Hey!
So my decision to make these mixtapes monthly has come back to bite me on the bum a bit because it turns out there’s a LOT of good music around at the moment, and I’ve already got twenty songs I love well before autumn is over.
So this season, you can have two mixtapes! This is the first and is full of lots of soulful music to warm your soul and comfort you.
As always, I really appreciate every visit and read. I really hope you find something you love.
Marc
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Read More »Each new month brings a new mixtape. Here’s 20 songs we’ve been loving over the past month.
Happy June! Here’s 20 songs we’ve been loving this past month.
Here’s the mixtape for April! 20 songs old and new that we’re loving at The Music Box.
There was an electric atmosphere in the O2 Forum, Kentish Town yesterday evening as over 2000 fans packed into the venue to catch a glimpse of one of the UK’s current best alternative-rock bands. Since their formation in 2012, Nothing But Thieves have quickly grown in popularity, largely propelled by frequent radio airplay. The Southend-on-Sea band went on to score a UK top 10 album in October 2015* and have since been touring both in their own right and as a support act to various established bands.
Last night, the band were supported by the energetic if somewhat clamorous Black Foxxes and the great Sundara Karma. Both were fitting for the event and warmed up the audience effectively before Nothing But Thieves’ arrival at 9:30pm. ‘Itch‘ was the perfect opener with its urgent guitar riffs and its tension-building verses. ‘Painkiller‘ followed suit, the frantic percussion and driving bass lines pulsating throughout the venue and raising energy levels from the audience.
The setlist was spot on (aside from the absence of stunning ballad ‘Lover, Please Stay’) with a perfect balance of powerful rock anthems and the band’s more haunting ballads. The likes of ‘Hostage’, ‘Excuse Me’ and ‘Honey Whiskey’ translated brilliantly live and conveyed an infectious energy whilst the ballads formed magical moments of the show. The gorgeous ‘Graveyard Whistling‘, haunting ‘Tempt You‘ and eerie ‘If I Get High‘ all rippled emotively throughout the venue and were worthy of goosebumps as frontman Conor Mason captivated the audience with his intoxicating vocals.
The band performed as a unit; tight and in-sync whilst Mason’s vocals were other-worldly and at times eerily reminiscent of Jeff Buckley. His vocals are sturdy and perfectly executed, whether through the murmured lower register or his ethereal, soaring falsettos. He is in possession of one of the most remarkable and powerful male vocals in the world and it is truly phenomenal to experience them live.
The evening was solely about the music, emphasised by the lack of theatrics in the show; the band were aided only by a backdrop of their eponymous début album and atmospheric lighting. Still, this was enough for the audience who were on-side throughout the entire evening. The atmosphere in the venue was electric, prompting Mason to comment on the energy in the present multiple times throughout the show. He appeared rather overwhelmed by the vast sea of faces in the venue but channelled this into a buoyant energy and was an instantly likeable front-man. At one point he responded to a emerging chant for him to remove his t-shirt with “No I’m not taking my top off, my Nan’s on the balcony!” prior to instructing the crowd to cheer for her.
The evening concluded in an enthralling encore comprised of three of the band’s best tracks; ‘If I Get High‘, ‘Trip Switch‘ and ‘Ban All The Music’. It was a brilliant finale to a fantastic evening and proved that Nothing But Thieves are the alt-rock band of now.
All photos taken from the band’s official Twitter account.
*Read our review of Nothing But Thieves’ début album here
Setlist:
Catch Nothing But Thieves on tour now:
Brilliant hip-hop/Gospel fusion from 2012 UK X Factor runner up Jahmene Douglas. This is his first original composition (début album was an amalgamation of cover versions) and is from his forthcoming second album, on which he has reportedly collaborated with a range of established names.
Fizzy and uplifting R&B track from hit songwriter Babyface and El Debarge (of Debarge fame). It’s a cheery and catchy with lovely lyrics.
Gorgeous R&B ballad which closes Babyface’s latest album, the brilliant ‘Return of the Tender Lover’ (hence why it’s our album of the week!). Gentle piano arpeggios and Babyface’s silky smooth vocals layered into luscious harmonies remind us of his forte to write brilliant songs, particularly ballads.
Brilliant down-tempo progressive R&B track abundant with squeaky synths and wailing guitars. Rihanna at her best.
Lovely pop-rock ballad comprised of Keating’s powerful vocals, sweeping strings and acoustic guitars with a gorgeous chorus.
Catchy electropop track built of various sounds and instrumentation.
Brilliant and catchy R&B track emphasising what Timbaland does best. Fun and mechanical production elements and punchy percussion compensates for its repetitiveness and simplistic nature.
Stunning and haunting acoustic-based ballad which evolves into an electrifying climax.
Ethereal and dreamy Pop ballad from London-based band Jarbird.
Laid-back and minimalistic electropop influenced track. Catchy, funky and an enthralling listen.
Here’s February’s mixtape!
1) James Taylor – Walking Man
Gorgeous folk/easy listening track with gentle guitar strums.
2) Nothing But Thieves – Graveyard Whistling
Haunting and gorgeous track from one of the best bands currently around. Conor Mason’s vocals are incredible, particularly during the falsetto chorus and the track builds up to a dramatic climax.
3) Nothing But Thieves – Last Orders
Love the unique chords on this haunting track from the band’s ‘Graveyard Whistling’ EP.
4) Nothing But Thieves – Emergency
Another heartfelt and dark track from Nothing But Thieves. The falsetto chorus drowned in reverb in this is stunning.
5) Snow Patrol – How To Be Dead
6) Snow Patrol – Grazed Knees
7) Coldplay – Adventure of a Lifetime
Epic and eclectic disco track with amazing guitar riffs and a mesh of vocal clips. As has been the case on much of Coldplay’s material over the past four years, it’s another change in direction but one which works beautifully. Catchy and upbeat.
