Tag: One Direction

Liam Payne’s 5 Best Songs

MarcyB0yLeave a comment

The news of former One Direction member Liam Payne passing away at the tender age of 31 has shocked the world to its core. It felt like Liam had so much more to give, and ultimately, it feels like an absolute waste of a life.

Whilst Liam was known and loved by many for his warm, down-to-earth personality, the last few years didn’t seem quite as kind to him, and it felt like he became a little lost along the way. His solo career was a rocky ride with some success but seemingly didn’t capture the public’s attention like some of his ex-bandmates.

Read More »

Harry Styles – Harry Styles Album Review

MarcyB0yLeave a comment

Heartthrob, the ever-elusive, ex-boyband member and full-time indie kid Harry Styles has delivered a solid album of Beatle-esque Rock n Roll. From the gentle psychedelia of album book-ends ‘Meet Me in the Hallway‘ and ‘From The Dining Room Table‘ to the energetic and chaotic rock of ‘Carolina‘ and ‘Kiwi‘, it’s an album which avoids isolating Directioners but one which enables Styles to win a new legion of fans.

Strictly speaking, it’s not entirely an original album. ‘Carolina‘ is essentially ‘Stuck in the Middle with You‘, the stunning ballad ‘Two Ghosts‘ (reportedly about Taylor Swift) comes dangerously close to ripping off The Allman Brothers’ ‘Melissa‘, the acoustic ‘Sweet Creature‘ is The Beatles’ ‘Blackbird‘ and massive ballad ‘Sign of The Times‘ is basically Bowie. It’s evident that Styles has used his iTunes collection as a stimulus but this is hardly a criticism; it’s refreshing to hear him breathe his interests and passion into his own music.

Vocally, Styles has never sounded better. From the growls of ‘She’s a good girl’ on ‘Carolina‘ and ‘She’s having your baby’ on ‘Kiwi‘ to the reverb-drenched vocals on ‘Sign of the Times‘ and ‘Woman‘, there’s no auto-tune in sight. His vocals are tender when required and more fierce on the heavier material. Similarly organic, the album generally avoids over-production and instead relies on quality songwriting, clear guitar strums, luscious layered vocals and rich string arrangements.

When things get a little too comfortable, the album is punctuated by a deceptive ethereal introduction to ‘Only Angel‘ which evolves into a hand-clapping, foot-stopping rock smash and the hip-hop inspired ‘Woman‘ – perhaps the album’s most intriguing moment.

It’s a solid album and at just ten tracks long, wisely adopts the quality over quantity approach.

Rating: 5/5
Highlights: ‘Carolina’, ‘Two Ghosts’, ‘Ever Since New York’, ‘Woman’.

 

Zayn – Mind of Mine Album Review

MarcyB0yLeave a comment

 

Zayn_Tonight_Show__2696412a

The past year has been something of a roller-coaster for Zayn Malik. A year ago, he broke millions of fans’ hearts when he announced he would be leaving One Direction to pursue the life of a ‘normal 22 year old’. It later emerged that he had been secretly recording solo material and his animosity towards his boyband days was soon made crystal clear in numerous interviews in which he took multiple swipes at the band and their music.  A shock split with fiancée Perrie Edwards soon followed in addition to multiple venomous and highly publicised Twitter spats. Still, these potential career suicide-moments have been long forgotten since lead single ‘PILLOWTALK‘ rocketed in to the top of the charts of over a dozen countries.

As expected, ‘Mind of Mine’ is a world away from Malik’s One Direction days. Gone is the pop-punk and stadium-pop and in is alternative R&B, catchy dance-pop and elements of Soul. It’s slick, polished, consistent and mature with reverberating vocal samples, hip-hop beats and effect-drenched vocals scattered throughout. It’s a natural transition into R&B music similarly to Justin Timberlake’s début ‘Justified’ fourteen years ago.

