Tag: weekly playlist

Music Monday – Volume Ninety Two

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1) Kendrick Lamar – These Walls

The american rapper throws a curveball on this neo-soul influenced hip hop track. Breezy, light and reflective, it’s a brilliant track and one of Lamar’s best.

2) Mark Pritchard – Beautiful People

Gentle electronic track which drifts effortlessly throughout its six minute duration.

3) Zayn – SHe

Brilliant alt-R&B track with moody guitar riffs, an awesomely catchy chorus and polished production. It’s carried by buoyant beats and Zayn’s syrupy vocals. One of his best.

4) Digital Farm Animals – Wanna Know

Buoyant house track with a brilliantly catchy hook.

5) White Denim – Take It Easy

Soulful and relaxed track with a retro vibe. Utilising little more than organic percussion, bright keys, jazzy riffs, funky bass lines and beautiful falsetto vocals, it’s a lovely track.

6) ROMANS – Silence (ALUNA GEORGE Edit)

Chipmunk-esque pitch-moderated vocal samples, hip hop beats and reverberating soulful vocals carry this brilliant and powerful track.

7) SBTRKT, D.RAM, Mabel – I FEEL YOUR PAIN

Elusive producer SBTRKT teams up with vocalists D.RAM and Mabel on this jittery neo-soul track with elements of alternative R&B.

8) Nick Jonas & Tove Lo – Close

Sultry and moody R&B track which utilises steel pans and thunderous percussion. It’s a powerful track driven by Mattman and Robin’s tight production.

9) Barq – Gentle Kind of Lies

Quirky and brilliant Alternative R&B track with furious guitar riffs, funky bass lines and rock-influenced percussion. Jess Kav’s soulful vocals shine throughout.

10) James Morrison – Need you Tonight

Catchy pop track with funky guitar riffs, skipping bass lines and bright piano chords. Drawing upon disco and soul elements, it’s one of his best songs of his career.

Music Monday – Volume Ninety One

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1) The 1975 – She’s American 

Funky indie-rock ballad which mirrors work by INXS & Duran. Slamming percussion, frantic guitar riffs and skippy synthesiser sounds provide the song’s instrumentation as Matt Healy sings of cultural differences between him and his American girlfriend. It’s brilliantly catchy and very witty lyrically.

2) The 1975 – This Must Be My Dream

Perhaps the best song on The 1975’s new album. The band demonstrate their impeccable synchronicity through layering gospel melodies, silky vocals, slamming percussion, driving bass lines and snarling guitar riffs. It’s a throwback to the new-jack-swing era in the late eighties and early nineties bought to popularity through producers Jimmy Jam & Terry Lewis and Teddy Riley through musicians such as Bobby Brown, Janet Jackson and Michael Jackson.

3) The 1975 – Paris

Beautiful and mellow electropop ballad which imitates Yazoo’s ‘Only You’ to a point just before being eligible for a lawsuit. Sparse guitars, dizzy synthesisers and a gorgeous honeyed ‘again and again’ refrain makes this another of the album’s strongest tracks.

4) The 1975 – I like it when you sleep, for you are so beautiful yet so unaware of it

A proficient, cleverly-created instrumental which punctuates the album beautifully. Pretty and melodic piano particles flutter over driving electronica whilst Healy’s lusciously layered vocals beg his lover not to leave. The track is lengthy at six minutes but is split into two parts, evolving into an uplifting and exquisitely beautiful house track.

5) The 1975 – Loving Someone

Giggling synthesisers and hiphop beats form the backdrop as Matt Healy half-raps his best lyrics to date; a cultural observation on the impact pop culture and celebrity have on youth.

6) Gallant & Jhene Aiko – Skipping Stones

Chilled-out neosoul track which carries a retro vibe. Gallant’s incredible vocals flutter into a rich falsetto over brass instruments, driving bass lines and twinkling keyboards.

7) Joe & Jake – You’re Not Alone

Uplifting and euphoric pop-rock track which is this year’s UK Eurovision entry. Whilst criticised by many for its generic formula and chord structure, it’s a powerful and beautiful track.

8) Laurel – Life Worth Living

Moody alternative-pop track which avoids over-production, instead focussing on using organic, pure instruments.

9) Zayn – Like I Would

Catchy alt-R&B track featuring elastic synthesisers, synthetic percussion and a brilliantly sing-song chorus.

