Shura – Nothing’s Real Album Review

July 20, 2016 MarcyB0yLeave a comment

It’s been over two years since Shura’s ‘Touch‘ became an internet sensation for its gentle, airy tones and simple, yet endearing video which featured her and her friends kissing, regardless of gender. Follow up tracks ‘Indecision‘ and ‘2Shy‘ simply amplified the buzz which resulted in Shura (real name Alexandra Denton) being longlisted in the BBC’s Sound of 2015 poll and extensive airplay on Radio 1. It’s probably fair to say that demand for further material escalated quicker than Shura’s musical output which resulted in sporadic single releases and an eagerly awaited debut album. Finally, ‘Nothing’s Real’ has catapulted onto the music scene, however and brilliant it is too.

Musically, it’s fun and uplifting, mimicking 80’s synthpop yet its lyrics are more introspective and darker than the sugary melodies and uptempo tracks let on. Reviews consistently compare her work to ’80’s Madonna but it is unfair to box her into the confinements of this comparison. There are also moments of Janet Jackson, Blood Orange, Prince, Haim & Phil Collins scattered throughout but the album provides enough scope for her own distinct sound to shine through.

It’s undoubtedly Pop music, yet it’s not Pop music as that defined by global superstars such as Taylor Swift & Katy Perry. It’s more an off-centre, awkward Pop tinged with electro elements and far greater sincerity in its lyrical content than any Pop superstar could ever achieve.

For the most part, the album utilises gated percussion, shimmering synths and funk-influenced bass lines to mirror some of the best, catchiest Pop music of the ’80’s. This is the case on tracks such as ‘Indecision‘ (Shura’s ‘Holiday‘) and absolutely brilliant ‘Tongue Tied‘ (one of two tracks worked on by Pop mastermind Greg Kurstin and a track on which Patrice Rushen’s influence is clear) and rather space-y, sci-fi-influenced closing track ‘White Light‘. It’s deceptively catchy, however. Opening track ‘Nothing’s Real‘ could almost be placed in disco territory with its clinking percussion, strong riffs and catchy melodies, yet on closer inspection, the lyrics detail the more intimate matter of a panic attack. Much of the album follows suit – its uptempo music at odds with its awkward, realistic and relatable lyrical content detailing matters such as the end of a relationship, high school crushes and coming of age.

The uptempo fun continues on one of the 2016’s best Pop releases ‘What’s It Gonna Be‘? the other collaboration with Kurstin which still sounds as fresh and uplifting as on its first listen. Whilst mention of it fitting perfectly on a John Hughes movie soundtrack is becoming something of a cliche, this is certainly the case.

Elsewhere, the album is given time to breathe on gentler tracks. The analogue synthesizer sound present on ‘Touch‘ still forms part of its appeal with its breathy vocals and simple chord transition whilst the moody ‘Make It Up‘ feels as though it belongs on a Cyndi Lauper album. Then there’s the shimmering, summery ‘2Shy‘ which remains one of Shura’s best tracks. The awkwardness and shyness of the track (“Maybe I’m just 2Shy to say it, we could be more than friends…”) is somehow perfectly captured in its fizzy production and sweet vocals.

The album’s best track, however, is the gorgeous synthpop ballad ‘Kidz ‘N’ Stuff‘ which is reminiscent of Janet Jackson, Jimmy Jam & Terry Lewis’s best work circa ‘Rhythm Nation’. ‘How can I not be everything you need?’ her syrupy, whispered vocals pine over twinkling synths, moody guitars and crashing percussion. It’s tender, it’s relatable and it’s a golden moment on the album which surprisingly escalates into an incredible, spine-tingling electro interlude into the Pop perfection of ‘Indecision‘.

The album employs the use of spaced-out-synths in other areas too. Eerie, psychedelic interludes, blanketed with audio clips lifted from private home movies [(I) and (II)] punctuate the album perfectly. Indeed, the album finishes in this manner on the gorgeous, de-tuned ‘311215‘. It’s an additional reminder of how personal the album is whilst also touching on one of its key themes – time.

Another of the album’s highlights is the new-wave influenced ‘What Happened To Us?’ which somehow straddles Fleetwood Mac’s ‘Gypsy‘ and Don Henley’s ‘Boys of Summer‘ simultaneously. It is perhaps the one song on the album which breaks from the programmed instrumentation and instead utilises a full band with wailing guitars, fierce percussion and a triumphant chorus. “I’m no child but I don’t feel grown up” Shura almost growls over its fierce instrumentation.

It’s an album unconfined by fillers or impersonal production by superstar producers where Shura herself is responsible for the album’s concept, creation and curation, often assisted by Athlete’s Joel Pott. Every track is killer and its production is tight yet captivating.

