vinz– I Wanna Know

Swedish producer Alesso returns with this huge club track. Featuring vocals from African-Norwegian duo Nico and Vinz, (best known for their number one smash ‘Am I Wrong’) it’s a low-key, chilled-out approach to club music through its avoidance of loud synths, instead utilising wailing guitars in a similar fashion to Robin Schulz’ remix of Mr Probz’ ‘Waves‘.

3) The Last Shadow Puppets – Miracle Aligner

Brilliant psychedelic rock track, featuring baroque-pop and experimental rock influences by British super-group The Last Shadow Puppets. The chorus avoids making a big deal out of itself, yet is effortlessly catchy.

4) All Saints – One Woman Man

Another dramatic and massive pop track from All Saints. Taken from their new album ‘Red Flag’, luscious harmonies soar over orchestral riffs and thunderous percussion.

5) Bry – Don’t Go Alone

Irish Singer-Songwriter/YouTube blogger Bry releases this euphoric pop-rock track, the first single from his début album.

6) Chelsea Lankes – Secret

Brilliant electro-pop track from Texas musician Chelsea Lankes. Sugary, almost-whispered vocals over distorted guitar riffs evolve into an infectiously catchy chorus.

7) Raye – Distraction

South-London singer-songwriter Raye returns with this massive R&B track comprised of electro-elements, hip-hop beats and sweeping strings. Both the track and her vocals are often reminiscent of Rihanna at her best.

8) Michael Franti & Spearhead– Crazy For You

Soulful and uplifting track comprised of funky guitar riffs and plenty of brass instrumentation. Brilliantly catchy.

9) Ben Watt – Fever Dream

Gentle and relaxing acoustic-based track by English singer-songwriter Ben Watt. Released ahead of his upcoming album with the same title, it is a collaboration with fellow musician Bernard Butler.

10) KAYTRANADA & Anderson Paak – Glowed Up

Canadian music producer Kaytranada teams up with Californian singer and rapper Anderson Paak on this alternative R&B/neo soul fusion. Utilising hip-hop and soul, it’s a chilled out track with a retro vibe.

Feel-Good Friday

MarcyB0yLeave a comment

Every Friday, we are adding three tracks to our Feel-Good Friday Spotify playlist. The aim? To create a definitive playlist featuring the best uplifting, feel-good tracks in the world!

Check here every Friday to check any additions!

FOLLOW the Music Box to never miss an update again.

Feel-Good Friday

MarcyB0yLeave a comment

Every Friday, we are adding three tracks to our Feel-Good Friday Spotify playlist. The aim? To create a definitive playlist featuring the best uplifting, feel-good tracks in the world!

Check here every Friday to check any additions!

FOLLOW the Music Box to never miss an update again.

Music Monday – Volume Ninety Two

MarcyB0yLeave a comment

1) Kendrick Lamar – These Walls

The american rapper throws a curveball on this neo-soul influenced hip hop track. Breezy, light and reflective, it’s a brilliant track and one of Lamar’s best.

2) Mark Pritchard – Beautiful People

Gentle electronic track which drifts effortlessly throughout its six minute duration.

3) Zayn – SHe

Brilliant alt-R&B track with moody guitar riffs, an awesomely catchy chorus and polished production. It’s carried by buoyant beats and Zayn’s syrupy vocals. One of his best.

4) Digital Farm Animals – Wanna Know

Buoyant house track with a brilliantly catchy hook.

5) White Denim – Take It Easy

Soulful and relaxed track with a retro vibe. Utilising little more than organic percussion, bright keys, jazzy riffs, funky bass lines and beautiful falsetto vocals, it’s a lovely track.

6) ROMANS – Silence (ALUNA GEORGE Edit)

Chipmunk-esque pitch-moderated vocal samples, hip hop beats and reverberating soulful vocals carry this brilliant and powerful track.

7) SBTRKT, D.RAM, Mabel – I FEEL YOUR PAIN

Elusive producer SBTRKT teams up with vocalists D.RAM and Mabel on this jittery neo-soul track with elements of alternative R&B.