10) The Last Shadow Puppets – Everything You’ve Come to Expect

Quirky and brilliantly written track which utilised genres such as baroque pop, psychedelic pop and experimental rock.

 

Music Monday – Volume Ninety

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1) Zayn – It’s You

We know this has been featured before but we’re including the studio version this time. Stunning downtempo R&B track which utilises a minimalistic feel. Zayn’s gentle flasetto soars over fluttering synths and wailing guitars.

https://www.youtube.com/watch?v=F9Yvhblizmo

2) Bring me the Horizon – Follow You

Moody and powerful alternative-rock track with a huge chorus.

https://www.youtube.com/watch?v=uplb2OtGapc

3) Corrine Bailey Rae – Been To The Moon

Innovative neo-soul track which utilises jazzy guitars, twinkling keys and sonic elements. It’s electro verses evolve into a breezy chorus which mirror ’70’s soul.

4) NAO – Fool To Love

Another brilliant neo-soul/alt-R&B track from East Londoner Nao. Her vocals glide over industrious synthesisers and hip-hop beats, resulting in a chilled-out track.

https://www.youtube.com/watch?v=-RX2xi2WSvo

5) Ratboy – Move

Brilliant hip-hop/indie rock fusion with an incessantly catchy chorus. It does remind us somewhat of another song, however… *ahem The Beastie Boys’ ‘Body Movin’…*

6) Riton – Rinse & Repeat

Punchy bass lines, house beats and Azaelia Banks-influenced vocals drive this huge club smash.

7) BB Diamond – Feeling

Reminiscent of 90’s house with synthetic piano riffs and sweet vocals, this disco influenced club track is both uplifting and brilliant.

8) The Knocks – The Key

Catchy electro-track featuring elements of soul and rap. Comprised of funky bass lines, squeaky synths and slick vocals, this is underrated perfection.

9) The 1975 – If I Believe you

We’ve wanted to include lots of material from The 1975’s latest album for a while but we’re waiting for it to appear on Spotify! We had to include this track, however so here’s a recent live version which is loyal to the studio one. Stunning and accomplished biblical track on which Matt Healy searches for and beseeches a higher power to curb his loneliness. It channels Prince and D’angelo, utilising organic percussion, spine-tingling gospel choir vocals, eerie electro elements and an understated horn solo to create the best track The 1975 have ever done. [Read our review of their latest album here.]

10) Gallant – Bourborn

Stunning alt-R&B track from American singer-songwriter Christopher Gallant, under his stage name Bourborn. Syrupy vocals, including a stunning falsetto, coat dreamy 80’s-influenced synthpop instrumentation.

 

Music Monday – Volume Eighty Five

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1) Nate Ruess – Brightside

Quirky yet utterly beautiful pop song which makes full use of Ruess’ idiosyncratic vocals over a backdrop of jazzy piano chords, squeaky string sections and eerie music box sounds. Dreamy and magical.

2) One Direction – History

Bittersweet Pop track which serves as a perfect ‘goodbye’ (at least for now) to fans. Considered by many as an update of Toy Story classic ‘You’ve Got A Friend In Me’, acoustic guitar strums and a sing-along Chorus make this a perfect Pop anthem.

3) Rihanna & Drake- Work

Rihanna returns with this laid-back reggae-pop track, aided by Drake. It’s rhythmic and catchy with Rihanna’s heavily auto-tuned vocals sliding effortlessly over clever production.

http://www.bbc.co.uk/music/clips#p03grqg5

4) Ellie Goulding – Army

Stunning synthpop track in the same vein as material on Goulding’s debut ‘Lights’. Over jittery guitar samples, crashing percussion and simmering synths, Goulding sings of her best friend.

5) Zayn – PILLOWTALK

Sexy and sultry alternative R&B track comprised of thunderous beats, eerie electro elements, broken vocal samples, wailing guitars and soaring melodies.  It’s a far-cry from Zayn’s One Direction days and conveys a far greater depth of maturity, mostly through its sexual themes.

6) Lion Babe – Where Do We Go

Funky disco-themed neo soul track from New York City duo Lion Babe.

