Here’s the mixtape for April! 20 songs old and new that we’re loving at The Music Box.
Here’s the mixtape for April! 20 songs old and new that we’re loving at The Music Box.
The american rapper throws a curveball on this neo-soul influenced hip hop track. Breezy, light and reflective, it’s a brilliant track and one of Lamar’s best.
Gentle electronic track which drifts effortlessly throughout its six minute duration.
Brilliant alt-R&B track with moody guitar riffs, an awesomely catchy chorus and polished production. It’s carried by buoyant beats and Zayn’s syrupy vocals. One of his best.
Buoyant house track with a brilliantly catchy hook.
Soulful and relaxed track with a retro vibe. Utilising little more than organic percussion, bright keys, jazzy riffs, funky bass lines and beautiful falsetto vocals, it’s a lovely track.
Chipmunk-esque pitch-moderated vocal samples, hip hop beats and reverberating soulful vocals carry this brilliant and powerful track.
Elusive producer SBTRKT teams up with vocalists D.RAM and Mabel on this jittery neo-soul track with elements of alternative R&B.
Sultry and moody R&B track which utilises steel pans and thunderous percussion. It’s a powerful track driven by Mattman and Robin’s tight production.
Quirky and brilliant Alternative R&B track with furious guitar riffs, funky bass lines and rock-influenced percussion. Jess Kav’s soulful vocals shine throughout.
Catchy pop track with funky guitar riffs, skipping bass lines and bright piano chords. Drawing upon disco and soul elements, it’s one of his best songs of his career.
Moody, downtempo hip-hop track with an overall melancholic tone and brilliant lyrics.
[Because Kanye is a tool and won’t put any of his latest music anywhere where people may actually listen, this is the only clip available: http://bbc.in/1OmSlT4]
Fuzzy, spaced-out electro-remixes of three tracks from Shura’s forthcoming highly-anticipated début album ‘Nothing’s Real’. Reverberating vocal samples, frolicking synthesisers and eerie sounds all echo infinitely throughout this nine-minute sampler track.
Gentle but majestic 80’s-influenced synthpop track. Mirroring Fleetwood Mac at their peak, precarious percussion, dreamy harmonies and fluttering synthesisers drift beautifully through this brilliant song.
Lovely, breezy acoustic-based track with great lyrics.
Dream-like, heavily auto-tuned synthpop track from up-and-coming band Liss, comprised of clinking synths, a waltz-like bass line and a meandering rhythm.
Another brilliantly catchy R&B track with electro elements from West-London collective WSTRN. Sampling Evelyn King’s 1982 hit ‘Love Come Down’, the trio have created another smash record.
A beautifully chilled-out instrumental track from Canadian musician KAYTRANADA. Twinkling pianos, soulful and eerie synthesisers and fierce percussion drives this retro alternative-R&B track.
Brilliant track on which witty lyrics are growled over unsteady percussion and fierce guitar work. Haunting vocal samples evolve into a neurotic punk-pop track which perfectly captures losing your mind.
Dark and melancholic shoegazing track which is musically simple but incredibly powerful. Heavy, distorted electric guitar riffs and hazy synthesisers form the backdrop as frontman Matt Healy drones ‘And he said, I lost my head, can you see it, can you see it?’. It eventually climaxes in a brilliant orchestral track with percussion.
Jazzy and soulful track by electronic artist Patrick Gossi, under his working name of Active Child. Gentle percussion and jazzy pianos with Gossi’s beautiful falsettos all result in a beautiful song.
Funky indie-rock ballad which mirrors work by INXS & Duran. Slamming percussion, frantic guitar riffs and skippy synthesiser sounds provide the song’s instrumentation as Matt Healy sings of cultural differences between him and his American girlfriend. It’s brilliantly catchy and very witty lyrically.
Perhaps the best song on The 1975’s new album. The band demonstrate their impeccable synchronicity through layering gospel melodies, silky vocals, slamming percussion, driving bass lines and snarling guitar riffs. It’s a throwback to the new-jack-swing era in the late eighties and early nineties bought to popularity through producers Jimmy Jam & Terry Lewis and Teddy Riley through musicians such as Bobby Brown, Janet Jackson and Michael Jackson.
Beautiful and mellow electropop ballad which imitates Yazoo’s ‘Only You’ to a point just before being eligible for a lawsuit. Sparse guitars, dizzy synthesisers and a gorgeous honeyed ‘again and again’ refrain makes this another of the album’s strongest tracks.
A proficient, cleverly-created instrumental which punctuates the album beautifully. Pretty and melodic piano particles flutter over driving electronica whilst Healy’s lusciously layered vocals beg his lover not to leave. The track is lengthy at six minutes but is split into two parts, evolving into an uplifting and exquisitely beautiful house track.
Giggling synthesisers and hiphop beats form the backdrop as Matt Healy half-raps his best lyrics to date; a cultural observation on the impact pop culture and celebrity have on youth.
