Happy New Year! Excited to be sharing my listening habits with you again this year—if anyone’s interested, of course!
This month’s mix is a bit all over the place. January always feels musically odd to me—there’s a lingering hangover from last year’s hits, but not much new to get excited about yet. I think that’s reflected in my listening habits over the past few weeks—an eclectic collection of songs spanning different eras and genres.
Let’s talk about Charlie Puth’s best and most underrated song ‘BOY’, taken from 2018’s ‘Voicenotes‘.
When Charlie Puth first came on the scene, I was pretty unenthused. The likes of ‘Marvin Gaye‘ and ‘One Call Away‘, whilst both undeniably catchy Pop songs, grated on me and I dismissed him as annoying, immature and generic Pop.
Howdy. I’m quite late again, aren’t I? Sorry. Life is busy but I love doing this!
From now on, I’ll be trying to keep the mixtape to 20 songs dissected, but other stuff I’ve enjoyed this month are at the bottom in the complete playlist.
Short on time? My Essential 5 are featured at the top!
As always, I really appreciate every read, scan or visit and hope you find some new music you love.
It’s become an annual tradition… let’s take a look at the best music of 2016!
SONG OF THE YEAR:
Shura – What’s It Gonna Be
Whilst perhaps not the most famous of Pop songs released this year, this perfect Pop track was undoubtedly one of the musical highlights of the year. It’s a fizzy, endearing ’80’s-influenced Pop track about high school crushes full of essential repetition and a dizzying chorus. Shura’s almost whispered vocals are not dissimilar from Janet Jackson’s and it’s just a brilliant, brilliant record. Check out the incredible video too.
ALBUM OF THE YEAR:
The 1975 – I like it when you sleep, for you are so beautiful yet so unaware of it.
A lost rested on this highly anticipated second album from The 1975. After months of being promised brilliant things from Radio 1 & NME alike, in addition to Matt Healy boasting ‘the world needs this album’, the album finally arrived back in March and it was no disappointment. A beast of an album at 17 tracks and over an hour of music, it genre-hops frequently but it doesn’t disrupt the flow or brilliance of the album. There’s something for everybody – there’s the 80’s-influenced Pop-rock moments the public are familiar with from radio airplay, acoustic tracks, instrumental tracks, hell – even a huge D’Angelo-influenced gospel track!
There is not one dud moment on this album and it’s particularly brilliant during it’s ‘dream sequence’ section in which Healy documents losing his mind through a brilliant assortment of songs – beginning with ‘If I Believe You’ and finishing with the stunning ‘Somebody Else’. A brilliant, brilliant album.
TOP 10 SINGLE RELEASES OF THE YEAR
Shura – What’s It Gonna be?
See above for why we’ve chosen this track!
The 1975 – The Sound
To be honest, we could include any single from the band’s ‘I like it when you sleep…’ album – ‘A Change of Heart’, ‘Somebody Else’ etc – they are all just as brilliant as each other but we’ve chosen this, the biggest hit from the album. It’s everything Pop music should be – memorable, catchy, a little bit naughty lyrically and an absolute feel-good classic.
Christine & The Queens – Tilted
100% the most endearing song of this year. Less is often more and this repetitive but effortlessly catchy and funky Pop track is so endearing, it still sounds brilliant after being played EVERYWHERE. We need more Popstars like Christine – talented individuals who write their own music, have artistic vision and stay loyal to it.
Zayn – Pillowtalk
It’s been played to death but this track made a huge, bold statement upon its release at the beginning of 2016. Zayn’s entire ‘Mind of Mine’ album is a work of art, utilising frolicking synthesizers and alternative R&B miles removed from the sound of One Direction. There’s better songs on the album but it’s foolish to leave this huge hit from our list.
DNCE – Cake By The Ocean
Yeah, yeah, it’s been played to death but this funk-pop track with its metaphors and Joe Jonas’ smooth falsetto vocals is undoubtedly one of the catchiest, best pop songs of 2016.
Usher – Crash
The best songs often emphasise that less is more. This brilliant, subtle & moody R&B track avoids using an assortment of instruments and instead relies on Usher’s gorgeous falsetto reverberating into eerie synthesizers and a gentle dance beat. Usher at his most underrated is Usher at his best.