7) Taylor Swift – Out of the Woods

Dramatic synthpop track comprised of broken vocal samples, gated percussion and Swift’s almost whispered vocals. One of the highlights of Swift’s ‘1989’ album, it’s perhaps the best representation of the album, utilising scatty samples and ’80’s electro sounds.

8) Lawson – Money

Lawson return after a period of instability in terms of musical output. The release of the band’s second album has been repeatedly delayed but they are now preparing or its release in March. ‘Money’ is its lead single (excluding last year’s single ‘Roads’), a catchy pop-rock track in a similar vein to ‘When She Was Mine’ and ‘Brokenhearted’.

https://www.youtube.com/watch?v=eGgFZufBB20

9) Dawin – Dessert

Catchy, jittery and squeaky pop track by American singer and producer Dawin featuring a rap from Silento.

10) Tom Parker – Lost In Your Love

Ex member of The Wanted Tom Parker impresses on this catchy house track which he has also produced.

Feel-Good Friday

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Every Friday, we are adding three tracks to our Feel-Good Friday Spotify playlist. The aim? To create a definitive playlist featuring the best uplifting, feel-good tracks in the world!

Check here every Friday to check any additions!

FOLLOW the Music Box to never miss an update again.

Music Monday Volume Seventy One

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1) Birdy & Rhodes – Let It All Go

Gorgeous ballad by two highly talented artists from the UK. Utilising gentle piano tones, airy synths, crashing waves of percussion and rich layered harmonies, this is easily one of the most beautiful songs of recent years.

2) George Michael – I Can’t Make You Love Me

Perhaps one of the most covered songs in Pop history, this gorgeous and emotive ballad was originally bought to attention by Bonnie Raitt in 1992 who did a wonderful job. Since then, it has been covered by a multitude of artists from Boyz II Men to Adele. George Michael covered this during his incredible MTV Unplugged performance in 1997 to critical acclaim. It was later released as a b-side to his single ‘Older’. George’s interpretation captures a sincerity and anguish that others just seem to lack.

3) The Weeknd & Disclosure – Nocturnal

A rich fusion of The Weeknd’s dark R&B sound and slick falsetto vocals and Disclosure’s euphoric house sound. Awesome opener to Disclosure’s later album ‘Caracal’.

https://www.youtube.com/watch?v=4E0bgxgncrE

4) Jack Garratt – The love you’re given

Eeerie, jittery and sophisticated, this is a gorgeous down-tempo trip-hop track. Garrat’s falsetto vocals echo endlessly into the minimalistic production.

5) Ryan O’Shaughnessy – Fingertips

You may remember Ryan as a contestant on Britain’s Got Talent a few years ago. ‘Fingertips’ is his first single after a lengthy break. Whilst maintaining his signature acoustic sound, ‘Fingertips’ adds eerie sounds and programmed percussion to create a more polished track.

6) Sonny J – Can’t Stop Moving

Whilst never a huge hit for little-known DJ Sonny J, this song has been used in multiple commercials and TV programmes since. With sweeping sixties strings, gospel tinged keyboards and huge soulful vocals, it’s irresistibly catchy.

7) Earth Wind & Fire – September

Another track which is irresistibly catchy. ’70’s disco at its best.

8) John Waugh – Flight

John Waugh is a saxophonist who has played for a variety of acts and bands. He is perhaps best known for his saxophone solos in music by The 1975. ‘Flight’ is his début EP – a gorgeous and sophisticated collection of lovingly made Jazz tracks with modern twists. The title track is perhaps the strongest track featuring funky piano, bass and guitar riffs and a gorgeous saxophone solo.

9) Lawson – Mountains

Epic power ballad from Lawson’s latest EP. Screaming guitars, heavy percussion and Andy Brown’s emotive vocals all blend to create a powerful pop-rock track.

10) Janet Jackson – Shoulda Known Better

Despite its slight disjointed nature, ‘Shoulda Known Better’ is one of the best tracks Miss Jackson has put her name to in YEARS. A follow up to her 80’s smash ‘Rhythm Nature’, this is a powerful and catchy EDM track which cries out for world peace.

Music Monday – Volume Sixty Five

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‘Music Monday’ is a weekly blog in which I compile a list of ten songs I have been enjoying in the past week. This edition features Robbie Williams, The Weeknd, Kings of Leon amongst others.