‘Mind of Mine’ excels from start to finish with barely a blip. Overall, it possesses a moody and brooding tone with sexualized lyrics and a deeply-textured sound, resulting in a cohesive catalogue of material on which Malik revels in his newly-found freedom. Lead single ‘PILLOWTALK’ remains a stand-out track with its its thunderous percussion, reverberating synths, wailing guitars and Zayn’s sweeping vocals. The rest of the album follows suit with the sullen yet dreamy ‘dRuNk‘ featuring Malik’s multi-layered harmonies boasting ‘I’ve been drunk all summer’ over unsettled R&B percussion, summery synthesisers and weeping electric guitars. ‘rEaR vIeW‘ is similarly a sulky progressive R&B track with sparse production and a Timbaland-like chorus. Then there’s the beautifully haunting ‘iT’s YoU‘ – a gentle downtempo ballad on which Zayn’s stunning falsetto soars over jittering synths, a droning organ, hip-hop beats and crunching piano chords.

Just when things need shaking up a bit, the Beatle-esque piano chords of ‘fOoL fOr YoU‘ arrive. It’s a pleasant piano ballad on which Malik’s vocals really glisten and are relatively free of the over-production the rest of the album is laden with. The track mirrors The Beatles in both song-writing and production and it punctuates the album nicely.

Malik also refreshingly incorporates his cultural heritage into the album in the form of haunting interludes. The opening title-track features soaring Qawwali-influenced melodies over piano chords and clonking synthesiser arpeggios. Similarly, one of the album’s unexpected highlights is ‘fLoWer‘, a gorgeous acoustic interlude influenced by Malik’s upbringing as a British Pakistani Muslim. He executes his voice in Urdu, his father’s native language and warbles over eerie synthesisers and gentle acoustic guitars. It’s an innovative and utterly unique inclusion on an R&B album which works perfectly.

The dance-pop moments also work well, implemented best on ‘sHe‘ with its brilliantly catchy hook, slick production and buoyant production. It is miles away from the stadium pop-rock One Direction produced and is a steer in the right direction (pun not intended), reminiscent of some of Justin Bieber’s best moments on ‘Purpose’. Then there’s the soulful ‘tRuTh’, a track reminiscent of 70’s Soul with giggling synthesisers, a retro-guitar sound and distorted production. Featuring a brilliantly sunny chorus with sugary falsettos, it’s one of the album’s understated highlights.

Malik always had the advantage of having the strongest voice in One Direction and he exhibits his syrupy vocals perfectly on the album. His vocals are sturdy and powerful throughout, whilst his falsetto is his real gift, fluttering delicately over meticulously programmed instrumentals.

A bold and compelling album which validates Zayn’s transition into a credible recording artist.

Rating: 5/5.
Highlights: ‘PILLOWTALK’, ‘dRuNk’, ‘iT’s YoU’, ‘sHe’, ‘fLoWer’, ‘tRuTh’

‘Mind of Mine’ is available now on RCA Records.

Music Monday – Volume Eighty Five

MarcyB0yLeave a comment

1) Nate Ruess – Brightside

Quirky yet utterly beautiful pop song which makes full use of Ruess’ idiosyncratic vocals over a backdrop of jazzy piano chords, squeaky string sections and eerie music box sounds. Dreamy and magical.

2) One Direction – History

Bittersweet Pop track which serves as a perfect ‘goodbye’ (at least for now) to fans. Considered by many as an update of Toy Story classic ‘You’ve Got A Friend In Me’, acoustic guitar strums and a sing-along Chorus make this a perfect Pop anthem.

3) Rihanna & Drake- Work

Rihanna returns with this laid-back reggae-pop track, aided by Drake. It’s rhythmic and catchy with Rihanna’s heavily auto-tuned vocals sliding effortlessly over clever production.

http://www.bbc.co.uk/music/clips#p03grqg5

4) Ellie Goulding – Army

Stunning synthpop track in the same vein as material on Goulding’s debut ‘Lights’. Over jittery guitar samples, crashing percussion and simmering synths, Goulding sings of her best friend.

5) Zayn – PILLOWTALK

Sexy and sultry alternative R&B track comprised of thunderous beats, eerie electro elements, broken vocal samples, wailing guitars and soaring melodies.  It’s a far-cry from Zayn’s One Direction days and conveys a far greater depth of maturity, mostly through its sexual themes.

6) Lion Babe – Where Do We Go

Funky disco-themed neo soul track from New York City duo Lion Babe.