Robbie Williams – Love My Life
I’ve seen Mr Williams and this song get a lot of stick since its release & throughout its promotional process. I understand – Robbie’s vocals aren’t as sturdy as they once were and yes, lyrically, the song is a little ‘Tumblr’. That being said, there’s no denying this is a beautiful ballad with a lovely message. Those delicate piano chords are reminiscent of those on ‘Feel’ and this song deserved to fare just as well in the charts.
All Saints – One Strike
It takes guts for a band to make not one comeback but TWO. Their previous comeback achieved a successful single but the accompanying album flopped. This time, they returned with a scorching hot album (which reached the Top 3 of the album chart) and this fierce single. This single deserved better than its #115 position but then the single charts this year hasn’t necessarily represented good music (*ahem* One Dance being number one for 15 weeks…)
Mollie King – Back To You
Another hideously overlooked song this year. Mollie King, better known as a member of The Saturdays released this stunning, sultry electropop ballad as her debut single.
Before You Exit – When I’m Gone
Another underrated Pop smash from this year. These boys (the McDonagh brothers) deserve far more recognition. On first look, they may look like a generic boyband but they write and produce their own music. The glitchy electro production on this and the boys’ powerful vocals make it perhaps the most overlooked song of this year.
SINGLE RELEASES OF THE YEAR (LONGLIST)
Here is the long list of the best single releases of this year. We have loved, and been obsessed with every single one of these songs at some point of this year. Narrowing these down to the Top 10 above was incredibly hard but we think the Top 10 are representative of this year in great Pop music. Enjoy each of the rest of these songs!
Alicia Keys – Blended Family (What You Do For Love)
Before You Exit – When I’m Gone
Beyonce – Sorry
Blossoms – Charlemagne
Busted – On What You’re On
Charlie Puth & Selena Gomez – We don’t talk anymore
Christine & The Queens – Tilted
Craig David – When the bassline drops
DJ Snake & Bipolar Sunshine – Middle
DNCE – Cake by the Ocean
Drake – One Dance
Drake & Rihanna – Too Good
Ellie Goulding – Army
Ellie Goulding – Still Falling for You
Emeli Sande – Breathing Underwater
Frances – Borrowed Time
Gwen Stefani – Make you like me
James Arthur – Say You Won’t Let Go
Jesse Ware – Till the end
John Mayer – Love on the Weekend
Justin Bieber – Company
Justin Timberlake – Can’t Stop The Feeling
Little Mix – Touch
Louis Berry – Restless
Lukas Graham – 7 Years
Mac Miller – Dang!
Mollie King – Back To You
MUNA – Loudspeaker
Nick Jonas & Tove Lo – Close
Nothing But Thieves – If I Get High
Raleigh Ritchie & Stormzy – Keep it simple
Ratboy – Move
Rebecca Ferguson – Bones
Rick Astley – Dance
Rihanna – Kiss it Better
Rihanna – Work
Robbie Williams – Love My Life
Selena Gomez – Hands to myself
Shura – Touch
Shura – What’s It Gonna Be?
Sons of Sonix & Melanie C – Numb
The 1975 – A Change of Heart
The 1975 – Somebody Else
The 1975 – The Sound
The Chainsmokers & Halsey – Closer
The Fray – Singing Low
The Last Shadow Puppets – Miracle Aligner
The Weeknd – I Feel it Coming
TIEKS & Dan Harkna – Sunshine
Tom Chaplin – Quicksand
Usher – Crash
Viola Beach – Cherry Vimto
Wet – Deadwater
Wet – Weak
Zayn – Pillowtalk
Zayn – Like I Would
Bruno Mars – 24K Magic
TOP 10 ALBUMS OF THE YEAR
All Saints – Red Flag
This album SO deserves its Top 3 album chart position. It’s a fierce album full of well written songs, slick production and a contemporary sound. These ladies deserve all the success in the world.
Busted – Night Driver
This album has been criminally overlooked this year. Many fans have complained of it being too ‘different’ from the sound they became famous for but music evolves through time. Busted made the right decision to leave the teeny-bopped pop-punk in the early noughties and try something new. The result is this stunning, atmospheric album on which the boys borrow sounds and elements from the best music of the 80’s. A brilliant album.
Frank Ocean – Blonde
This album is certainly worthy of the hype. It’s a moody and intriguing album which, whilst many of the songs feel like rough, unfinished ideas, it works.
