Tag: the music box

Raleigh Ritchie – You’re a Man Now, Boy Album Review

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If you aren’t already familiar with Raleigh Ritchie (real name Jacob Anderson) in terms of music, chances are you’ll have encountered him as an actor. He has developed a name for himself starring in various high-profile roles over the last four years including Omen in the film Adulthood, Grey Worm in Game of Thrones and Dean Thomas in Broadchurch. He is now in the process of building a whole new side-career for himself as a singer-songwriter, set off to a promising start by single ‘Stronger than Ever‘ which has become something of a staple as dramatic background music on reality television in addition to receiving much airplay on the likes of Radio 1.

‘This is no p***-take’, sings Anderson on ‘Never Been Better‘. Indeed, ‘You’re a Man Now, Boy’ is a determined and well-crafted album which avoids filler album tracks, resulting in an intriguing album from start to finish. It’s an album which explores the pertinent and stimulating themes of confusion, depression and vulnerability through the on-trend genre of alternative R&B. Threaded together by sweeping strings, brass instruments, simmering synthesisers and fierce live percussion, it’s dramatic, bold and powerful, delving into elements of  R&B, Soul, electronica and hip-hop.

The likes of ‘Stronger than Ever‘, ‘Bloodsport‘ and ‘Never Been Better‘ are explosive and emotive works which showcase Anderson at his best, featuring thunderous percussion and sweeping strings not dissimilar from Massive Attack’s ‘Unfinished Symphony‘. They are bold and soulful, breaking out from the norm yet remaining contemporary.

Elsewhere, the album possesses a lighter tone which punctuates the album nicely. Quirky and de-tuned synthesisers skip playfully on ‘The Greatest‘ and ‘A Moor‘ whilst Anderson’s love of hip-hop is evident on ‘Cowards‘, a buoyant track abundant with frolicking samples, programmed percussion and a gorgeous neo-soul middle-eight. Likewise ‘Young & Stupid‘ addresses the naivety and recklessness of youth through lyrics such as “I’ll be a star, I’ll be the boy who lived, Taking my car and driving it off the bridge” over hip-hop piano riffs. Then there’s the catchy dance-R&B of ‘Keep It Simple‘, a breezy collaboration with grime act Stormzy which provides some much-needed light relief.

The album is closed perfectly with the tender ‘The Last Romance‘, a mellow R&B ballad which documents an ‘us against the world’ relationship over driving, barely audible percussion, soulful layered vocals and gliding keyboards.

Anderson’s vocals aren’t necessarily the most powerful, yet they are a perfect match for the rich and luscious soundscapes featured here and at times are blissfully soulful.

As the album comes to a close, it is evident that the album is worth far more than its #32 position in the UK album chart. It may not be perfect, but it’s sturdy, compelling and fantastically-written, addressing powerful themes through contemporary alternative-R&B. Most importantly, it is an album with soul and a personality – a rare feat in today’s music.

Rating: 4/5.
Highlights: Stronger than Ever, Bloodsport, Keep it Simple, Never Been Better, Cowards, The Last Romance.

‘You’re a Man Now, Boy’ is available now on Columbia Records.

Music Monday – Volume Ninety Two

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1) Kendrick Lamar – These Walls

The american rapper throws a curveball on this neo-soul influenced hip hop track. Breezy, light and reflective, it’s a brilliant track and one of Lamar’s best.

2) Mark Pritchard – Beautiful People

Gentle electronic track which drifts effortlessly throughout its six minute duration.

3) Zayn – SHe

Brilliant alt-R&B track with moody guitar riffs, an awesomely catchy chorus and polished production. It’s carried by buoyant beats and Zayn’s syrupy vocals. One of his best.

4) Digital Farm Animals – Wanna Know

Buoyant house track with a brilliantly catchy hook.

5) White Denim – Take It Easy

Soulful and relaxed track with a retro vibe. Utilising little more than organic percussion, bright keys, jazzy riffs, funky bass lines and beautiful falsetto vocals, it’s a lovely track.

6) ROMANS – Silence (ALUNA GEORGE Edit)

Chipmunk-esque pitch-moderated vocal samples, hip hop beats and reverberating soulful vocals carry this brilliant and powerful track.

7) SBTRKT, D.RAM, Mabel – I FEEL YOUR PAIN

Elusive producer SBTRKT teams up with vocalists D.RAM and Mabel on this jittery neo-soul track with elements of alternative R&B.

8) Nick Jonas & Tove Lo – Close

Sultry and moody R&B track which utilises steel pans and thunderous percussion. It’s a powerful track driven by Mattman and Robin’s tight production.

9) Barq – Gentle Kind of Lies

Quirky and brilliant Alternative R&B track with furious guitar riffs, funky bass lines and rock-influenced percussion. Jess Kav’s soulful vocals shine throughout.

10) James Morrison – Need you Tonight

Catchy pop track with funky guitar riffs, skipping bass lines and bright piano chords. Drawing upon disco and soul elements, it’s one of his best songs of his career.

Zayn – Mind of Mine Album Review

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The past year has been something of a roller-coaster for Zayn Malik. A year ago, he broke millions of fans’ hearts when he announced he would be leaving One Direction to pursue the life of a ‘normal 22 year old’. It later emerged that he had been secretly recording solo material and his animosity towards his boyband days was soon made crystal clear in numerous interviews in which he took multiple swipes at the band and their music.  A shock split with fiancée Perrie Edwards soon followed in addition to multiple venomous and highly publicised Twitter spats. Still, these potential career suicide-moments have been long forgotten since lead single ‘PILLOWTALK‘ rocketed in to the top of the charts of over a dozen countries.