7) Taylor Swift – Out of the Woods

Dramatic synthpop track comprised of broken vocal samples, gated percussion and Swift’s almost whispered vocals. One of the highlights of Swift’s ‘1989’ album, it’s perhaps the best representation of the album, utilising scatty samples and ’80’s electro sounds.

8) Lawson – Money

Lawson return after a period of instability in terms of musical output. The release of the band’s second album has been repeatedly delayed but they are now preparing or its release in March. ‘Money’ is its lead single (excluding last year’s single ‘Roads’), a catchy pop-rock track in a similar vein to ‘When She Was Mine’ and ‘Brokenhearted’.

https://www.youtube.com/watch?v=eGgFZufBB20

9) Dawin – Dessert

Catchy, jittery and squeaky pop track by American singer and producer Dawin featuring a rap from Silento.

10) Tom Parker – Lost In Your Love

Ex member of The Wanted Tom Parker impresses on this catchy house track which he has also produced.

FEATURE: Zayn – PILLOWTALK

MarcyB0y4 Comments

Zayn_Malik_-_Pillowtalk_(Official_Single_Cover)

Ex One Direction member Zayn Malik has set the world alight with excitement with the première of début solo single ‘PILLOWTALK’.

‘PILLOWTALK’ is a sexy and sultry alternative R&B track comprised of thunderous beats, eerie electro elements, broken vocal samples, wailing guitars and soaring melodies. It’s a far-cry from Zayn’s One Direction days and conveys a far greater depth of maturity, mostly through its sexual themes.

The fizzy downtempo track is co-written by Zayn with Anthony Hannides and Michael Hannides of MYKL [who’s track ‘Red’, Zayn tweeted support of back in March 2015] in addition to Levi Lennox. The latter three also produced the track.

Zayn always exhibited one of the more powerful voices within One Direction and his buttery vocals suit this progressive R&B far more than the anthemic Pop of his boyband days. It’s a carefree transition into R&B in a similar fashion to Justin Timberlake following his NSYNC days.

A bold and triumphant launch as a solo artist.

Check the track and its racy video out below:

Music Monday – Volume Seventy Six

MarcyB0yLeave a comment

1) Grimes, Bleachers – Entropy

Impossibly catchy indie-pop track on which American indie-pop band Bleachers team up with Canadian singer-songwriter Grimes. Minimalistic instrumentation is coated with Grimes’ syrupy and melodic vocals.

2) One Direction – End of the Day

Euphoric arena anthem which remains loyal to the boyband’s signature sound. Awesome track.

3) One Direction – Love You Goodbye

One Direction ballads are always exceptional and this is no exception. Taken from the band’s final (at least for now) album ‘Made in the A.M.’, this is emotive and heartfelt with catchy ‘hey, hey, hey’s’ and gorgeous  weeping electric guitars. One of their best tracks.

4) One Direction – Long Way Down

Lovely, gentle acoustic-based track from ‘Made in the A.M.’ It’s one of the more reflective tracks and the Chorus is rather low-key but this is part of what makes it so endearing. In places it sounds rather like Lady Antebellum and these Country elements work beautifully.

5) One Direction – What a Feeling

One Direction channel Fleetwood Mac on this ’80’s synthpop-influenced pop track. It’s one of the stand-out moments from latest album ‘Made in the A.M’ with funky guitar riffs and gorgeous, rich layered harmonies.

6) Ben Haenow – All Yours

Brilliant euphoric pop from last year’s X Factor winner Ben Haenow.

7) Ben Haenow – Testify

Epic gospel-influenced track from Ben Haenow’s début album. The drum loop is fierce and the gospel choir adds an extra depth to the track. It’s the best track on the album and is crying out to be a single.

8) Ben Haenow – Greatest Mistake

One of the stronger tracks Ben Haenow’s début album. The Chorus is incredibly catchy and his raspy vocals sound fierce on it. Great track.

9) Justin Bieber – Company

Sultry and irresistibly catchy pop track with a funky bass line & elements of tropical house. Bieber at his best.