Raleigh Ritchie – You’re a Man now, boy
Another hideously overlooked album from this year. This album gained a warm critical reception but this was not reflected in its chart position. It’s a lengthy album but one which is engaging throughout and its sound is quirky and fresh.
Rihanna – Anti
For an album that seemed to carry so much expectation then waves of anti-climax, reaction to this record was unfair. Sure, it’s not Rihanna at her commercial best but that’s why it’s so engaging and brilliant. Up ’till this album, Rihanna was the life of the party. On this album, she’s the life of the after party. It’s a moody, brooding and dark album but one which works perfectly.
Shura – Nothing’s Real
This is a stunning Pop record from start to finish, borrowing elements from Janet Jackson, Blood Orange and Madonna amongst others. Shura writes, produces and performs her own material and she’s hugely talented.
The 1975 – I like it when you sleep, for you are so beautiful yet so unaware of it
This mammoth, genre-hopping, bold and brilliant album has won countless awards throughout the year and deservedly so. Every song is incredible, well-written and fantastically produced.
Tom Chaplin – The Wave
Tom Chaplin is better known as the frontman of Keane. Upon their hiatus, he relapsed into drug addiction, the recovery process of which became the inspiration for this gorgeous album. It’s a hopeful album full of inspiring Pop music with the odd trickle of electronic production.
Wet – Don’t You
This indie-pop album is subtle and low-key but gorgeous throughout.
Zayn – Mind of Mine
Expectations were high for Zayn’s debut solo album and he did not disappoint. It’s a world away from the cheesy-pop of One Direction and instead turns to sultry alternative-R&B. It’s engaging and triumphant.
Brilliant electropop album written, produced and performed by the McDonagh brothers. Think One Direction but with more talent.
Liss – First
Quirky Pop EP which borrows lots of electronic elements and 80’s pop-influenced production. Definitely a band to watch.
MUNA – Loudspeaker EP
This American band are going to be huge next year. The Loudspeaker EP is full of soaring and confident electropop with great lyrics and fantastic guitar-work.
The Japanese House – Swim Against The Tide
The 1975’s label mate Amber Bain, better known as The Japanese House delivered another great EP this year. This is arguably the best of her 3 EPs, with more engaging and uptempo material.
ALBUM TRACKS OF THE YEAR
Here’s a list of album tracks – songs that have missed out on true exposure as they haven’t been released as commercial singles – from albums released this year.
Alicia Keys – The Gospel, She Don’t Really Care_1 Luv
All Saints – One Woman Man, Who Hurt Who, Fear, Red Flag
Allie X – Never Enough
Barry Gibb – Grand Illusion, Star Crossed Lovers, Cross to Bear,
Birdy – Keeping Your Head Up
Bruno Mars – Perm, Versace on the Floor, Straight Up and Down, Too Good to say Goodbye
Busted – Night Driver, New York, Thinking of You, Without It, I Will Break Your Heart, Easy, Out of Our Minds, Those Days are Gone
Christine & The Queens – It, Science Fiction, Half Ladies, Night 52,
Craig David – Louder than Words, What If, No Holding Back
Drake – U With Me?, Feel No Ways, Summer’s Over Interlude,
Emeli Sande – Right Now, I’d Rather Not, Lonely
Frank Ocean – Nikes, Be Yourself, Solo, Self Control, Close To You, Seigfried, Godspeed
Gwen Stefani – You’re my favourite, Where Would I Be?, Truth,
Jack Garratt – Breathe Life, The Love You’re Given,
James Arthur – Safe Inside, Can I Be him, Sober, Let me love the lonely, Sermon, Phoenix
Kanye West – Waves, Ultralight Beam, Father Stretch My Hands Part 1, Real Friends, Frank’s Track, No More Parties in LA, Fade
Lady Gaga – A-YO, Joanne,
Liss – Sorry, Good Enough,
Little Mix – Nobody Like You, Nothing Else Matters
Melanie C – Dear Life, Anymore, Room for Love,
Michael Buble – I Believe In You
Nathan Sykes – Freedom, Twist,
Nick Jonas – Bacon
Olly Murs – Predictable, Deeper, 24hrs, Read My Mind, Better than Me,
Raleigh Ritchie – Werld is Mine, Never Better, Cowards, A Moor, Young & Stupid, The Last Romance
Rebecca Ferguson – Hold Me, The Way You’re Looking at her, Pay For It
Rick Astley – Let it be tonight, This old house,
Rihanna – Same ‘Ol Mistakes, Desperado, Close to You
Robbie Williams – Sensitive, David’s Song, Hotel Crazy
Ryan O’Shaughnessy – The News, Entertainment & Warmth, Hold Me Now, No Need to worry, Supermodel, Got this feeling, Waste another day
Shawn Mendes – Ruin, Patience
Shura – Kidz ‘N’ Stuff, What Happened To Us
The 1975 –She’s American, If I Believe You, Please Be Naked, Lostmyhead, I like it when you sleep…, This Must Be My Dream, Loving Someone, Paris, Nana
Tom Chaplin – The River, I Remember You, Hold Onto our Love, Solid Gold, See it so clear
Tom Odell – Here I am
Usher – Missin’ U, FWM, Need U
Wet – It’s all in vain, Don’t wanna be your girl, Island, All The Ways, Move Me
Zayn – It’s You, She, Drunk, Intermission: Flower, Truth
It’s September which means it’s time for the September mixtape!