As expected, ‘Mind of Mine’ is a world away from Malik’s One Direction days. Gone is the pop-punk and stadium-pop and in is alternative R&B, catchy dance-pop and elements of Soul. It’s slick, polished, consistent and mature with reverberating vocal samples, hip-hop beats and effect-drenched vocals scattered throughout. It’s a natural transition into R&B music similarly to Justin Timberlake’s début ‘Justified’ fourteen years ago.

‘Mind of Mine’ excels from start to finish with barely a blip. Overall, it possesses a moody and brooding tone with sexualized lyrics and a deeply-textured sound, resulting in a cohesive catalogue of material on which Malik revels in his newly-found freedom. Lead single ‘PILLOWTALK’ remains a stand-out track with its its thunderous percussion, reverberating synths, wailing guitars and Zayn’s sweeping vocals. The rest of the album follows suit with the sullen yet dreamy ‘dRuNk‘ featuring Malik’s multi-layered harmonies boasting ‘I’ve been drunk all summer’ over unsettled R&B percussion, summery synthesisers and weeping electric guitars. ‘rEaR vIeW‘ is similarly a sulky progressive R&B track with sparse production and a Timbaland-like chorus. Then there’s the beautifully haunting ‘iT’s YoU‘ – a gentle downtempo ballad on which Zayn’s stunning falsetto soars over jittering synths, a droning organ, hip-hop beats and crunching piano chords.

Just when things need shaking up a bit, the Beatle-esque piano chords of ‘fOoL fOr YoU‘ arrive. It’s a pleasant piano ballad on which Malik’s vocals really glisten and are relatively free of the over-production the rest of the album is laden with. The track mirrors The Beatles in both song-writing and production and it punctuates the album nicely.

Malik also refreshingly incorporates his cultural heritage into the album in the form of haunting interludes. The opening title-track features soaring Qawwali-influenced melodies over piano chords and clonking synthesiser arpeggios. Similarly, one of the album’s unexpected highlights is ‘fLoWer‘, a gorgeous acoustic interlude influenced by Malik’s upbringing as a British Pakistani Muslim. He executes his voice in Urdu, his father’s native language and warbles over eerie synthesisers and gentle acoustic guitars. It’s an innovative and utterly unique inclusion on an R&B album which works perfectly.

The dance-pop moments also work well, implemented best on ‘sHe‘ with its brilliantly catchy hook, slick production and buoyant production. It is miles away from the stadium pop-rock One Direction produced and is a steer in the right direction (pun not intended), reminiscent of some of Justin Bieber’s best moments on ‘Purpose’. Then there’s the soulful ‘tRuTh’, a track reminiscent of 70’s Soul with giggling synthesisers, a retro-guitar sound and distorted production. Featuring a brilliantly sunny chorus with sugary falsettos, it’s one of the album’s understated highlights.

Malik always had the advantage of having the strongest voice in One Direction and he exhibits his syrupy vocals perfectly on the album. His vocals are sturdy and powerful throughout, whilst his falsetto is his real gift, fluttering delicately over meticulously programmed instrumentals.

A bold and compelling album which validates Zayn’s transition into a credible recording artist.

Rating: 5/5.
Highlights: ‘PILLOWTALK’, ‘dRuNk’, ‘iT’s YoU’, ‘sHe’, ‘fLoWer’, ‘tRuTh’

‘Mind of Mine’ is available now on RCA Records.

January Mixtape

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After adapting Music Monday to make it strictly about current and new music, we realised that there was no way to draw focus to older music on this blog. So we have decided to publish a mixtape (or Spotify Playlist) of 20 songs on the first day of every month.

This makes January’s rather late but with no further ado, here’s the Music Box’s January Mixtape:

Music Monday – Volume Seventy Seven

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1) Troye Sivan – Wild

Incredibly catchy synthpop track featuring eerie electro elements and crashing percussion.

2) Troye Sivan ft. Broods – Ease

Another brilliant and sincere track from Troye Sivan.

3) Lucy Rose – Till The End

Strong 90’s vibes on this incessantly catchy track. Mirroring All Saints’ ‘Pure Shores’ with distorted trip-hop styled percussion, pretty piano riffs and funky guitars, it’s an awesome & uplifting track.

4) Jason Reeves – Back With Me

Gorgeous acoustic ballad.

5) Crissi Cochrane – Pretty Words

Gorgeous acoustic ballad with lovely Sara Bareillies/Christina Perri-like vocals.

6) Amelia Lily – You Bring Me Joy

Was reminded how awesome this track is at the gym the other day. Awesome and underrated pop-rock track.

7) Adele – When We Were Young

Gorgeous emotive ballad which completely blows ‘Hello’ out of the water.

8) Take That – Will You Be There For Me?

Gorgeous and vulnerable ballad from Take That’s re-packaged ‘III’ album. It carries an R&B-like vibe and is beautiful from start to finish.

9) Take That – Bird In Your Hand

Stunning synthpop ballad with lush layered harmonies and a gorgeous vocal performance from Mark Owen.

10) Troye Sivan – Fools

Brilliant pop track which opens tentatively with gorgeous piano chords before evolving into a jittery R&B track.