8) Nick Jonas & Tove Lo – Close

Sultry and moody R&B track which utilises steel pans and thunderous percussion. It’s a powerful track driven by Mattman and Robin’s tight production.

9) Barq – Gentle Kind of Lies

Quirky and brilliant Alternative R&B track with furious guitar riffs, funky bass lines and rock-influenced percussion. Jess Kav’s soulful vocals shine throughout.

10) James Morrison – Need you Tonight

Catchy pop track with funky guitar riffs, skipping bass lines and bright piano chords. Drawing upon disco and soul elements, it’s one of his best songs of his career.

Zayn – Mind of Mine Album Review

MarcyB0yLeave a comment

 

Zayn_Tonight_Show__2696412a

The past year has been something of a roller-coaster for Zayn Malik. A year ago, he broke millions of fans’ hearts when he announced he would be leaving One Direction to pursue the life of a ‘normal 22 year old’. It later emerged that he had been secretly recording solo material and his animosity towards his boyband days was soon made crystal clear in numerous interviews in which he took multiple swipes at the band and their music.  A shock split with fiancée Perrie Edwards soon followed in addition to multiple venomous and highly publicised Twitter spats. Still, these potential career suicide-moments have been long forgotten since lead single ‘PILLOWTALK‘ rocketed in to the top of the charts of over a dozen countries.

As expected, ‘Mind of Mine’ is a world away from Malik’s One Direction days. Gone is the pop-punk and stadium-pop and in is alternative R&B, catchy dance-pop and elements of Soul. It’s slick, polished, consistent and mature with reverberating vocal samples, hip-hop beats and effect-drenched vocals scattered throughout. It’s a natural transition into R&B music similarly to Justin Timberlake’s début ‘Justified’ fourteen years ago.

‘Mind of Mine’ excels from start to finish with barely a blip. Overall, it possesses a moody and brooding tone with sexualized lyrics and a deeply-textured sound, resulting in a cohesive catalogue of material on which Malik revels in his newly-found freedom. Lead single ‘PILLOWTALK’ remains a stand-out track with its its thunderous percussion, reverberating synths, wailing guitars and Zayn’s sweeping vocals. The rest of the album follows suit with the sullen yet dreamy ‘dRuNk‘ featuring Malik’s multi-layered harmonies boasting ‘I’ve been drunk all summer’ over unsettled R&B percussion, summery synthesisers and weeping electric guitars. ‘rEaR vIeW‘ is similarly a sulky progressive R&B track with sparse production and a Timbaland-like chorus. Then there’s the beautifully haunting ‘iT’s YoU‘ – a gentle downtempo ballad on which Zayn’s stunning falsetto soars over jittering synths, a droning organ, hip-hop beats and crunching piano chords.

Just when things need shaking up a bit, the Beatle-esque piano chords of ‘fOoL fOr YoU‘ arrive. It’s a pleasant piano ballad on which Malik’s vocals really glisten and are relatively free of the over-production the rest of the album is laden with. The track mirrors The Beatles in both song-writing and production and it punctuates the album nicely.

Malik also refreshingly incorporates his cultural heritage into the album in the form of haunting interludes. The opening title-track features soaring Qawwali-influenced melodies over piano chords and clonking synthesiser arpeggios. Similarly, one of the album’s unexpected highlights is ‘fLoWer‘, a gorgeous acoustic interlude influenced by Malik’s upbringing as a British Pakistani Muslim. He executes his voice in Urdu, his father’s native language and warbles over eerie synthesisers and gentle acoustic guitars. It’s an innovative and utterly unique inclusion on an R&B album which works perfectly.

The dance-pop moments also work well, implemented best on ‘sHe‘ with its brilliantly catchy hook, slick production and buoyant production. It is miles away from the stadium pop-rock One Direction produced and is a steer in the right direction (pun not intended), reminiscent of some of Justin Bieber’s best moments on ‘Purpose’. Then there’s the soulful ‘tRuTh’, a track reminiscent of 70’s Soul with giggling synthesisers, a retro-guitar sound and distorted production. Featuring a brilliantly sunny chorus with sugary falsettos, it’s one of the album’s understated highlights.

