Monthly Mixtape – April ’25

Hey!
Hope you’re doing well and enjoying this glorious sunny weather, if you’re in the UK. It just makes everything feel that little bit brighter, doesn’t it?

I’m super excited to share these songs with you. It’s been another brilliant month of music, and the longlist was extensive. Going forward, I won’t be sharing the entire playlist—just the top 20 tracks I’ve been enjoying. That’s probably still quite a lot, but I couldn’t narrow it down any further!

I’m hoping there’s something here for everyone. Lots of Pop, of course, but also Soul, R&B, indie-pop, Country, and Folk.

I really, really appreciate every visit and read.

Love as always,
Marc

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Monthly Mixtape: Jan ’24

It’s been a while! Some of you may know this as ‘Current Faves‘, which I posted regularly on the Instagram Stories on my music acount for 4 years. I’ve rebranded back to what I used to do here on the blog and call them my Monthly Mixtapes.

The idea? I love music (if you hadn’t already figured), especially discovering and sharing new finds. So on the last weekend of each month (late this time due to ill health), I’ll be posting a selection of songs I’ve been devouring that month. A selection of old and new. Some stuff will be commercial and some won’t. There are no rules, just songs which speak to me.

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Music Monday – Volume Seventy Six

1) Grimes, Bleachers – Entropy

Impossibly catchy indie-pop track on which American indie-pop band Bleachers team up with Canadian singer-songwriter Grimes. Minimalistic instrumentation is coated with Grimes’ syrupy and melodic vocals.

2) One Direction – End of the Day

Euphoric arena anthem which remains loyal to the boyband’s signature sound. Awesome track.

3) One Direction – Love You Goodbye

One Direction ballads are always exceptional and this is no exception. Taken from the band’s final (at least for now) album ‘Made in the A.M.’, this is emotive and heartfelt with catchy ‘hey, hey, hey’s’ and gorgeous  weeping electric guitars. One of their best tracks.

4) One Direction – Long Way Down

Lovely, gentle acoustic-based track from ‘Made in the A.M.’ It’s one of the more reflective tracks and the Chorus is rather low-key but this is part of what makes it so endearing. In places it sounds rather like Lady Antebellum and these Country elements work beautifully.

5) One Direction – What a Feeling

One Direction channel Fleetwood Mac on this ’80’s synthpop-influenced pop track. It’s one of the stand-out moments from latest album ‘Made in the A.M’ with funky guitar riffs and gorgeous, rich layered harmonies.

6) Ben Haenow – All Yours

Brilliant euphoric pop from last year’s X Factor winner Ben Haenow.

7) Ben Haenow – Testify

Epic gospel-influenced track from Ben Haenow’s début album. The drum loop is fierce and the gospel choir adds an extra depth to the track. It’s the best track on the album and is crying out to be a single.

8) Ben Haenow – Greatest Mistake

One of the stronger tracks Ben Haenow’s début album. The Chorus is incredibly catchy and his raspy vocals sound fierce on it. Great track.

9) Justin Bieber – Company

Sultry and irresistibly catchy pop track with a funky bass line & elements of tropical house. Bieber at his best.

10) Justin Bieber – Been You

Bonus track on the deluxe version of Justin’s latest album ‘Purpose’. Incredibly catchy electropop-influenced track more than strong enough to have been included on the standard edition of the album.

https://www.youtube.com/watch?v=a0Mi_wp3K3Q

 

Little Mix – Get Weird Album Review

Get_weird

Since their formation in 2011, Little Mix have undeniably taken the world by storm. They have sold five million singles and 2.5 million albums worldwide, overtaken The Spice Girls to become the first girl group to reach Number Four on the US Billboard chart and have become one of Simon Cowell’s most viable X Factor products. Not bad in the slightest for a manufactured girl band whose origins lay in the X Factor.

‘Get Weird’ largely follows the same successful formula as previous albums ‘Salute’ and ‘DNA’, on which a team of A-list songwriters are recruited to assist in the creation of a fierce pop album promoting girl power. The difference here is ‘Get Weird’ provides more scope by utilising doo-wop and 80’s synthpop influences – experimenting with a new sound.

Lead single ‘Black Magic’ opens the album triumphantly and despite its over-exposure, it is still a piece of pop perfection. Likewise, ‘Weird People’ replicates 80’s pop, utilising funky bass lines, catchy guitar riffs and heavily gated percussion. ‘Love Me Like You’ rather bizarrely mirrors ABBA and the material of StooShe featuring catchy ‘sha-la-la-la’ hooks and polished brass instruments whilst ‘A.D.I.D.A.S’ features doo-wop influences with elements of R&B.

The album’s softer moments provide a breather from the cheerleader exuberance and punctuate the album nicely. ‘I Love You’ is a gentle pop ballad featuring breathy, lovely layered harmonies whilst ‘Love Me or Leave Me’ is a pleasant piano ballad with powerful vocals. ‘Secret Love Song’, a duet with Jason Derulo fails to impress, however. Derulo’s auto-tuned wailing is unnecessary and is largely responsible for the track being one of the weakest points in the album.

Elsewhere, the album ventures into hip hop territory. ‘OMG’ sounds like a Chris Brown out-take and features meticulously programmed bass lines and synths whilst ‘Lightning’, a stand out track is rife with manic distorted synthesiser drops.

The album swings from 80’s Pop to Hip hop to Sixties Doo-Wop and this results in a confused affair at times. Whilst variety is welcomed, it’s rather manic which results in its inconsistency. Had it stuck with the 80’s Pop ‘Girls Just Wanna Have Fun’ theme exhibited so effortlessly on ‘Black Magic’, it would have been far more successful. Instead, it seemingly recycles the formula from previous two albums and whilst it is a step up from them, it lacks innovation.

An overall enjoyable pop album but one which falls short of its potential.

Rating: 3/5

‘Get Weird’ is available now on Syco/Columbia records.