Tag: songs I am loving right now

Music Monday – Volume Seventy Five

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1) James Taylor – Walking Man

Gorgeous folk/easy listening track with gentle guitar strums.

2) Nothing But Thieves – Graveyard Whistling

Haunting and gorgeous track from one of the best bands currently around. Conor Mason’s vocals are incredible, particularly during the falsetto chorus and the track builds up to a dramatic climax.

3) Nothing But Thieves – Last Orders

Love the unique chords on this haunting track from the band’s ‘Graveyard Whistling’ EP.

4) Nothing But Thieves – Emergency

Another heartfelt and dark track from Nothing But Thieves. The falsetto chorus drowned in reverb in this is stunning.

5) Snow Patrol – How To Be Dead

6) Snow Patrol – Grazed Knees

7) Coldplay – Adventure of a Lifetime

Epic and eclectic disco track with amazing guitar riffs and a mesh of vocal clips. As has been the case on much of Coldplay’s material over the past four years, it’s another change in direction but one which works beautifully. Catchy and upbeat.

8) One Direction – History

Pleasant acoustic-based track from the band’s forthcoming ‘Made in the A.M’ album. A power-house middle eight breaks up the song nicely and it’s a great feel-good pop track.

9) Seal – Love

Stunning piano ballad which closes Seal’s latest album ‘Seal 7’ beautifully. Seal’s trademark raspy vocals soar gorgeously over gentle synths and lovely piano chords.

10) Ellie Goulding – Codes

Catchy track from Ellie’s latest album ‘Delirium’. It’s far more pop based than Goulding’s previous efforts but a track which works brilliantly.

Music Monday – Volume Seventy Two

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1) Tove Lo – Moments

Emotive and powerful electro-pop ballad with brutally honest lyrics. Produced by one of the hottest production duos currently around – Mattman and Robin, ‘Moments’ is abundant with crashing percussion, reverberating vocals and eerie sound effects. One of the hottest tracks around right now.

2) Tori Kelly – Should’ve Been Us

Pop perfection with hip-hop beats and a powerful vocal performance.

3) J. Tillman – Howling Light

Gorgeous folk ballad comprised of little more than guitars and organic instruments. It’s refreshing to hear music in its natural form, free of autotune and other programmable effects.

4) The Japanese House – Cool Blue

A gorgeous and gentle intro builds into a shuffling 80’s synthpop-esque track featuring pretty guitar riffs, spacey synthesisers and auto-tuned vocals. One of the hottest tracks in the world right now.

5) The 1975 – Love Me

Yet another pop track which reinforces the return of ’80’s pop. Abundant with detuned guitar riffs, squeaky synthesisers and gated percussion, The 1975’s comeback single is an explosive and effortlessly catchy affair. Healy’s vocals are the clearest they have ever been and the lyrical content is as witty and clever as always. A fine return.

6) Drake – Hotline Bling

Utilising both hiphop and trap, Drake’s ‘Hotline Bling’ heavily samples Timmy Thomas’ 1972 song “Why Can’t We Live Together”. It may be somewhat repetitive and Drake’s vocals may not be the most powerful but it’s effortlessly catchy.

7) Kanye West – Love Lockdown

One of Kanye’s best. The ‘808’s and Heartbreak’ album is often overlooked due to West’s attempt at singing rather than rap but it contains innovation and power that could never have been projected through rap. The song’s power lies in its minimalistic pop style – piano riffs, a Roland TR-808 drum machine imitating tribal percussion and West’s heavily autotuned vocals dominate this repetitive but catchy and powerful synthpop track.

8) Olly Murs – Kiss Me

Catchy pop track featuring a punchy bass line, ’80’s-eque synthesisers, funky bass riffs and an effortlessly catchy chorus. Just try to ignore the fact it is more or less a rip off of Nick Jonas’ ‘Jealous’…

9) James Morrison – Demons

James Morrison triumphantly returns with this powerful, eerie and beautifully sincere pop-soul track. The sped-up/high-pitched “I’ve got demons” refrain which opens the track and appears throughout is heavily reminiscent of Simon Webbe’s pop hit ‘No Worries’ and adds an extra dimension to Morrison’s gorgeous track. ”

10) Selena Gomez – Sober

Gomez wails over jittery synthesisers, reverberating percussion and spacey vocal effects on this great pop track.