One of the the must-have albums of 2016.

Highlights: What’s It Gonna Be?, Touch, Kidz ‘N’ Stuff, Indecision, What Happened To Us?, 2Shy
Rating: 5/5

‘Nothing’s Real’ is available now on Polydor Records.

The Japanese House Live Review [The Haunt, Brighton, 27/02/2016]

February 28, 2016 MarcyB0y1 Comment

When The Japanese House emerged in early 2015 with the hauntingly ethereal ‘Still’, she was the cause of mystification. Whilst many fell in love with the track, her lack of online profile and distorted, effect-coated vocals led many to question whether a male or female was behind the project. It soon surfaced that The Japanese House is the project name of 20 year old Londoner Amber Bain. She shares a record label (Dirty Hit records) with the likes of The 1975 and Wolf Alice, a promising omen, considering their success. In fact, she was introduced to the label by the former’s Matt Healy and George Daniel who have also handled the production of some of her material. Her cinematic, multi-layered and often haunting sound makes her work a compelling listen and has won her a legion of fans. Just a proportion of those were crammed into The Haunt in Brighton on Saturday evening.

She walks onstage timidly after her bandmates – a drummer and guitarist/keyboard player begin the oriental cascades of ‘Clean’. Her multi-layered sound translates well live and is cleverly achieved through frolicking between various guitars, synthesisers and various effect pedals, including a harmoniser pedal to achieve Bain’s dreamy vocoder-reminiscent vocals. Between songs, she keeps talk to a minimum and is fantastically shy but impossibly endearing.

The Japanese House steadily ventures through her complete eight song discography from both of her EP’s – ‘Pools to Bathe In’ and ‘Clean’ before treating fans to a bonus track, a new song called ‘Leon’ at the end of the show. A brilliant performance of downtempo, sullen ‘Still’ reminds the audience of what a mesmeric listen the track is. It was her debut record and it’s still one of her best with its thunderous percussion and R&B-influenced fragments.

Her melancholic electronica is quite an intense listen and at times it’s perhaps a little too over-bearing, her set crying out for one or two up-tempo tracks. This request is eventually met by the brilliantly catchy and ‘80’s-influenced ‘Cool Blue’ which arguably prompts the best response from the crowd. It’s understandable since it’s perhaps the most up-tempo track The Japanese House has released to date. It echoes Tears for Fears’ ‘Everybody Wants to Rule The World’ in terms of rhythm and slamming percussion but replaces the piano arpeggios with those of a guitar. It’s one of her best songs and it provides the audience with an opportunity to dance.

Despite the small-scale nature of the show, it is still atmospheric. Dim lighting and hazy smoke create the perfect accompaniment to The Japanese House’s introspective sound. Pulsating lights swing into action during the electronic drop in ‘Pools to Bathe In’ but aside from this, the music does the talking.

As the evening comes to an end, it’s clear that The Japanese House is certainly in possession of something special. Whilst collectively, her work overall feels it could do with the addition of one or two more substantial, up-tempo tracks, Amber Bain is certainly one to watch.

Christmas Crackers – Day 18

December 18, 2015 MarcyB0yLeave a comment

1) CHRISTMAS CRACKER: Shakin’ Stevens – Merry Christmas Everyone

2) CINNAMON COVER: Lucy Rose – Merry Christmas Everyone

3) WINTER WARMER: Paul McCartney & Wings – Mull of Kintyre

https://www.youtube.com/watch?v=AcZVRiB9AQk

Check back everyday this month for more festive hits!

Music Monday – Volume Fifty Nine

July 13, 2015October 28, 2015 MarcyB0yLeave a comment

1) Mark Ronson – The Giver (Radio 1 Live Lounge Performance)

Radio 1’s live lounge performances present an opportunity for artists to really demonstrate their art through adapting and arranging existing songs by other artists. This is an awesome interpretation of Duke Dumont’s ‘The Giver’. Ronson gives his cover a 90’s vibe with funky guitar riffs, a drum machine loop and whistling synthesisers. It’s a little repetitive but it’s a great version.

https://www.youtube.com/watch?v=An-xqjnHoHc

2) Prides – Messiah

Explosive, synthpop track by Scottish band Prides. It’s a little bit 80’s with a powerful sing-along chorus. Can’t get enough of this right now.

3) Justin Bieber, Skrillex & Diplo – Where Are U Now?

A bit of a guilty pleasure on many levels. A collaboration between two artists which I usually don’t have much time for, there is something both endearing and catchy about this EDM track. Bieber’s vocals are sincere and Skrillex and Diplo’s chaotic production adds an extra dimension to what could otherwise work perfectly well as a gorgeous ballad.