10) Justin Bieber – Been You

Bonus track on the deluxe version of Justin’s latest album ‘Purpose’. Incredibly catchy electropop-influenced track more than strong enough to have been included on the standard edition of the album.

https://www.youtube.com/watch?v=a0Mi_wp3K3Q

 

One Direction – Made in the A.M Album Review

MarcyB0yLeave a comment

one-direction-album

Love or hate them, there is no denying One Direction’s footprint on and significance in Pop history. In a whirlwind five year career, they have won five Brit awards, four MTV Video Music Awards, cracked the U.S and smashed records all over the world. They have been without a doubt one of the most successful exports of the UK; the biggest band since The Beatles and Simon Cowell’s superlative product.

The release of fifth album ‘Made in the A.M.’ carries an assortment of emotions for a multitude of reasons. It’s the first without Zayn Malik since his departure earlier this year and it’s the band’s final album before their hiatus. Don’t be fooled into thinking the album has taken a slap-dash approach, however. It is quite the contrary; an enthralling amalgamation of tracks of different genres.

Overall, the album largely follows the same formula as previous One Direction albums. Songwriting duties are largely handed to long-term collaborators Julian Bunetta, Jamie Scott and Ed Drewett, with co-writing from all band members. Unlike previous albums, however, there is no material donated by superstar singer-songwriters. Members of McFly and Snow Patrol in addition to Ryan Tedder of OneRepublic & Ed Sheeran have all previously donated songs to the band but are noticeably absent from ‘Made in the A.M.’ Instead, the album is formed by a close-knit group of long-term One Direction songwriters.

Album opener ‘Hey Angel’ is a euphoric stadium-rock-influenced Pop track and is one of the best songs of One Direction’s career. It’s the band’s ‘Bittersweet Symphony’, comprised of rich orchestration, heavy stop-start percussion and is built around very few chords. ‘End of the Day’ captures similar levels of euphoria through an irresistible hand-clap Chorus. Lead single, The Police-influenced ‘Drag Me Down’ is still a powerful track with its funky reggae-styled bass riffs and its dubstep-informed chorus. Likewise, second single ‘Perfect’ is an emotive, anthemic track featuring reverberating sounds and punchy percussion whilst ‘Never Enough’ utilises a mesh of acapella vocals, a shuffling beat and Jack Johnson-like guitar strums before launching into a heavier chorus. Many elements are tossed into the mix including brass instruments, distorted synthesisers and Michael Jackson Dirty Diana-esque ‘Come on!’s’. ‘Olivia’ is another of the more enjoyable tracks from the album on which the One Direction lads have a whale of a time cramming as many syllables as possible into the verses. It’s the closest the band have come to imitating The Beatles musically and is effortlessly catchy. The band channel Fleetwood Mac on another of the album’s highlights ‘What a Feeling’, comprised of gorgeous layered harmonies and funky bass and guitar riffs. In fact, the band’s harmonies have never been cleaner and they play a significant role in the album’s success.

As always, the ballads form some of the album’s best moments. ‘If I Could Fly’ is a gentle ballad comprised of little more than a piano, cello and strings whilst ‘Infinity’ is a lovely rock-ballad which mimics Coldplay circa 2005, sounding uncannily like ‘Fix You’ during its explosive climax. The folk-infused ‘I Want to Write You a Song’ is beautifully simple and a lovely moment in the album. ‘Long Way Down’ is one of the album’s less commercial ballads but is a particular highlight. Led by gentle guitar strums, and Country-influenced wailing guitars with a low-key Chorus, it’s an exquisite addition to the album and is at times reminiscent of some of Robbie Williams and Guy Chambers’ best material in the late nineties. Another stand-out moment is found in ‘Love You Goodbye’, a track which opens tenderly with gentle piano chords & jittering synths before evolving into an emotive pop-rock ballad. It’s classic One Direction but captures far more maturity than their previous work. The weeping electric guitars which frame the second and third chorus is a beautiful addition and it is without a doubt one of One Direction’s best tracks.

Album closer ‘History’ is an enjoyable acoustic guitar-based track and whilst it rather bizarrely sounds like a Disney musical track, it closes ‘Made in the A.M.’ perfectly.

It’s clear the lads have used their influences and Pop heroes to shape the album. Michael Jackson, Jack Johnson, Coldplay, The Verve and Fleetwood Mac are just some of the artists mimicked but its this diverse range of influences which makes the album so rich in various genres.