Chilled-out neosoul track which carries a retro vibe. Gallant’s incredible vocals flutter into a rich falsetto over brass instruments, driving bass lines and twinkling keyboards.
Uplifting and euphoric pop-rock track which is this year’s UK Eurovision entry. Whilst criticised by many for its generic formula and chord structure, it’s a powerful and beautiful track.
Moody alternative-pop track which avoids over-production, instead focussing on using organic, pure instruments.
Catchy alt-R&B track featuring elastic synthesisers, synthetic percussion and a brilliantly sing-song chorus.
Quirky and brilliantly written track which utilised genres such as baroque pop, psychedelic pop and experimental rock.

UK alternative rock band Scout Killers are to embark on a UK tour in April. Here’s the accompanying press release:
The British connoisseurs of guitar driven alternative rock release news of their forthcoming April 2016 UK tour. Joining the Bath (UK) based Scout Killers on their crusade across English cities are support acts Amongst Thieves and The Loose Cut.
Catch Scout Killers on tour April 2016:
3rd April – London – The Black Heart
4th April – Guildford – The Star Inn
5th April – Leeds – The Key Club
6th April – York – Fulford Arms
7th April – Newcastle – Head Of Steam
8th April – Bath – The Nest
9th April – Manchester – Aatma
Visit Scout Killers:
www.facebook.com/scoutkillers
www.twitter.com/scoutkillers
www.scoutkillers.com
Check out this gorgeous performance of ‘Honey’ live:

Brilliant hip-hop/Gospel fusion from 2012 UK X Factor runner up Jahmene Douglas. This is his first original composition (début album was an amalgamation of cover versions) and is from his forthcoming second album, on which he has reportedly collaborated with a range of established names.
Fizzy and uplifting R&B track from hit songwriter Babyface and El Debarge (of Debarge fame). It’s a cheery and catchy with lovely lyrics.
Gorgeous R&B ballad which closes Babyface’s latest album, the brilliant ‘Return of the Tender Lover’ (hence why it’s our album of the week!). Gentle piano arpeggios and Babyface’s silky smooth vocals layered into luscious harmonies remind us of his forte to write brilliant songs, particularly ballads.
Brilliant down-tempo progressive R&B track abundant with squeaky synths and wailing guitars. Rihanna at her best.
Lovely pop-rock ballad comprised of Keating’s powerful vocals, sweeping strings and acoustic guitars with a gorgeous chorus.
Catchy electropop track built of various sounds and instrumentation.
Brilliant and catchy R&B track emphasising what Timbaland does best. Fun and mechanical production elements and punchy percussion compensates for its repetitiveness and simplistic nature.
Stunning and haunting acoustic-based ballad which evolves into an electrifying climax.
Ethereal and dreamy Pop ballad from London-based band Jarbird.
Laid-back and minimalistic electropop influenced track. Catchy, funky and an enthralling listen.
Quirky yet utterly beautiful pop song which makes full use of Ruess’ idiosyncratic vocals over a backdrop of jazzy piano chords, squeaky string sections and eerie music box sounds. Dreamy and magical.
Bittersweet Pop track which serves as a perfect ‘goodbye’ (at least for now) to fans. Considered by many as an update of Toy Story classic ‘You’ve Got A Friend In Me’, acoustic guitar strums and a sing-along Chorus make this a perfect Pop anthem.
Rihanna returns with this laid-back reggae-pop track, aided by Drake. It’s rhythmic and catchy with Rihanna’s heavily auto-tuned vocals sliding effortlessly over clever production.
http://www.bbc.co.uk/music/clips#p03grqg5
Stunning synthpop track in the same vein as material on Goulding’s debut ‘Lights’. Over jittery guitar samples, crashing percussion and simmering synths, Goulding sings of her best friend.
Sexy and sultry alternative R&B track comprised of thunderous beats, eerie electro elements, broken vocal samples, wailing guitars and soaring melodies. It’s a far-cry from Zayn’s One Direction days and conveys a far greater depth of maturity, mostly through its sexual themes.
Funky disco-themed neo soul track from New York City duo Lion Babe.
Dramatic synthpop track comprised of broken vocal samples, gated percussion and Swift’s almost whispered vocals. One of the highlights of Swift’s ‘1989’ album, it’s perhaps the best representation of the album, utilising scatty samples and ’80’s electro sounds.
Lawson return after a period of instability in terms of musical output. The release of the band’s second album has been repeatedly delayed but they are now preparing or its release in March. ‘Money’ is its lead single (excluding last year’s single ‘Roads’), a catchy pop-rock track in a similar vein to ‘When She Was Mine’ and ‘Brokenhearted’.
https://www.youtube.com/watch?v=eGgFZufBB20
Catchy, jittery and squeaky pop track by American singer and producer Dawin featuring a rap from Silento.
Ex member of The Wanted Tom Parker impresses on this catchy house track which he has also produced.
Ko Jazz delivers his latest project Jazz Daniels EP, an EP comprised of a rich jazz/hip-hop fusion. It’s a polished, bold and substantial piece of work from the chilled-out jazz-influenced ‘Honey On The Rocks‘ to the heavier hip-hop ‘The Brewery‘.