Music Monday – Volume Sixty Six

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1)Tamzin Archer – Sleeping Satellite

Moody 90’s pop track with lovely lyrics and an incredible vocal performance by Tamzin Archer.

2) Des’ree – You Gotta Be

Self empowering, sunny  pop-soul track bound to leave a smile on the listener’s face. Featuring a tinny keyboard sound and R&B percussion, it is SO 90’s but with a lovely message.

3) Kate Bush – This Woman’s Work

Stunning piano ballad by Kate Bush, written for the John Hughes movie ‘She’s Having a baby’. Featured in the film’s dramatic climax, it’s a fitting accompaniment to the emotional scenes but is just as beautiful as a stand-alone song.

4) Maxwell – This Woman’s Work

This may be the first time Music Monday has included two different versions of the same song in the same playlist but this had to be done. The original, as previously mentioned, is a beautiful piano ballad by the ever-elusive but incredibly talented Miss Kate Bush. Maxwell, known for his slick falsetto vocals gives this an R&B makeover complete with a twinkling harp, weeping guitars and R&B percussion. It’s a gorgeous interpretation of a lovely song.

5) Joe Jonas – Levels

Joe Jonas has certainly reinvented himself from the cheesy teen-rock he produced with his brothers and is fast becoming the latest pop-prince in the music world. The bar was set high by Jonas’ debut single ‘Jealous’, a huge pop hit which charted well around the world. ‘Levels’ is just as good, however; if not, better. Incredible falsetto vocals and funky production carry this catchy track.

6) The Weeknd – Shameless

Moody Ed Sheeran-esque ballad with gorgeous falsetto vocals by Abel Tesfaye, better known as The Weeknd. Obsessed with this right now.

7) The Weeknd – Tell Your Friends

Soul-infused R&B jam from The Weeknd’s latest album ‘Beauty Behind the Madness’. Produced by Kanye West, it’s much in the same vein as some of West’s early material.

8) Oh Atoms – Sugar Mouse

Pretty and gentle little folk ballad featured in cult favourite ‘Angus, Thongs and Perfect Snogging’. Gorgeous harmonies too.

9) Robbie Williams – The Road to Mandalay

One of Mr Williams’ most underrated works and one of his best lyrically. Genius, poetic lyrics crooned over gentle guitar strums and a gorgeous French melody leading the chorus. Simple but beautiful.

10) Michael Ball – Love Changes Everything

A very personal choice by myself as this was played at a funeral I attended last week. Beautiful song composed by theatre guru Andrew Lloyd Webber for his musical ‘Aspects of Love’ and sang flawlessly by Michael Ball.

Music Monday – Volume Sixty Four

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1) Chris Brown – Your World

Verging slightly on Beiber territory, on paper, this shouldn’t work but it somehow does… It’s easy to see why this didn’t make the main tracklisting for Brown’s album ‘Fortune’ (it only appears as a bonus track on the Japanese edition) – it’s a little on the cheesy side but it’s a pretty little R&B track.

2) Liberty-X – Holding on For You

Slushy pop ballad from one of the UK’s best and most underrated pop groups. A beautiful melody leads the track, lined by tight harmonies and catchy production.

3) Razorlight – America

A song too easily forgotten until its occasional re-play on the airwaves. Gentle dreamy verses escalate into a huge stadium-anthem chorus. Irresistibly catchy; one of the greatest indie-rock songs ever recorded.

4) Rita Ora and Chris Brown – Body On Me

Steamy and sensual R&B track with crashing beats and a rousing chorus. It’s a massive track; another success in both artists’ ever-increasing discography. One of the hottest tracks currently around.

5) Sigala – Easy Love

The song of the summer. Cleverly sampling massive Jackson 5 hit ‘ABC’, it’s a huge dance track full of house-tinged piano riffs and synthesisers mimicking steel pans, not too dissimilar to Duke Dumont’s huge 2014 summer hit ‘I Got U’. It’s impossible for this song not to leave the listener with a huge grin on their face.

6) Stylo G & Gyption – My Number One

Catchy reggae track. Depends on mood for the enjoyment of this one but it’s a great summer song.

https://www.youtube.com/watch?v=wPoHZ-IifZ0

7) Jess Glynne – You Can Find Me

Brilliant Prince styled track full of punchy percussion, gospel layered vocals, funky bass and 80’s synthesisers. SO good.