The album is not quite as compelling as ‘Four’, but is a diverse and hugely enjoyable album nevertheless.

  • Rating: 4/5
  • Album Highlights: Hey Angel, Perfect, Long Way Down, Olivia, What a Feeling, Love You Goodbye.

‘Made in the A.M.’ is available now on Columbia/Syco records.

Music Monday – Volume Seventy Five

MarcyB0yLeave a comment

1) James Taylor – Walking Man

Gorgeous folk/easy listening track with gentle guitar strums.

2) Nothing But Thieves – Graveyard Whistling

Haunting and gorgeous track from one of the best bands currently around. Conor Mason’s vocals are incredible, particularly during the falsetto chorus and the track builds up to a dramatic climax.

3) Nothing But Thieves – Last Orders

Love the unique chords on this haunting track from the band’s ‘Graveyard Whistling’ EP.

4) Nothing But Thieves – Emergency

Another heartfelt and dark track from Nothing But Thieves. The falsetto chorus drowned in reverb in this is stunning.

5) Snow Patrol – How To Be Dead

6) Snow Patrol – Grazed Knees

7) Coldplay – Adventure of a Lifetime

Epic and eclectic disco track with amazing guitar riffs and a mesh of vocal clips. As has been the case on much of Coldplay’s material over the past four years, it’s another change in direction but one which works beautifully. Catchy and upbeat.

8) One Direction – History

Pleasant acoustic-based track from the band’s forthcoming ‘Made in the A.M’ album. A power-house middle eight breaks up the song nicely and it’s a great feel-good pop track.

9) Seal – Love

Stunning piano ballad which closes Seal’s latest album ‘Seal 7’ beautifully. Seal’s trademark raspy vocals soar gorgeously over gentle synths and lovely piano chords.

10) Ellie Goulding – Codes

Catchy track from Ellie’s latest album ‘Delirium’. It’s far more pop based than Goulding’s previous efforts but a track which works brilliantly.

Music Monday – Volume Seventy Three

MarcyB0yLeave a comment

1) Shura and Mura Masa – Love For That

Shura teams up with Mura Masa on this chilled-out EDM track. Mura Masa provides the instrumentation, utilising sounds reminiscent of pan pipes, orchestral strings and steel pans whilst Shura’s syrupy vocals are layered on top. A unique and enjoyable track.

https://www.youtube.com/watch?v=ZFFwyen7B8Y

2) Snow Patrol – Take Back the City

Epic driving rock anthem by alternative rock band Snow Patrol. Reportedly a testament of frontman Gary Lightbody’s love of Belfast, it’s an empowering track slightly reminiscent of ’80’s glam rock.

3) Janet Jackson – Broken Hearts Heal

Sugary sweet disco track which serves as a tribute to Janet’s brother Michael both lyrically and musically. Lyrical content addresses their growing up together and a more care-free phase. Musically, the track is heavily reminiscent of Michael’s catchy and soulful material on début solo album ‘Off The Wall’, particularly upon the emergence of bells during the final minute. Irresistibly sweet and catchy.

4) Janet Jackson – Take Me Away

Emotive and desolate track evidently about the aftermath of brother Michael’s death. Drawing upon electro-rock influences, it features an epic and grand chorus.

https://www.youtube.com/watch?v=ju-SM5RRCqs

5) Daniel Bedingfield – Wrap My Words Around You

Brilliant and overlooked track by Daniel Bedingfield, released back in 2005 as the second single from his album ‘Second first Impression’. Gentle acoustic-based verses develop into a huge chorus.

https://www.youtube.com/watch?v=AszYikBORDA

6) Kate Winslet- What if

Gorgeous and emotive ballad written by Steve Mac and Wayne Hector (pop gurus responsible for material by the likes of Westlife and JLS). The song was written for and featured in the animated version of Charles Dickens’ ‘A Christmas Carol’. Upon Winslet’s request, all proceeds from the single went to the National Society for the Prevention of Cruelty to Children and Sargent Cancer Care for Children. It was largely successful, peaking at Number Six in the UK charts and still receiving airplay today.