Malik always had the advantage of having the strongest voice in One Direction and he exhibits his syrupy vocals perfectly on the album. His vocals are sturdy and powerful throughout, whilst his falsetto is his real gift, fluttering delicately over meticulously programmed instrumentals.

A bold and compelling album which validates Zayn’s transition into a credible recording artist.

Rating: 5/5.
Highlights: ‘PILLOWTALK’, ‘dRuNk’, ‘iT’s YoU’, ‘sHe’, ‘fLoWer’, ‘tRuTh’

‘Mind of Mine’ is available now on RCA Records.

Music Monday – Volume Ninety Two

MarcyB0yLeave a comment

1) Kanye West – Real Friends

Moody, downtempo hip-hop track with an overall melancholic tone and brilliant lyrics.

[Because Kanye is a tool and won’t put any of his latest music anywhere where people may actually listen, this is the only clip available: http://bbc.in/1OmSlT4]

2) Shura – The Space Tapes

Fuzzy, spaced-out electro-remixes of three tracks from Shura’s forthcoming highly-anticipated début album ‘Nothing’s Real’. Reverberating vocal samples, frolicking synthesisers and eerie sounds all echo infinitely throughout this nine-minute sampler track.



3) Niki and The Dove – Play it on my radio

Gentle but majestic 80’s-influenced synthpop track. Mirroring Fleetwood Mac at their peak, precarious percussion, dreamy harmonies and fluttering synthesisers drift beautifully through this brilliant song.



4) The Floyds – You

Lovely, breezy acoustic-based track with great lyrics.

5) Liss – Sorry

Dream-like, heavily auto-tuned synthpop track from up-and-coming band Liss, comprised of clinking synths, a waltz-like bass line and a meandering rhythm.



6) WSTRN – Come Down

Another brilliantly catchy R&B track with electro elements from West-London collective WSTRN. Sampling Evelyn King’s 1982 hit ‘Love Come Down’, the trio have created another smash record.



7) KAYTRANDA & Karriem Riggins – BUS RIDE

A beautifully chilled-out instrumental track from Canadian musician KAYTRANADA. Twinkling pianos, soulful and eerie synthesisers and fierce percussion drives this retro alternative-R&B track.



8) The 1975 – The Ballad of Me and My Brain

Brilliant track on which witty lyrics are growled over unsteady percussion and fierce guitar work. Haunting vocal samples evolve into a neurotic punk-pop track which perfectly captures losing your mind.



9) The 1975 – Lostmyhead

Dark and melancholic shoegazing track which is musically simple but incredibly powerful. Heavy, distorted electric guitar riffs and hazy synthesisers form the backdrop as frontman Matt Healy drones ‘And he said, I lost my head, can you see it, can you see it?’. It eventually climaxes in a brilliant orchestral track with percussion.



10) Active Child – 1999

Jazzy and soulful track by electronic artist Patrick Gossi, under his working name of Active Child. Gentle percussion and jazzy pianos with Gossi’s beautiful falsettos all result in a beautiful song.

Music Monday – Volume Ninety One

MarcyB0yLeave a comment

1) The 1975 – She’s American 

Funky indie-rock ballad which mirrors work by INXS & Duran. Slamming percussion, frantic guitar riffs and skippy synthesiser sounds provide the song’s instrumentation as Matt Healy sings of cultural differences between him and his American girlfriend. It’s brilliantly catchy and very witty lyrically.

2) The 1975 – This Must Be My Dream

Perhaps the best song on The 1975’s new album. The band demonstrate their impeccable synchronicity through layering gospel melodies, silky vocals, slamming percussion, driving bass lines and snarling guitar riffs. It’s a throwback to the new-jack-swing era in the late eighties and early nineties bought to popularity through producers Jimmy Jam & Terry Lewis and Teddy Riley through musicians such as Bobby Brown, Janet Jackson and Michael Jackson.

3) The 1975 – Paris

Beautiful and mellow electropop ballad which imitates Yazoo’s ‘Only You’ to a point just before being eligible for a lawsuit. Sparse guitars, dizzy synthesisers and a gorgeous honeyed ‘again and again’ refrain makes this another of the album’s strongest tracks.