You can read the overview of the EP supplied to us below:
The unsung hero of iLLustrious, KoJazz finally delivers his newest project, Jazz Daniels EP, which is entirely produced by in-house beatmaker, Solidified. The most ambitious element of KoJazz’s sprawling Jazz Daniels EP was its attempt to trace the pervasive ills of his drinking habits and cleverly providing drunken tales throughout hypnotic production. The conceptual idea was spawned by Token Photo and Jazz’ liquor of choice. KoJazz raps about the highs and lows of alcohol consumption. The project features Bishop, MeRCY, Rell Burgundy, YoAmanduh and others which all came through with stellar guest appearances. Producer Solidified, provided sonically the perfect backdrop on every record that you often find yourself drunken with amazement. Whether you find yourself texting your EX because of “Drunk EXting” or confessing your sins due to “I Swear To Drunk, I Ain’t God”; KoJazz gotta song for everyone. There’s a message in the bottle. Make sure to listen responsibly.
Standout Track: Gentleman Jazz
KoJazz – Jazz Daniels EP // Entirely Produced by Solidified
https://soundcloud.com/kojazz/sets/jazz-daniels-ep@KoJazz
@Solidified_
Soulful R&B track featuring fluttering synthesisers, jittering guitars, broken samples and funky bass lines.
https://www.youtube.com/watch?v=4Q79owpLDjo
Energetic guitar-driven indie track from four-pieced band Beachbaby. It’s a moody but powerful track, integrating other genres such as shoegazing, Pop and post-punk.
Low-key indie rock track from Sunderland band Field Music.
Energetic, catchy Pop-py track from US pop-rock band Walk The Moon. Indie-guitar riffs, synthpop synths and a driving beat makes it particularly reminiscent of the ’80’s and it works beautifully.
Dirty house track featuring little more than club beats, a funky bass lines and Mills’ rap. Incessantly catchy.
Craig David returns to his roots with this huge Garage track, aided by grime artist Big Nastie. It’s reminiscent of his 1999 début ‘Re-Rewind’ and is a welcome return for David after six years away from the music industry.
Saucy, steamy and sultry dance-pop track, reportedly inspired by Prince’s signature sound. Gomez whispers over minimalistic instrumentation comprised of little more than bouncy percussion, hand clips and tribal-pop elements.
Sweet piano-led Country ballad by American country music singer Reba McEntire from her twenty seventh album ‘Love Somebody’.
Gentle waltz-like ballad by Fun. frontman Nate Reuss. Dreamy, reserved with a delicate sprinkle of Reuss’ quirky, idiosyncratic vocals.
Uplifting, inspiring and catchy Pop track from Canadian rock band Walk off the Earth. Ascending bass lines, clinking percussion and gorgeous layered harmonies result in an epic arena anthem.
Australian songstress/hit songwriter Sia delivers a hot new Pop track co-written with none other but Mr Kanye West. Relatively jovial and laid back compared to Sia’s other works, this is a catchy chilled-out track with bizzarely, hospital-like beeping, rich harmonies and a seriously funky bass line.
Raleigh Ritchie delivers another hit, this time aided with a rap from Stormzy. Warm synthesisers, Ritchie’s rich vocals and catchy dance beats carry this utterly brilliant R&B track.
Cool, chilled-out synthpop track from American duo Chairlift. The care-free, minimalistic production and Caroline Polachek’s syrupy sweet vocals are perfect.
‘Keeping Your Head Up’ marks a significant musical departure for Birdy, best known for her haunting, heartfelt piano ballads. Channelling Foxes, ‘Keeping Your Head Up’ is a catchy dance-pop track full of hand claps, catchy piano riffs and an irresistibly catchy hook.
Co-written with Howard from Disclosure, this chilled-out house track mirrors 70’s Pop with lushly layered harmonies, rich gospel-like vocals and squeaky synthesisers. It’s a different side to Frances but one which works beautifully.
Hot, idiosyncratic club record featuring a reggae-like bounce, clinking synths and a devilishly catchy chorus.
The King of Cool, Prince released ‘HitNRun Phase 2’ in December. This is its funky opening track featuring polished brass elements, raw acoustic guitar strums and a dirty rhythm, it’s Prince at his best.
Chic legend Nile Rodgers lends his production to funky jazz/R&B fusion. Mvula’s pure, soulful vocals are perfect as always and lushly layered into a glorious wall of sound over Rodgers’ funky guitar riffs.
The second single from The 1975’s upcoming second album ‘I Like it When You Sleep For You Are So Beautiful Yet So Unaware Of It’, ‘The Sound’ is a huge tropical-house influenced Pop track. Incessantly catchy with a brilliantly buoyant Chorus, it’s one of the funkiest and catchiest Pop tracks in a long time.
Sultry electropop track with an insanely huge Chorus. Clearly influenced by 80’s Pop, it’s cool, brilliantly layered and an overall huge song.