We’d have loved to have included some material from Frank Ocean’s ‘Blonde’ album but unfortunately it is not available to share. Still, here’s twenty tracks we have been loving listening to in this past month.
Brilliant psychadelic pop track from Prince’s 1985 ‘Around The World in a Day’ album. Live instruments such as sweeping strings, acoustic guitar strums and Middle Eastern Cymbals form the backdrop whilst Prince’s almost-spoken vocals perform the narrative. Beck’s live cover is included below due to Prince’s copyright associates re-emerging to make his music impossible to find online once again.
Psychaedlic, funky pop track, also from 1985’s ‘Around The World in a Day’. Eeerie, detuned synthesisers howl over a tinny piano sound, fierce percussion and a tight bass line.
Schmalzty, soulful and superb; Prince at his best. Written for then girlfriend (and future wife) Mayte Garcia, this was to amazingly be his only UK Number One single. His vocals are flawless throughout, mainly performed in a stable falsetto but occasionally drifting into a rich baritone.
Prince’s impeccable falsetto vocals drift over futuristic synthesisers, a saxophone and twinkling pianos on this gorgeous slow-jam-influenced jazz ballad. Prince always possessed the ability to straddle various genres of music and this is a reminder of his impeccable ability to do so successfully.
Absolutely stunning ballad which closes his 1986 ‘Parade’ album perfectly. Performed in just one take, it’s beautifully raw – you can hear the squeak of the piano stool, the odd vocal imperfection and the organic sound of a live acoustic guitar and piano. The song has become all the more poignant since his death and is now largely considered by many fans as a eulogy written by the man himself thirty years too early. Lyrically, it covers the death of Christopher Tracey, the main character from Prince’s film ‘Under the Cherry Moon’ and with lyrics such as ‘I used to cry for Tracey cos he was my only friend, those kinda cars don’t pass you everyday’, it truly is beautiful.
One of Prince’s signature tracks, the fantastically rousing ‘Let’s Go Crazy’ is the opening track to Prince’s 1984 album and film of the same name ‘Purple Rain’. Growling guitars and signature 80’s synthesiser shimmers drive this piece of pop heaven.
Seemingly an attempt to mirror the success of earlier guitar-heavy tracks such as ‘Let’s Go Crazy’, ‘Guitar’ is one of Prince’s more underrated album tracks. Taken from 2007’s ‘Planet Earth’, it features an incredible guitar riff which is prominent most of the way through the track.
Widely criticised by many fans and critics alike, many overlook how clever and ahead of its time this song was. Lyrically documenting a loner browsing online for company, it’s somewhat sad yet its funky R&B track and glitchy computer sounds lifts its spirits. Also features the incredible Kate Bush on backing vocals.
9) Somebody’s Somebody
Prince always had the ability to make the best slow jams. This is one of his most underrated from 1995’s ‘Emancipation’. Released in the midst of great media interest relating to his battle with his record label, his name change and relationship with Mayte, ‘Somebody’s Somebody’ got somewhat lost as a track in Prince’s discography. Despite this, it’s one of his best; a moody R&B ballad which encapsulates the loneliness of 2am perfectly.