7) Nothing but Thieves – Wake Up Call

Nothing But Thieves are by far one of the best bands currently around in the UK. Formed in 2012, they are a five-piece alternative rock band from Southend-on-sea in Essex. Front man Conor Mason’s vocals carry a gorgeous tone – powerful, unique and slightly eerily like Jeff Buckley. The contrast between Mason’s falsetto vocals and the heavy rock instrumentation in the chorus works beautifully.

8) Take That – Hey Boy

It’s back to the 80’s for the Take That lads with their incredible new single ‘Hey Boy’. Continuing the fun pop sound they explored on ‘III’ with the likes of Greg Kurstin, John Shanks, Stuart Price & Mattman and Robin, this is the lead single from the 2015 repackaged edition of ‘III’. The Nile Rodgers/Chic-like disco riffs return amongst stomping percussion, a funky bass line and rich harmonies.

9) One Direction – Perfect

From one boyband to another, this is the latest single from One Direction. ‘Perfect’ is a mid-tempo pop ballad which draws upon stadium-rock influences. Harry Styles presumably steers the song lyrically; most of the song appears to be a dig at ex Taylor Swift. It’s the most enjoyable of the material from forthcoming album ‘Made in the A.M.’ so far, an emotive and powerful pop track.

10) Nothing But Thieves – Lover Please Stay

Stunning, raw and emotionally charged ballad from Nothing But Thieves’ self-titled début album. If any other material by the band wasn’t enough to reinforce Conor Mason’s Jeff Buckley-like vocals, this track will affirm it. Utilising only gentle guitars and Mason’s powerful and aching vocals, this is music at its best.

Music Monday – Volume Seventy

MarcyB0yLeave a comment

1) One Direction – Infinity

This week, One Direction announced their fifth album ‘Made in the AM’ in addition to the release of this new track. An emotive pop-rock ballad featuring weeping guitars, reverberating vocals and syrupy sweet harmonies, the song features an epic climax.

2) Carly Rae Jepsen- Let’s Get Lost

Funky track in a similar vein to The 1975 featured on Jepsen’s new album ‘Emotion’. An effervescent affair featuring funky guitar riffs, clinking synthesisers, gorgeous layered harmonies and a rogue saxophone solo, it’s a piece of pop perfection.

3) Carly Rae Jepsen – All That

Jepsen continues her 80’s synthpop vibe on this gorgeous slushy ballad. Giggly synthesisers and whimpering bass lines lead the track whilst Carly’s seductive vocals trickle gently atop. The climax is rather powerful too.

4) Ryan Adams – I Wish You Would

Whilst Ryan Adams and Taylor Swift share a musical background which covers country music, the concept of indie singer-songwriter Adams covering Swift’s entire synthpop ‘1989’ album sounded like an awful idea on paper. Amazingly, however, it works beautifully. Adams turns this into a moody acoustic ballad with wailing guitars and his heavy vocals endlessly reverberating.

5) Ryan Adams – Bad Blood

Adams somehow produces a cover better than the original. This alternative rock interpretation works perfectly, rife with various guitars.

6) Dimitri Vegas, Like Mike & Ne-Yo – Higher Place

Moody club track built around gentle piano riffs and the gorgeous contrast between Dimitri Vegas & Like Mike’s bass, low registered vocals and Ne-Yo’s gorgeous higher-toned vocals.

7) Mariah Carey – Dreamlover

Catchy Pop-R&B track which enabled Carey to break into the pop market. It’s all very ’90’s with its fierce drum machine and glittery piano riffs but it’s impossibly catchy and a lovely feel-good track.

8) REM – Man on the Moon

One of alternative-rock band REM’s biggest hits, this track is lyrically a tribute to performer Andy Kaufman.

9) Mumford and Sons – Believe

Upon release, ‘Believe’ marked a musical departure for the band. Best known for their organic, acoustic instrumentation, ‘Believe’ enters a more electric and alternative territory. A gentle, eerie opening develops into a powerful and energetic stadium-rock anthem.

10) Duke Dumont – Ocean Drive

Duke Dumont demonstrates a different side to him as ‘Ocean Drive’ enters a more funky, electropop territory compared to the usual deep-house tracks he produces.