4) Flo Rida & Robin Thicke – I Don’t Like It, I Love it

Another guilty pleasure; I don’t think it is possible to shamelessly admit to enjoying any song with Flo Rida’s involvement. This is irresistibly catchy, however. Funky guitar riffs and bass lines, hand-clap percussion, silky smooth vocals from Thicke and a frighteningly seductive whistle hook, it’s the perfect pop song.

5) Major Lazer, DJ Snake and MO – Lean on

Much of this song’s success is built upon it’s amalgamation of different genres. It draws upon EDM, electropop, trap and moombhaton music, resulting in an utterly irresistible track with bouncy percussion and squeaky synthesisers. SO good.

6) Carly Rae Jepson – I really Like You

Whatever your opinion on Carly Rae Jepson, she sure knows how to write and perform catchy pop music. It is already at risk of becoming as irritating as ‘Call Me Maybe’ but for the moment, it remains the perfect pop song with Jepson’s famous breathy vocals, slamming beats and a repetitive refrain. Catchy as hell.

7) Mark Owen – Giveaway

The entirety of Owen’s solo career is criminally underrated and last album ‘The Art of Doing Nothing’ is no exception. ‘Giveaway’ is the haunting, rousing opening track, building into a catchy electropop song with Owen’s distinctive vocals echoing endlessly into the heavily synthesiser dependent backing track. Awesome song.

8) Oasis – Stand By Me

An often commercially overlooked Oasis track but just as awesome as their other material from the 90’s. Well written as always by Noel Gallagher & Liam’s prominent drool carries the song.

9) Circa Waves – My Love

This song has been a favourite of mine since the release of Circa Waves’ debut album earlier this year. There’s something incredibly beautiful about it despite it not being a ballad. It’s a massive indie track with raw electric guitars, fierce drums, driving bass lines and a passionate vocal performance by frontman Kieran Shudall. The song has been re-recorded for release as a single, an unnecessary move as the album version remains superior but it’s still awesome. I’m so glad it’s the next single.

10) Wolf Alice – Bros

LOVE this. Tinny, manic percussion, gentle vocals, a powerful driving bass line and reverberating guitars with an instantly memorable hook. One of the best songs out there right now.

Music Monday – Volume Twenty Two

July 28, 2014October 28, 2015 MarcyB0yLeave a comment

1) Hot natured – Benediction

Such an awesome club track that I keep hearing on the radio. The bass line is great and the whole song is very 90’s. Absolutely loving this right now.

2) Tom Misch – Memory

Another track I heard on the radio that I am loving. Very chilled with lots of summer vibes through the downtempo beat, gentle strings and steel pan-like sounds. Love its changes in direction too – it changes direction multiple times but keeps its flow. Great guitar solo towards the end.

3) Adam Levine – Lost stars

I saw ‘Begin Again’ at the cinema, hence these next four songs. They’re all written by one of my favourite songwriters, Gregg Alexander, who’s behind some big hits (You get what you give, Life is a rollercoaster, Lovin’ Each Day, Inner Smile). This song is the lead promotional track for the film and it’s a gorgeous song.

4) Adam Levine – A higher place

Another from ‘Begin Again’, in the same vein as writer Gregg Alexander’s previous work for Ronan Keating. So catchy and Adam Levine’s voice is to die for.

5) Keira Knightley – Like a fool

A sweet song also from ‘Begin Again’. It’s simple but it’s beautiful.

6) Keira Knightley – A step you can’t take back

I could have included the whole ‘Begin Again’ soundtrack in this week’s blog but I wanted to keep it diverse plus I have been loving a lot of songs this week. This is played a few times in the film and it’s beautiful. I love the way it develops and builds.

7) 2Pac, Roger Troutman & Dr Dre – California Love

Heard this on the Nixtape last Friday and was reminded of what an absolute tune it is. SO catchy and just an all-round awesome hiphop track.

8) Counting Crows & Vanessa Carlton – Big Yellow Taxi

I know this is going to be controversial but I actually prefer this version to Joni Mitchell’s original. Don’t get me wrong, I adore Joni Mitchell and her version is obviously great but I love this interpretation more. It was fantastically adapted for the 21st Century and I love its pop-rock feel. Vanessa Carlton’s little ad libs and backing vocals make it even sweeter. One of the greatest covers of a song ever.

9) Babyface – Shower the people

I’ve always adored Babyface as a writer and equally, I have loved his solo career. His cover of James Taylor’s ‘Fire and rain’ is one of my favourite songs/covers ever. This is another cover of a James Taylor track off the same album on which Babyface covers his favourite songs. This is a song I managed to miss but it’s so beautiful. The original is just as great but Babyface’s harmonies and interpretation is smooth, sophisticated and fantastic. Can’t get enough of this right now.