8) Galantis – Peanut Butter Jelly

It’s hard to determine if this is meant to be taken seriously or as a novelty track. Either way, it’s an impossibly catchy dance track full of sweeping 60’s styled strings.

9) Robbie Williams – Nan’s Song

Beautiful acoustic ballad which closed Williams’ best album ‘Escapology’. Williams croons about the loss of his grandparent, aching with sincerity. One of very few tracks Williams wrote alone, its a well-written and lovely track.

10) Michael & Janet Jackson – Scream

Aggressive and explosive electro-rock track by two of the Jackson siblings. Both Jacksons more or less spit the lyrics in assertion as they demand the press to “Stop f*****g with me”. The fury in the track is understandable considering it was Michael’s first single release since his 1993 child molestation allegations. Awesome, powerful track.

Music Monday – Volume Sixty Three

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  1. Selena Gomez & A$AP Rocky – Good For You

Moody and seductive, Gomez is pulling out all the stops to emphasise her new-found maturity. It never quite reaches its full potential; it’s crying out for a huge climax towards the end of the song but with its provocative message and the inclusion of A$Ap Rocky’s rap, it’s a step in the right direction of producing more grown-up music.

2) Jack Garratt – Weathered

Jittery with fierce beats, grunge-y guitars and a silky smooth vocal delivery from Garratt. It’s a huge song with fantastic production.

3) Jennifer Lopez – Play

Throwback to when J-Lo was still producing GOOD music. Drawing upon Prince and Madonna for influence, it’s a catchy and funk-driven dance-pop track with squeaky synths and slamming beats. One of the best pop tracks from the noughties era.

4) Leona Lewis – Fire Under My Feet

Explosive comeback single for 2006 X Factor winner Leona Lewis. Unfortunately, the lead single from Lewis’ forthcoming album has fallen under the radar due to slack promotion from new label Island/Def Jam. With stomping percussion layered with hand claps and moody piano chords, it’s Lewis at her best.

5) Chris Brown – Don’t Judge Me

Sombre, sulky and aching with sincerity, this is Brown at his best. The lyrical content is straight from the heart and Brown croons passionately over stuttering percussion and remote production.

6) Mark Owen – Makin’ Out

Much of this blog discusses how underrated I consider Mark Owen’s solo discography to be but I shall continue to reinforce my point! Quirky rock-fuelled track from Owen’s 2005 album ‘How The Mighty Fall’, this single was only a moderate success and deserved to fare far better. Brilliant lyrics and powerful vocal delivery from Owen as always.

7) Taylor Swift – Bad Blood

The album version is far superior to the single version with Kendrick Lamar although Lamar’s rap does not particularly detract from the power of the song. Fierce.

8) Taylor Swift – Style

Still one of Swift’s best singles of her career so far. Moody and sultry with funky 80’s styled guitars and crashing percussion.

9) Take That – Today I’ve Lost You

One of the most underrated songs of Take That’s career. Originally written as the follow up to 1995’s massive hit ‘Back For Food’, Barlow saved this one (many other songs written for what would have been Take That’s follow up album to ‘Nobody Else’ appeared on Barlow’s debut album ‘Open Road’) and it was recorded for the band’s 2005 Greatest Hits compilation. Barlow’s gentle vocals trickle over a soft and organic backing track, comprised of soft guitar strums and piano chords, sweeping strings and an awesome guitar solo. It’s a shame this was never taken further and released as a single; it’s a beautifully written and performed song.

10) Gary Barlow – My Commitment

Schmaltz-y love song from Barlow’s début solo album ‘Open Road’ which screams ’90’s!’ with its heavily programmed drum machine and glittery pianos. Co-written with songwriting legend Diane Warren, this is a beautiful ballad with a lovely message.

Music Monday – Volume Sixty Two

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1) Adam Lambert – The Original High

Impossibly catchy synthpop title track of Adam Lambert’s latest album. Full of thumping beats, squealing synths and a flawless vocal from Lambert, it’s a perfect summer track.

2) Disclosure & Sam Smith – Omen

Disclosure & Sam Smith already proved to be a dream formula with 2013 house hit ‘Latch’, both catapulting each other to fame. As Disclosure prepare to release their sophomore album later this year, second single ‘Omen’ attempts to regain some of the magic ‘Latch’ contained and it doesn’t do a bad job in the slightest. Smith’s vocals are raw with sincerity as always, crooning over Disclosure’s usual scatty production. Not quite as good as ‘Latch’ but a fine follow-up nonetheless.