Sometimes there is no need for polished production, excessive instruments, multiple chord changes or multi-layered vocals and this track emphasises this. An absolutely stunning ballad from Prince’s self-titled second album, this track utilises only two chords, created by gentle acoustic guitar strums and twinkling pianos. By its finale, eerie synthesiser sounds creep in to make it way ahead of its time, something else Prince always managed to do in his career.
Not to be taken too seriously, this quirky but brilliantly catchy piano pop track was featured on critically acclaimed “Sign O’ The Times” before being featured in an episode of The Muppets. Simple, sweet and happy.
Clearly proud of this song upon its release, Prince hailed it as the next ‘Purple Rain’. It did not achieve status as one of Prince’s best known but fared relatively well on the charts. It’s a great Pop track with meaningful lyrics and a catchy refrain.
Whilst never appearing on a Prince album (except for a Greatest Hits compilation), ‘She’s Always in My Hair’ became one of Prince’s best-loved songs. A fierce rock and roll track complete with guitars, staccato organs and a great beat.
Another track from both the film and accompanying soundtrack ‘Purple Rain’, this is Prince at his best. Unsettled percussion and multi-layered synthesisers perform its backing track whilst Prince delivers an energetic vocal delivery.
Infectiously catchy disco-stomper; the epitome of 70’s disco music. Taken from second album ‘For You’, it is one of the first Prince tracks to showcase his brilliant falsetto vocals, a trait which would be featured in many of his latest works.
Perhaps Prince’s most underrated song, this gentle pop-rock/country-influenced track was the only single from 1996’s ‘Chaos and Disorder’. The album was released simply to fulfil Prince’s contractual obligations with Warner Brothers in the midst of their infamous feud, yet it contains a strong collection of Prince tracks. The track’s instrumentation is gentle and sweet yet upon closer inspection, the lyrics have a darker and more sexualised tone.
Another brilliant track from the ‘Parade’ album. An introduction of wailing guitars and impatient percussion evolve into a catchy funk-rock track which is based around a piano chord sequence.
A joyful and spiritual single from ‘Lovesexy’. In-keeping with the album’s uplifting, religious tones, ‘I Wish U Heaven’ features elements of rock, pop, dance and gospel. Quirky production elements and Prince’s gorgeous falsetto vocals make this one of his best, yet most underrated works.
Uplifting rock ballad which features New Power Generation member Rosie Gaines sharing vocals with Prince. Unlike a lot of Prince’s work which focussed on lust and sex, this ballad instead refreshingly explores love itself.
Of course, this playlist would not be complete without Prince’s signature track. And what a song this is. It’s easy to classify songs as huge as this as ‘overrated’ but this gorgeous Rock ballad lives up to its reputation as one of the best ballads of all time. Recorded live at a benefit concert, it was later added to in the studio and became the track loved by all today. It was to become a staple of Prince’s live shows, perhaps its most notable moment was at the Super Bowl XLI’s half time show when it was performed during a downpour.
Prince once explained the meaning of “Purple Rain” is as follows: “When there’s blood in the sky – red and blue= purple… purple rain pertains to the end of the world and being with the one you love and letting your faith/god guide you through the purple rain.”
Come The Spring have released their official video for latest single ’24’. See the press release supplied to us below.
BRIT ROCKERS COME THE SPRING LAUNCH ’24’ VIDEO SINGLE
Brighton’s (UK) post-punk fuelled alternative rock outfit ‘Come The Spring’ release their official video for their latest single ’24’.
Featuring live footage of the band showcasing their renowned high energy performances, 24 is taken from their REVIVE EP available through UK independent label Engineer Records.
Having formed in late 2012 from the ashes of cult-following UK rock bands, Come The Spring members bring their vast experience and creativity to produce emotionally charged and anthemic songs. Consisting of Sam Craddock (Vox), David Gamage (Guitar), Simon Goodrick (Guitar), Mark Wilkinson (Bass) and Jamie Donbroski (Drums), the allies of uncompromised guitar driven rock have previously shared stages with the likes ofGreen Day, No FX, Texas Is The Reason, Braid and many more.
Check out ’24’ by Come The Spring:
Connect with Come The Spring on Social Media below: