Music Monday – Volume Ninety One

1) The 1975 – She’s American 

Funky indie-rock ballad which mirrors work by INXS & Duran. Slamming percussion, frantic guitar riffs and skippy synthesiser sounds provide the song’s instrumentation as Matt Healy sings of cultural differences between him and his American girlfriend. It’s brilliantly catchy and very witty lyrically.

2) The 1975 – This Must Be My Dream

Perhaps the best song on The 1975’s new album. The band demonstrate their impeccable synchronicity through layering gospel melodies, silky vocals, slamming percussion, driving bass lines and snarling guitar riffs. It’s a throwback to the new-jack-swing era in the late eighties and early nineties bought to popularity through producers Jimmy Jam & Terry Lewis and Teddy Riley through musicians such as Bobby Brown, Janet Jackson and Michael Jackson.

3) The 1975 – Paris

Beautiful and mellow electropop ballad which imitates Yazoo’s ‘Only You’ to a point just before being eligible for a lawsuit. Sparse guitars, dizzy synthesisers and a gorgeous honeyed ‘again and again’ refrain makes this another of the album’s strongest tracks.

4) The 1975 – I like it when you sleep, for you are so beautiful yet so unaware of it

A proficient, cleverly-created instrumental which punctuates the album beautifully. Pretty and melodic piano particles flutter over driving electronica whilst Healy’s lusciously layered vocals beg his lover not to leave. The track is lengthy at six minutes but is split into two parts, evolving into an uplifting and exquisitely beautiful house track.

5) The 1975 – Loving Someone

Giggling synthesisers and hiphop beats form the backdrop as Matt Healy half-raps his best lyrics to date; a cultural observation on the impact pop culture and celebrity have on youth.

6) Gallant & Jhene Aiko – Skipping Stones

Chilled-out neosoul track which carries a retro vibe. Gallant’s incredible vocals flutter into a rich falsetto over brass instruments, driving bass lines and twinkling keyboards.

7) Joe & Jake – You’re Not Alone

Uplifting and euphoric pop-rock track which is this year’s UK Eurovision entry. Whilst criticised by many for its generic formula and chord structure, it’s a powerful and beautiful track.

8) Laurel – Life Worth Living

Moody alternative-pop track which avoids over-production, instead focussing on using organic, pure instruments.

9) Zayn – Like I Would

Catchy alt-R&B track featuring elastic synthesisers, synthetic percussion and a brilliantly sing-song chorus.

10) The Last Shadow Puppets – Everything You’ve Come to Expect

Quirky and brilliantly written track which utilised genres such as baroque pop, psychedelic pop and experimental rock.

 

Music Monday – Volume Eighty Seven

1) Jahmene – Down for Love

Brilliant hip-hop/Gospel fusion from 2012 UK X Factor runner up Jahmene Douglas. This is his first original composition (début album was an amalgamation of cover versions) and is from his forthcoming second album, on which he has reportedly collaborated with a range of established names.

2) Babyface and El Debarge– Walking on Air

Fizzy and uplifting R&B track from hit songwriter Babyface and El Debarge (of Debarge fame). It’s a cheery and catchy with lovely lyrics.

3) Babyface – Our Love

Gorgeous R&B ballad which closes Babyface’s latest album, the brilliant ‘Return of the Tender Lover’ (hence why it’s our album of the week!). Gentle piano arpeggios and Babyface’s silky smooth vocals layered into luscious harmonies remind us of his forte to write brilliant songs, particularly ballads.

4) Rihanna – Kiss It Better

Brilliant down-tempo progressive R&B track abundant with squeaky synths and wailing guitars. Rihanna at her best.

5) Ronan Keating – Breathe

Lovely pop-rock ballad comprised of Keating’s powerful vocals, sweeping strings and acoustic guitars with a gorgeous chorus.

6) Tundran – Still Afraid

Catchy electropop track built of various sounds and instrumentation.