3) Nicki Minaj – The Night Is Still Young

Nicki Minaj’s musical and artist output is certainly intriguing. Hits such as ‘Superbass’, ‘Fly’ and ‘Pound The Alarm’ were tolerable catchy music hits whereas ‘Anaconda’ slipped into the ‘utter garbage’ category. Still, she is a highly successful and interesting artist who clearly has a strong following. ‘The Night is Still Young’ is her latest release and whilst described by many as a dance-pop song, it borders on becoming a ballad with it’s relatively slow tempo. It’s a great song, however, more so musically than lyrically but certainly one of Minaj’s better efforts.

4) Carly Rae Jepsen – Run Away With Me

One of the most underrated females in Pop, Carly Rae Jepsen has a unique talent in being able to co-write effortlessly catchy and clean pop hits, suitable for audiences of all ages. With her seductive, airy vocals and synthpop hits, Rae Jepsen has carved herself a sucessful global career yet still seems to be largely ignored compared to other female artists such as Taylor Swift and Beyonce. ‘Run Away With Me’ is the follow-up to awesome lead single ‘I Really Like You’. Both singles are from Carly’s forthcoming album ‘Emotion’ and is produced by Shellback with assistance from Mattman & Robin (the producers of ‘Higher than Higher’ by Take That and Adam Lambert’s ‘The Original High’. It’s another fun synthpop track, a little bit 80’s with squeaky synths with shuffling percussion and powerful vocals from Rae Jepsen. One of the best songs around at the moment.

5) John Newman – Come and Get It

The British northern-soul crooner is back with massive hit ‘Come and Get It’, a catchy soul-funk track co-written by John himself with pop pioneer Greg Kurstin. It’s a huge song with powerful vocals from Newman.

6) Jessica Simpson – With You

It may be incredibly cheesy and lack credibility but ‘With You’ is pop music at its best. Pretty pop track.

7) Tame Impala – Cause I’m a Man

Gentle, dreamy psychedelic summer track by Australian band Tame Impala. Reminiscent of slow-disco hits from the 1970’s, this is a breath of fresh air in the current state of the music industry. One of my absolute favourite songs currently around.

8) Blonde ft Alex Newell – All Cried Out

Awesome track of the deep house genre with 90’s house piano riffs and incredible powerhouse vocals from American singer/actor Alex Newell.

9) George Ezra – Barcelona

Soft f0lk-styled track; the latest single from George Ezra’s incredible album ‘Wanted on Voyage’. Ezra’s rich, wise-beyond-his-years vocals really are distinctively beautiful.

10) One Direction – Drag Me Down

The killer new single from the much-loved Boyband; the first without Zayn Malik who departed the band earlier this year. It’s not as good as ‘Steal My Girl’ (lead single from the band’s last album ‘Four’) but it proves the continuity of the band’s maturer sound.

Music Monday – Volume Sixty One

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1) Aqualung ft Lianne La Havas – Eggshells

Haunting piece of electro-pop comprised of eerie synth sounds, soft beats, tinny guitars and fierce piano chords. La Havas’ soulful vocals and Aqualung’s excessively auto-tuned vocals are a surprisingly effective combination.

2) Years & Years – Memo

Stunning electropop ballad which closes Years & Years’ début album. Olly Alexander’s vocal performance is powerful and sincere as it drifts effortlessly over soft hip-hop beats, piano chords and distorted synthesisers.

3) Years & Years – Eyes Shut

Another beautiful gospel-influenced ballad with jazzy chords and soulful vocals from Olly Alexander. One of the highlights from Years & Years’ début album.

4) Years & Years – Ties

Years & Years doing what they do best; a powerful electronic piece with slamming beats, stuttering synths and sincere lyrics.

5) Seal – Kiss From A Rose

One of the most beautiful love songs ever written. Seal’s raspy vocals have a distinctive flare and powerfully soar above sweeping strings and acoustic guitar strums. It’s hard to believe this gorgeous ballad was not initially a success upon its release until it was included in the movie Batman Forever a year later. It’s also a shame Seal hasn’t maintained this level of success – his music is still just as well-written and powerful. One of the most underrated British artists around.

6) The Internet ft Kaytranada – Girl

A rich fusion of neo soul, electro and R&B with gorgeous vocals, shuffling percussion and littered with eerie sounds.

