Style

Selena Gomez & A$AP Rocky – Good For You

Moody and seductive, Gomez is pulling out all the stops to emphasise her new-found maturity. It never quite reaches its full potential; it’s crying out for a huge climax towards the end of the song but with its provocative message and the inclusion of A$Ap Rocky’s rap, it’s a step in the right direction of producing more grown-up music.

2) Jack Garratt – Weathered

Jittery with fierce beats, grunge-y guitars and a silky smooth vocal delivery from Garratt. It’s a huge song with fantastic production.

3) Jennifer Lopez – Play

Throwback to when J-Lo was still producing GOOD music. Drawing upon Prince and Madonna for influence, it’s a catchy and funk-driven dance-pop track with squeaky synths and slamming beats. One of the best pop tracks from the noughties era.

4) Leona Lewis – Fire Under My Feet

Explosive comeback single for 2006 X Factor winner Leona Lewis. Unfortunately, the lead single from Lewis’ forthcoming album has fallen under the radar due to slack promotion from new label Island/Def Jam. With stomping percussion layered with hand claps and moody piano chords, it’s Lewis at her best.

5) Chris Brown – Don’t Judge Me

Sombre, sulky and aching with sincerity, this is Brown at his best. The lyrical content is straight from the heart and Brown croons passionately over stuttering percussion and remote production.

6) Mark Owen – Makin’ Out

Much of this blog discusses how underrated I consider Mark Owen’s solo discography to be but I shall continue to reinforce my point! Quirky rock-fuelled track from Owen’s 2005 album ‘How The Mighty Fall’, this single was only a moderate success and deserved to fare far better. Brilliant lyrics and powerful vocal delivery from Owen as always.

7) Taylor Swift – Bad Blood

The album version is far superior to the single version with Kendrick Lamar although Lamar’s rap does not particularly detract from the power of the song. Fierce.

8) Taylor Swift – Style

Still one of Swift’s best singles of her career so far. Moody and sultry with funky 80’s styled guitars and crashing percussion.

9) Take That – Today I’ve Lost You

One of the most underrated songs of Take That’s career. Originally written as the follow up to 1995’s massive hit ‘Back For Food’, Barlow saved this one (many other songs written for what would have been Take That’s follow up album to ‘Nobody Else’ appeared on Barlow’s debut album ‘Open Road’) and it was recorded for the band’s 2005 Greatest Hits compilation. Barlow’s gentle vocals trickle over a soft and organic backing track, comprised of soft guitar strums and piano chords, sweeping strings and an awesome guitar solo. It’s a shame this was never taken further and released as a single; it’s a beautifully written and performed song.

10) Gary Barlow – My Commitment

Schmaltz-y love song from Barlow’s début solo album ‘Open Road’ which screams ’90’s!’ with its heavily programmed drum machine and glittery pianos. Co-written with songwriting legend Diane Warren, this is a beautiful ballad with a lovely message.

1) Simply Red – Say You Love Me

One of their best yet most underrated songs. Mick Hucknall is a musical genius. Gorgeous ballad from the fantastic ‘Blue’ album with soulful vocals, soft guitar strums and predominant piano chords throughout.

2) Simply Red – To be free

A great feel-good song also from the 1998 ‘Blue’ album. Great song with thoughtful lyrics.

3) Simply Red – You’ve Got It

Love, love, LOVE this song. Another underrated single by the band, this time from 1989’s ‘A New Flame Album’. Co-written with legendary soul writer Lamont Dozier, this soulful ballad has the same feel as his songs written in the ’60’s but with Simply Red’s 80’s sound blended in. Mick Hucknall and Lamont Dozier was a winning combination. Mick Hucknall’s stunning vocals really shine on this track. Love the interesting chords too.

4) Simply Red – Your Eyes

Yep, I’ve been having a Simply Red week… 1999’s ‘Love and the Russian Winter’ was more or less a commercial failure, a shame when it’s such an adventurous and fantastic album. It’s my favourite Simply Red album infused with a more computerised/electro sound. ‘Your Eyes’ was the lead single. A smooth R&B/Pop love song, it’s an awesome song. Mick Hucknall sure knows how to write a great love song. Should have faired much better in the charts.

5) Taylor Swift – Style

One of her best singles to date, I’ve loved this since the release of her ‘1989’ album and am so glad she’s released this as a single. Catchy with great production and fantastic Swifty lyrics, it’s awesome.

6) One Direction – You & I

Months later and the departure of Zayn Malik made me return to my obsession with this song. I love the lyrics, I love the vocal performance of each of the boys but most of all, I love how the song builds. Particularly in the single version, percussion doesn’t enter the song until after the first chorus and the song ends in a mesmerising climax after the second chorus in which wailing guitars, heavy drums and Zayn Malik’s gorgeous falsetto kick in. Beautiful song.

7) Michael Jackson – Ghosts

A catchy new jack swing number from 1999’s ‘Blood on the Dancefloor’ album, the paranoia in the lyrics and that crazy drum beat makes it an awesome song.

8) John Mayer – In Repair

A rather long but great song from John’s 2005 ‘Continuum’ album, I love this. Lyrically, it’s about being in a state of repair – getting back to being yourself again, something I am more than able to relate to.

9) Annie Lennox – No More I Love You’s

A song originally by 80’s New Wave group ‘The Lover Speaks’, covered by Annie Lennox on her second solo album ‘Medusa’. The original is a dark indie song but Lennox truly made the song what it is. Her pop version released in 1995 became a massive hit and added an extra depth missing from the original. Her vocal performance is incredible (as always), Stephen Lipson’s production is on point and it’s just a beautiful song, one of my all time favourites.

10) Favela – Easy Yoke

A song I found on a Spotify playlist last year that I rediscovered recently. Love the chords, love the chilled-out vibe of this and the meaningful lyrics. It’s a shame this song isn’t known by more because it’s beautiful and catchy at the same time.