4) The 1975 – I like it when you sleep, for you are so beautiful yet so unaware of it

A proficient, cleverly-created instrumental which punctuates the album beautifully. Pretty and melodic piano particles flutter over driving electronica whilst Healy’s lusciously layered vocals beg his lover not to leave. The track is lengthy at six minutes but is split into two parts, evolving into an uplifting and exquisitely beautiful house track.

5) The 1975 – Loving Someone

Giggling synthesisers and hiphop beats form the backdrop as Matt Healy half-raps his best lyrics to date; a cultural observation on the impact pop culture and celebrity have on youth.

6) Gallant & Jhene Aiko – Skipping Stones

Chilled-out neosoul track which carries a retro vibe. Gallant’s incredible vocals flutter into a rich falsetto over brass instruments, driving bass lines and twinkling keyboards.

7) Joe & Jake – You’re Not Alone

Uplifting and euphoric pop-rock track which is this year’s UK Eurovision entry. Whilst criticised by many for its generic formula and chord structure, it’s a powerful and beautiful track.

8) Laurel – Life Worth Living

Moody alternative-pop track which avoids over-production, instead focussing on using organic, pure instruments.

9) Zayn – Like I Would

Catchy alt-R&B track featuring elastic synthesisers, synthetic percussion and a brilliantly sing-song chorus.

10) The Last Shadow Puppets – Everything You’ve Come to Expect

Quirky and brilliantly written track which utilised genres such as baroque pop, psychedelic pop and experimental rock.

 

Feel Good Friday

MarcyB0yLeave a comment

Every Friday, we are adding three tracks to our Feel-Good Friday Spotify playlist. The aim? To create a definitive playlist featuring the best uplifting, feel-good tracks in the world!

Check here every Friday to check any additions!

FOLLOW the Music Box to never miss an update again.

Music Monday – Volume Ninety

MarcyB0yLeave a comment

1) Zayn – It’s You

We know this has been featured before but we’re including the studio version this time. Stunning downtempo R&B track which utilises a minimalistic feel. Zayn’s gentle flasetto soars over fluttering synths and wailing guitars.

2) Bring me the Horizon – Follow You

Moody and powerful alternative-rock track with a huge chorus.

3) Corrine Bailey Rae – Been To The Moon

Innovative neo-soul track which utilises jazzy guitars, twinkling keys and sonic elements. It’s electro verses evolve into a breezy chorus which mirror ’70’s soul.

4) NAO – Fool To Love

Another brilliant neo-soul/alt-R&B track from East Londoner Nao. Her vocals glide over industrious synthesisers and hip-hop beats, resulting in a chilled-out track.

5) Ratboy – Move

Brilliant hip-hop/indie rock fusion with an incessantly catchy chorus. It does remind us somewhat of another song, however… *ahem The Beastie Boys’ ‘Body Movin’…*

6) Riton – Rinse & Repeat

Punchy bass lines, house beats and Azaelia Banks-influenced vocals drive this huge club smash.

7) BB Diamond – Feeling

Reminiscent of 90’s house with synthetic piano riffs and sweet vocals, this disco influenced club track is both uplifting and brilliant.

8) The Knocks – The Key

Catchy electro-track featuring elements of soul and rap. Comprised of funky bass lines, squeaky synths and slick vocals, this is underrated perfection.

9) The 1975 – If I Believe you

We’ve wanted to include lots of material from The 1975’s latest album for a while but we’re waiting for it to appear on Spotify! We had to include this track, however so here’s a recent live version which is loyal to the studio one. Stunning and accomplished biblical track on which Matt Healy searches for and beseeches a higher power to curb his loneliness. It channels Prince and D’angelo, utilising organic percussion, spine-tingling gospel choir vocals, eerie electro elements and an understated horn solo to create the best track The 1975 have ever done. [Read our review of their latest album here.]

10) Gallant – Bourborn

Stunning alt-R&B track from American singer-songwriter Christopher Gallant, under his stage name Bourborn. Syrupy vocals, including a stunning falsetto, coat dreamy 80’s-influenced synthpop instrumentation.