7) The Blue Nile – Sentimental Man

One of the most underrated bands of all time, not aided by their very limited output over a twenty+ year career. Gorgeous track from their 1996 album ‘Peace At Last’.

8) Nothing But Thieves – Trip Switch

LOVE this right now. Explosive track from Essex-born band Nothing But Thieves with a massive chorus. Conor Mason’s robust vocal delivery often drifting into his falsetto range really drives this powerful song.

9) Matthew Morrison & Laura Michelle Kelly – What You Mean To Me

Absolutely stunning ballad composed by Gary Barlow & Eliot Kennedy for the Broadway musical ‘Finding Neverland’. Matthew Morrison & Laura Michelle Kelly is a perfect pairing and their voices gel perfectly on this dreamy duet.

10) The Corrs – What Can I Do

Upon release in early 1998, this song wasn’t a hit until it was remixed by Tin Tin Out who added the punchy percussion and metallic guitar riffs. The remixed version was released in the summer 0f 1998 and became a massive hit. One of the greatest pop songs ever written with a syrupy sweet melody, gorgeous strings, a catchy beat and awesome vocals.

Music Monday – Volume Fifty Nine

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1) Mark Ronson – The Giver (Radio 1 Live Lounge Performance)

Radio 1’s live lounge performances present an opportunity for artists to really demonstrate their art through adapting and arranging existing songs by other artists. This is an awesome interpretation of Duke Dumont’s ‘The Giver’. Ronson gives his cover a 90’s vibe with funky guitar riffs, a drum machine loop and whistling synthesisers. It’s a little repetitive but it’s a great version.

https://www.youtube.com/watch?v=An-xqjnHoHc

2) Prides – Messiah

Explosive, synthpop track by Scottish band Prides. It’s a little bit 80’s with a powerful sing-along chorus. Can’t get enough of this right now.

3) Justin Bieber, Skrillex & Diplo – Where Are U Now?

A bit of a guilty pleasure on many levels. A collaboration between two artists which I usually don’t have much time for, there is something both endearing and catchy about this EDM track. Bieber’s vocals are sincere and Skrillex and Diplo’s chaotic production adds an extra dimension to what could otherwise work perfectly well as a gorgeous ballad.

4) Flo Rida & Robin Thicke – I Don’t Like It, I Love it

Another guilty pleasure; I don’t think it is possible to shamelessly admit to enjoying any song with Flo Rida’s involvement. This is irresistibly catchy, however. Funky guitar riffs and bass lines, hand-clap percussion, silky smooth vocals from Thicke and a frighteningly seductive whistle hook, it’s the perfect pop song.

5) Major Lazer, DJ Snake and MO – Lean on

Much of this song’s success is built upon it’s amalgamation of different genres. It draws upon EDM, electropop, trap and moombhaton music, resulting in an utterly irresistible track with bouncy percussion and squeaky synthesisers. SO good.

6) Carly Rae Jepson – I really Like You

Whatever your opinion on Carly Rae Jepson, she sure knows how to write and perform catchy pop music. It is already at risk of becoming as irritating as ‘Call Me Maybe’ but for the moment, it remains the perfect pop song with Jepson’s famous breathy vocals, slamming beats and a repetitive refrain. Catchy as hell.

7) Mark Owen – Giveaway

The entirety of Owen’s solo career is criminally underrated and last album ‘The Art of Doing Nothing’ is no exception. ‘Giveaway’ is the haunting, rousing opening track, building into a catchy electropop song with Owen’s distinctive vocals echoing endlessly into the heavily synthesiser dependent backing track. Awesome song.

8) Oasis – Stand By Me

An often commercially overlooked Oasis track but just as awesome as their other material from the 90’s. Well written as always by Noel Gallagher & Liam’s prominent drool carries the song.

9) Circa Waves – My Love

This song has been a favourite of mine since the release of Circa Waves’ debut album earlier this year. There’s something incredibly beautiful about it despite it not being a ballad. It’s a massive indie track with raw electric guitars, fierce drums, driving bass lines and a passionate vocal performance by frontman Kieran Shudall. The song has been re-recorded for release as a single, an unnecessary move as the album version remains superior but it’s still awesome. I’m so glad it’s the next single.

10) Wolf Alice – Bros

LOVE this. Tinny, manic percussion, gentle vocals, a powerful driving bass line and reverberating guitars with an instantly memorable hook. One of the best songs out there right now.

