Here’s the mixtape for June! 20 songs old and new that we’re loving at The Music Box.
Here’s the mixtape for June! 20 songs old and new that we’re loving at The Music Box.
Gorgeous, gentle and soulful ballad which uses little more than warm acoustic guitar strums, gentle percussion and subtle bass lines. Jessie’s voice is exquisite as always.
Shura returns with this brilliant and breezy pop track which practically screams summer. Utilising various detuned synthesisers, gated percussion and Shura’s sugary sweet vocals, it’s a perfect throwback to the ’80’s. One of the best tracks of 2016 so far.
Uplifting alternative rock track from Chicago band ‘Whitney’. Definitely has a ’70’s vibe.
Precarious hip hop beats and shimmering synthesisers with glitchy vocal samples result in a moody downtempo alternative-R&B track with elements of neo-soul and electronica.
Without a doubt, one of Bieber’s best on his incredible ‘Purpose’ album and a fine choice as a single. It’s a brooding, sultry electropop track with tight production and fierce percussion.
Euphoric pop-rock anthem with glitchy electro samples. A quick listen and this could easily be mistaken for a One Direction track, the vocals at times being uncannily similar, but this is no bad thing.
Another euphoric stadium-pop track from the band’s ‘All The Lights’ EP with brilliant production.
Sunny tropical house track which does not particularly break the mould but is an enjoyable listen all the same.
Joe Jonas’ band follow up huge smash ‘Cake by the Ocean’ with this brilliantly funky pop track. Much in the same vein as ‘Cake by the Ocean’, ‘Toothbrush’ uses slick production, Chic-esque guitar riffs and a gorgeous falsetto chorus. Catchy as hell.
Moody neo-soul influenced electro track from Haitian-Canadian musician Kaytranada with a little help from Craig David on vocals.
1) Grimes, Bleachers – Entropy
Impossibly catchy indie-pop track on which American indie-pop band Bleachers team up with Canadian singer-songwriter Grimes. Minimalistic instrumentation is coated with Grimes’ syrupy and melodic vocals.
2) One Direction – End of the Day
Euphoric arena anthem which remains loyal to the boyband’s signature sound. Awesome track.
3) One Direction – Love You Goodbye
One Direction ballads are always exceptional and this is no exception. Taken from the band’s final (at least for now) album ‘Made in the A.M.’, this is emotive and heartfelt with catchy ‘hey, hey, hey’s’ and gorgeous weeping electric guitars. One of their best tracks.
4) One Direction – Long Way Down
Lovely, gentle acoustic-based track from ‘Made in the A.M.’ It’s one of the more reflective tracks and the Chorus is rather low-key but this is part of what makes it so endearing. In places it sounds rather like Lady Antebellum and these Country elements work beautifully.
5) One Direction – What a Feeling
One Direction channel Fleetwood Mac on this ’80’s synthpop-influenced pop track. It’s one of the stand-out moments from latest album ‘Made in the A.M’ with funky guitar riffs and gorgeous, rich layered harmonies.
6) Ben Haenow – All Yours
Brilliant euphoric pop from last year’s X Factor winner Ben Haenow.
7) Ben Haenow – Testify
Epic gospel-influenced track from Ben Haenow’s début album. The drum loop is fierce and the gospel choir adds an extra depth to the track. It’s the best track on the album and is crying out to be a single.
8) Ben Haenow – Greatest Mistake
One of the stronger tracks Ben Haenow’s début album. The Chorus is incredibly catchy and his raspy vocals sound fierce on it. Great track.
9) Justin Bieber – Company
Sultry and irresistibly catchy pop track with a funky bass line & elements of tropical house. Bieber at his best.
10) Justin Bieber – Been You
Bonus track on the deluxe version of Justin’s latest album ‘Purpose’. Incredibly catchy electropop-influenced track more than strong enough to have been included on the standard edition of the album.
https://www.youtube.com/watch?v=a0Mi_wp3K3Q
The past three years have been a somewhat turbulent time for Justin Bieber. The former teen star descended into a very public meltdown, his once wholesome image tarnished by an extensive inventory of legal issues involving reckless behaviour, drug usage, dangerous driving and other general brattish behaviour. It appeared that Bieber was on a mission to destroy his career and disappear from the music industry, never to be seen again. 2015, however, has been a year of incredible transformation. His triumphant musical comeback has been a surprise to many; singles ‘Where are U now’ and ‘What Do You Mean?’ have been warmly received by critics and fans alike. It appears J-Biebz has got his life back on track.
Bieber really comes into his own on ‘Purpose’, an exuberant affair abundant with euphoric dance-pop. The bubblegum pop has been replaced by material which is far more mature and substantial in nature. It’s still undoubtedly pop music but it contains far greater depth, borrowing influences from EDM, tropical house and R&B.
Much of the album is in the same vein as the impossibly catchy ‘What Do You Mean’, built around electro/pitch-moderated samples, slick beats and breathy synths. Latest single ‘Sorry’ is a prime example, utilising squeaky synths and samba-like percussion to create a buoyant R&B track. ‘Company’, one of the album’s highlights, is a buoyant tropical-house flavoured track with bouncy percussion, breezy keys and vivacious dance bass riffs. It’s low-key but effortlessly catchy and reinforces that sometimes in pop music, simplicity is pivotal.
Elsewhere, the album is softer, mimicking slow-jam nineties R&B. Album opener ‘Mark My Words’ is an understated but effective introduction. Featuring little more than broken fragments of Bieber’s vocals and tender piano chords, it doesn’t particularly lead anywhere but it’s pleasant enough. ‘I’ll Show You’ is built around jittery high-pitched vocal samples and trap-like beats, resulting in a dark but effective R&B track. Dainty acoustic guitar arpeggios are the main feature of ‘No Pressure’, a waltz-like R&B track featuring a rap from Big Sean whilst ‘No Sense’ follows the same formula but is a little heavier. On ‘No Sense’, Bieber’s vocals have never sounded cleaner and they ride the minimal instrumentation beautifully. The song is let down however by an excessively auto-tuned and dispensable segment from Travi$ Scott. ‘The Feeling’, a collaboration with American singer-songwriter Halsey is another of the strongest tracks on the album, comprised of tremulous percussion and a catchy, melodic hook.
At times the album does come close to regressing back to Bieber’s bubblegum pop. Whilst an enjoyable addition, soft and heartfelt piano ballad ‘Life is Worth Living’ is rather saccharine and carries a naivety reminiscent of his earlier material. Likewise, Ed Sheeran collaboration ‘Love Yourself’ is a welcome break from the intensity of the album but does feel rather feeble compared to the rest of the album. ‘Children’ is the most EDM-influenced track on the album (aside from ‘Where are U Now’) but is one of the album’s weakest moments. The corny and frankly rather creepy lyrical content detracts from Skrillex’s scatty production and is reminiscent of Bieber circa 2011.
There is one efficacious ballad on the album, however. Title track ‘Purpose’ is a gentle piano ballad which closes the album beautifully. Whilst it is almost tarnished by the bizarre addition of spoken clips of Bieber discussing his personal life, it thankfully holds its own.
‘Purpose’ is the first of Bieber’s releases to finally serve as a true reflection of himself and his own musical influences. It’s bold, buoyant and enchanting from start to finish.
‘Purpose’ is available now on Def Jam records.