8) One Direction – History
Pleasant acoustic-based track from the band’s forthcoming ‘Made in the A.M’ album. A power-house middle eight breaks up the song nicely and it’s a great feel-good pop track.
9) Seal – Love
Stunning piano ballad which closes Seal’s latest album ‘Seal 7’ beautifully. Seal’s trademark raspy vocals soar gorgeously over gentle synths and lovely piano chords.
10) Ellie Goulding – Codes
Catchy track from Ellie’s latest album ‘Delirium’. It’s far more pop based than Goulding’s previous efforts but a track which works brilliantly.
1) Nothing But Thieves – Six Billion
Haunting and powerful track from Nothing But Thieves’ début album. Moody guitar riffs, front man Conor Mason’s Jeff Buckley-like vocals and eerie sounds result in a gorgeously endearing track.
2) Nothing But Thieves – Excuse Me
Euphoric opener to Nothing But Thieves’ début album. Haunting and gentle verses develop into an epic and powerful Chorus with gorgeous falsetto vocals.
3) Nothing But Thieves – If I Get High
Gentle guitar riffs and Conor Mason’s beautifully unique voice carry this track which ends with an epic climax.
4) Katy Perry – Mannequin
Witty and clever lyrics, quirky instrumentation; this is Katy Perry at her best. Before pop producers transformed her into a very different artist, this is the Katy Perry more should be familiar with – the singer-songwriter. Underrated track.
5) Ellie Goulding – Army
After the disappointing change of direction exhibited on previous single ‘On My Mind’, this beautiful ballad marks the return of the Ellie Goulding we all know and love. Dreamy synthesisers, reverberating vocals and crashing percussion are featured throughout and it’s a gorgeous song. Think ‘Love Me Like You Do’ Part II but less repetitive and irritating.
6) The Temper Trap – Sweet Deposition
Gorgeous and powerful indie-rock ballad.
7) Katy Perry – If You Can Afford Me
Another track from Katy’s début album ‘One of the Boys’, back in her singer-songwriter days. Clever lyrics and a brilliantly catchy pop-rock track.
8) Frances & Ritual – When It Comes To Us
Gorgeous and haunting ballad full of reverberating electro elements not too dissimilar from William Orbit’s work with All Saints. Both artists deliver beautiful vocal performances and this is is just incredibly beautiful.
9) Markus Feehily – Simple Love
Lovely and unique ballad from the ex-Westlife member. The sped up/altered pitch refrain in the chorus is quirky and works beautifully on this great track.
10) Markus Feehily – Only You
Gorgeous ballad from ex-Westlife member Markus Feehily’s début solo album ‘Fire’. It’s a little in the same vein as Westlife’s later work but an uplifting and beautiful song.
The commercial music industry is a competitive market and one which hundreds of bands battle to break into, many in vain. Every now and then, however, a British rock band seemingly appears from nowhere and hits the big time. Armed with the support of BBC Radio 1 and a legion of fans, Nothing But Thieves are the latest band to do just that with their self-titled début album.
Since their formation in 2012, the alternative rock band from Southend-On-Sea (Essex) have been on a steady upward pilgrimage. In addition to their three EPs released sporadically over the past two years, the band’s single ‘Itch’ was featured by Radio 1 as track of the day. They also landed support act slots on tours by the likes of Arcade Fire, George Ezra and Muse. Not bad for three years work.
Eponymous début album ‘Nothing But Thieves’ is undoubtedly one of the best alternative rock albums of recent years. Aided by lead singer Conor Mason’s haunting, ever-endearing vocals and an anthology of durable rock anthems, ‘Nothing But Thieves’ is a delectable album from start to finish.
The album aims to please from the outset but without a hint of desperation. The influences are clear – Jeff Buckley, Radiohead and U2 moments are littered throughout the sixteen track LP but avoid detracting from the band’s idiosyncratic sound. The Jeff Buckley-esque ‘Excuse Me’ is a killer opener to the album, on which haunting verses evolve into an epic chorus with an incredible vocal performance by Mason. Likewise, ‘Ban All The Music’ is abundant with belligerent guitar riffs whilst the riffs used in ‘Wake Up Call’ mimic those in Pink Floyd’s ‘Dogs’. ‘Trip Switch’, the single release which largely propelled the album features an enormous stadium-rock anthem chorus, utilising the trip switch metaphor to signify the end of a relationship. ‘Hostage’ is abundant with wailing guitars and a killer hook whilst the hook in ‘Honey Whiskey’ features almost operatic vocal moments.
Elsewhere, the band convey a softer side on ballads which punctuate the album beautifully. Mason’s falsetto drifts effortlessly over gentle guitar strums on ‘If I Get High’, a ballad reminiscent of Radiohead which builds to an extravagant climax. Likewise, ‘Graveyard Whistling’ conveys a vulnerability rarely found in contemporary music. ‘Lover Please Stay’, one of the album’s highlights, is a gorgeous acoustic ballad on which Mason uncannily resembles Jeff Buckley; his falsetto vocals fluttering gently over lamenting guitars. It’s a track which really showcases his superlative vocals; every note is aching with sincerity.
It’s an album impossible to pick holes in, one on which album fillers and weak material is noticeably absent. Every song from start to finish is exceptionally written and produced, from its profound lyrics to its huge choruses and catchy hooks. Nothing But Thieves have created a masterful stadium-ready album; an outstanding début.
Rating: 5/5.
Highlights: ‘Excuse Me’, ‘Trip Switch’, ‘If I Get High’, ‘Graveyard Whistling’, ‘Hostage’, ‘Lover, Please Stay’, ‘Hostage’.
‘Nothing But Thieves’ is available now on RCA Victor Records.