Music Monday – Volume Fifty Eight

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1) Lianne La Havas – Unstoppable

Luscious piece of R&B/Soul with silky smooth vocals. Co-written by Paul Epworth, frequent collaborator with the likes of Adele & Duffy, this soul infused track is oozing with class and perfection.

2) Lianne La Havas – What You Don’t Do

Lianne La Havas is my discovery of the week and I cannot get enough of these two tracks. Her jazz-styled vocals are full of passion and soul and I love the big-band and soul infusion that underpins this catchy track.

3) Miguel – Coffee

Sexy, sultry and sleek. Miguel’s smooth vocals smother stuttering synthesisers and heavy percussion, resulting in a powerful piece of R&B perfection. Awesome lyrics to this too. Cannot get enough of this right now.

4) Miguel – What is Normal anyway?

Effortlessly smooth, with pensive lyrics and tinny guitar sounds. Miguel at his best.

5) Night Drive – Drones

Awesome electro-pop track which clearly uses elements of 1980’s electro and rock music as an influence. Catchy as hell.

6) Royworld – Dust

Irresistibly catchy pop-rock driven song with an awesome hook.

7) Teitur – One and Only

Gentle acoustic track which draws upon folk influences. Beautiful.

8) Jesse Boykins III – Plain

Awesome dance track with slightly off-pitch synthesisers, a throbbing beat, soulful vocals and gorgeous harmonies. SO good.

9) Sam Feldt ft Kimberly Anne – Show Me Love

Based upon Robin S’ massive nineties dance track of the same name, Sam Feldt gives it the 21st Century treatment and makes it more electro than dance. It’s a pleasant update of the original.

10) Shura – White Light

LOVE Shura. This is SO 80’s; imagine a hybrid of Janet Jackson & Madonna and you reach Shura. Fierce tinny drums, aggressive bass lines and funky guitar riffs, it’s catchy as hell.

Music Monday – Volume Fifty Seven

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1) Take That – Hold Up A Light

One of Take That’s best songs in their twenty five year career. So much optimism, so much energy and so much power. Mark Owen’s vocals are on point and the harmonies are perfect too. Since seeing the Take That boys live and seeing this performed live again, it’s completely reinforced what an incredible song this is.

2) Take That – The Garden

Absolutely stunning song, opener of ‘The Circus’ album. I love the little touches of production by John Shanks – from the eerie and soft opening to Howard’s stomping bridge leading into the second chorus. It’s perfect that each member gets to perform lead vocals during different sections and once again, this has to be one of the best Take That songs in their back catalogue. Gorgeous, inspiring lyrics, stunning falsetto vocals from Gary Barlow and so much power in those final explosive chorus’.

3) Take That – Flaws

Gentle but powerful ballad from the ‘III’ album. I’ve always loved this but its beauty has certainly been reinforced since seeing Mark Owen & Howard Donald’s stunning contemporary dance to it on Take That’s current tour. Very raw and very beautiful.

4) Take That – Up All Night

This was never one of my favourites from ‘The Circus’ album but I always appreciated the musicianship within it and what a great song it was overall. As the years have gone by, however, I’ve finally come to love it. I love its energy and it is the epitome of fun.

5) Finley Quaye – Sunday Shining

Heard this on the radio the other day and fell in love. Love its almost grunge-rock feel but it’s also infused with elements of Soul. Catchy with a distinctive vocal.

6) Olly Murs – Beautiful To Me

Probably my favourite Olly single in years! Catchy and emotive with beautiful lyrics, it’s a perfect pop track. Love the stomping percussion and Olly’s vocal is very strong (although the autotune usage could be reduced a little…) Can’t get enough of this right now.

7) Jennifer Lopez & Trey Songz – What You Mean to Me

Beautiful rendition of a stunning song written by Gary Barlow and Eliot Kennedy for the Finding Neverland musical. Gorgeous lyrics and JLO & Trey sound fantastic together.

8) Rixton – Let the Road

This is utterly refreshing. The majority of this track is performed acapella before launching into a dynamic album opener. Like this band a lot.

9) Rixton – We All Want The Same Thing

I know this only featured the other week but I honestly can’t get enough of this right now. Irresistibly catchy. Pop music at its best.

10) Tinie Tempah & Jess Glynne – No Letting Go

Catchy as hell and bound to be an integral part of the soundtrack to summer 2015. Jess Glynne’s voice is just awesome. A winning combination of artists.