7) Timbaland and Mila J – Don’t Get no Betta

Brilliant and catchy R&B track emphasising what Timbaland does best. Fun and mechanical production elements and punchy percussion compensates for its repetitiveness and simplistic nature.

8) Nothing But Thieves – If I Get High

Stunning and haunting acoustic-based ballad which evolves into an electrifying climax.

9) Jarbird – Iona

Ethereal and dreamy Pop ballad from London-based band Jarbird.

10) BASECAMP – Comfort Zone

Laid-back and minimalistic electropop influenced track. Catchy, funky and an enthralling listen.

Music Monday – Volume Eighty Five

1) Nate Ruess – Brightside

Quirky yet utterly beautiful pop song which makes full use of Ruess’ idiosyncratic vocals over a backdrop of jazzy piano chords, squeaky string sections and eerie music box sounds. Dreamy and magical.

2) One Direction – History

Bittersweet Pop track which serves as a perfect ‘goodbye’ (at least for now) to fans. Considered by many as an update of Toy Story classic ‘You’ve Got A Friend In Me’, acoustic guitar strums and a sing-along Chorus make this a perfect Pop anthem.

3) Rihanna & Drake- Work

Rihanna returns with this laid-back reggae-pop track, aided by Drake. It’s rhythmic and catchy with Rihanna’s heavily auto-tuned vocals sliding effortlessly over clever production.

http://www.bbc.co.uk/music/clips#p03grqg5

4) Ellie Goulding – Army

Stunning synthpop track in the same vein as material on Goulding’s debut ‘Lights’. Over jittery guitar samples, crashing percussion and simmering synths, Goulding sings of her best friend.

5) Zayn – PILLOWTALK

Sexy and sultry alternative R&B track comprised of thunderous beats, eerie electro elements, broken vocal samples, wailing guitars and soaring melodies.  It’s a far-cry from Zayn’s One Direction days and conveys a far greater depth of maturity, mostly through its sexual themes.

6) Lion Babe – Where Do We Go

Funky disco-themed neo soul track from New York City duo Lion Babe.

7) Taylor Swift – Out of the Woods

Dramatic synthpop track comprised of broken vocal samples, gated percussion and Swift’s almost whispered vocals. One of the highlights of Swift’s ‘1989’ album, it’s perhaps the best representation of the album, utilising scatty samples and ’80’s electro sounds.

8) Lawson – Money

Lawson return after a period of instability in terms of musical output. The release of the band’s second album has been repeatedly delayed but they are now preparing or its release in March. ‘Money’ is its lead single (excluding last year’s single ‘Roads’), a catchy pop-rock track in a similar vein to ‘When She Was Mine’ and ‘Brokenhearted’.

https://www.youtube.com/watch?v=eGgFZufBB20

9) Dawin – Dessert

Catchy, jittery and squeaky pop track by American singer and producer Dawin featuring a rap from Silento.

10) Tom Parker – Lost In Your Love

Ex member of The Wanted Tom Parker impresses on this catchy house track which he has also produced.

Markus Feehily premieres new single

Markus Feehily has premièred his début solo single ‘Love is a Drug’.

It’s been three years since Westlife split. Markus has kept a relatively low profile until now whilst ex-band members Shane Filan and Kian Egan have had a reasonable amount of success with their solo albums. Westlife were always an acquired taste. I enjoyed some of their music but wasn’t really into them if I’m completely honest. That said, I am always interested with any music developments and am looking forward to seeing what Markus has to offer in his solo career.

‘Love is a drug’ is co-written with songwriter/producer Mojam who has previously worked with Sam Smith and Emeli Sande. It’s a massive track with sweeping strings, 90’s house/trip-hop beats in the same vein as Massive Attack’s ‘Unfinished Sympathy’ and Emeli Sande’s ‘Heaven’. Markus really showcases his impressive vocals and I am really, really enjoying this track.

Check it out below!

https://www.youtube.com/watch?v=gsHSn_UBfAA