Music Monday – Volume Ninety Five

1) All Saints – Fear

Gorgeous, eerie electro-ballad from All Saints’ comeback album. Distant twinkling pianos, tribal percussion and infinitely reverberating vocals all result in a very special, substantial ballad.

 

2) All Saints – Who Hurt Who

Another gorgeous ballad from the band’s comeback album, although this time it is a pure and raw piano ballad.

 

3) All Saints – Red Flag

R&B/Hip Hop elements all evolve into a quirky alt-R&B track with a brilliant chorus where giggling synthesisers and thunderous percussion soar.

 

4) Justin Timberlake – Can’t Stop The Feeling

Utterly brilliant comeback single from JT. Piano chords and finger clicks evolve into a fantastically catchy disco-pop Summer smash. One of the best songs of 2016 so far.

 

5) Before You Exit – When I’m Gone

Moody and brooding with stuttering percussion, pitch-moderated glitchy vocal samples and crashing synths, resulting in an utterly brilliant Pop track.

 

6) The 1975 – A Change of Heart

Gentle 808 percussion, jittery synthesisers and monotone vocals result in this brilliantly frank yet emotional 80’s-influenced pop track. Clearly influenced by the likes of The Blue Nile and Madonna’s ‘Crazy For You’, it’s just brilliant, particularly during the breakdown on which Matt Healy sings She said “I’ve been so worried ’bout you lately, you look s**t and you smell a bit”. The intertextuality/references to the band’s previous works ‘Robbers’ and ‘The City’ are also incredibly clever.

 

7) Liss – Good Enough

Danish teenage band Liss are quickly taking the world by storm, largely propelled in the UK by being championed by Radio 1 DJ Annie Mac. Their music straddles various genres such as synthpop, alt-R&B and neo-soul, often with a very care-free tone. This track is no exception.

 

8) MUNA – Loudspeaker

Catchy Pop-Rock track with energising guitar riffs and a brilliant chorus.

 

9) Niki and The Dove – You Want The Sun

Great track with a very retro-vibe.

10) Mic Lowry – Saving All My Love

Smooth and soulful acoustic track by UK vocal group Mic Lowry. Perfect breezy harmonies carry this lovely track.

Music Monday – Volume Ninety Two

1) Kanye West – Real Friends

Moody, downtempo hip-hop track with an overall melancholic tone and brilliant lyrics.

[Because Kanye is a tool and won’t put any of his latest music anywhere where people may actually listen, this is the only clip available: http://bbc.in/1OmSlT4]

2) Shura – The Space Tapes

Fuzzy, spaced-out electro-remixes of three tracks from Shura’s forthcoming highly-anticipated début album ‘Nothing’s Real’. Reverberating vocal samples, frolicking synthesisers and eerie sounds all echo infinitely throughout this nine-minute sampler track.



3) Niki and The Dove – Play it on my radio

Gentle but majestic 80’s-influenced synthpop track. Mirroring Fleetwood Mac at their peak, precarious percussion, dreamy harmonies and fluttering synthesisers drift beautifully through this brilliant song.



4) The Floyds – You

Lovely, breezy acoustic-based track with great lyrics.

https://youtu.be/DZ00HaNqQ0w

5) Liss – Sorry

Dream-like, heavily auto-tuned synthpop track from up-and-coming band Liss, comprised of clinking synths, a waltz-like bass line and a meandering rhythm.



6) WSTRN – Come Down

Another brilliantly catchy R&B track with electro elements from West-London collective WSTRN. Sampling Evelyn King’s 1982 hit ‘Love Come Down’, the trio have created another smash record.



7) KAYTRANDA & Karriem Riggins – BUS RIDE

A beautifully chilled-out instrumental track from Canadian musician KAYTRANADA. Twinkling pianos, soulful and eerie synthesisers and fierce percussion drives this retro alternative-R&B track.



8) The 1975 – The Ballad of Me and My Brain

Brilliant track on which witty lyrics are growled over unsteady percussion and fierce guitar work. Haunting vocal samples evolve into a neurotic punk-pop track which perfectly captures losing your mind.



9) The 1975 – Lostmyhead

Dark and melancholic shoegazing track which is musically simple but incredibly powerful. Heavy, distorted electric guitar riffs and hazy synthesisers form the backdrop as frontman Matt Healy drones ‘And he said, I lost my head, can you see it, can you see it?’. It eventually climaxes in a brilliant orchestral track with percussion.



10) Active Child – 1999

Jazzy and soulful track by electronic artist Patrick Gossi, under his working name of Active Child. Gentle percussion and jazzy pianos with Gossi’s beautiful falsettos all result in a beautiful song.