1) JoJo – Save My Soul

JoJo is best known for 2005 smash R&B hit ‘Leave (Get Out)’, released when she was just fifteen years old. Since then, she took a hiatus and returned a five years ago but with limited success. ‘Save My Soul’ is a powerful and emotive ballad from her latest EP ‘III’ with a soaring melody, crashing percussion and haunting piano chords. Stunning.

2) Tove Lo – Talking Body

Sensual and seductive synthpop song by Swedish recording artist Tove Lo. A fine pop track; catchy with an easy sing-along chorus.

3) Steve Angello – Wasted Love

Epic dance track with the Coldplay-esque euphoria. Dougy, lead singer of The Temper Track lends his vocals to this powerful and uplifting song.

https://www.youtube.com/watch?v=qAODa-4S2B0

4) Daniel Bedingfield – Never Gonna Leave Your Side

This was always a little inferior compared to Bedingfield’s other famous ballad, the gorgeous ‘If You’re Not The One’. It’s a beautiful song nevertheless and a lovely pop ballad.

5) Richard Marx – Right Here Waiting For You

Slushy and sentimental ’80’s power ballad, a little cheesy but gorgeous nonetheless. One of the most beautiful ballads in pop history, evident from its extensive list of covers.

6) Kings of Leon – Use Somebody

A plea for help but refreshingly presented in an alternative rock format instead of as a ballad. An epic, emotive track full of stadium-rousing ‘oh’s’, wailing guitars and Caleb Followill’s raspy vocals. Still as good now as it was upon release back in 2008.

7) Robbie Williams – Different

One of Williams’ most underrated singles of his career. Co-written by Gary Barlow and Jacknife Lee, it’s a haunting and powerful pop-rock track aching with sincerity. Williams’ forte has always been the ability to put his heart on his sleeve and channel this into well-written lyrics. This deserved to fare SO much better on the UK chart.

8) Justin Bieber – What Do You Mean?

Bieber appears to have made it through his rough Britney-esque meltdown and has returned triumphantly with his best music yet. ‘I Need U’, a collaboration with Diplo and Skrillex was an incredible comeback and ‘What Do You Mean’ continues Bieber’s new electronic-dance-music sound. ‘What Do You Mean’ uses minimalistic instrumentation and gentle, funky production built up of squeaky, steel-pan-like synthesisers, skippy percussion and Bieber’s gentle vocal.

9) The Weeknd – As You Are

Dark, powerful and catchy track from The Weeknd’s (real name Abel Tesfaye) third and current album ‘Beauty Behind the Madness’. Canadian Tesfaye has been in the industry for a while but is only now finding worldwide success, aided greatly by ‘Earned It’, featured in this year’s Fifty Shades of Grey movie. Tesfaye is a pioneer of the ever-developing PBR&B (an alternative version of R&B music) and ‘As You Are’ is a strong demonstration of this. With slamming 80’s-styled percussion, echoing vocals and gentle synthesisers, it’s an explosing and haunting track. Incredible song.

10) The Weeknd – I Can’t Feel My Face

It’s easy to dismiss this song at first with it’s slightly deranged lyrics but it is also unmistakably catchy with its funky guitar riffs and heavy percussion. Very MJ.

Music Monday – Volume Sixty Four

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1) Chris Brown – Your World

Verging slightly on Beiber territory, on paper, this shouldn’t work but it somehow does… It’s easy to see why this didn’t make the main tracklisting for Brown’s album ‘Fortune’ (it only appears as a bonus track on the Japanese edition) – it’s a little on the cheesy side but it’s a pretty little R&B track.

2) Liberty-X – Holding on For You

Slushy pop ballad from one of the UK’s best and most underrated pop groups. A beautiful melody leads the track, lined by tight harmonies and catchy production.

3) Razorlight – America

A song too easily forgotten until its occasional re-play on the airwaves. Gentle dreamy verses escalate into a huge stadium-anthem chorus. Irresistibly catchy; one of the greatest indie-rock songs ever recorded.

4) Rita Ora and Chris Brown – Body On Me

Steamy and sensual R&B track with crashing beats and a rousing chorus. It’s a massive track; another success in both artists’ ever-increasing discography. One of the hottest tracks currently around.

5) Sigala – Easy Love

The song of the summer. Cleverly sampling massive Jackson 5 hit ‘ABC’, it’s a huge dance track full of house-tinged piano riffs and synthesisers mimicking steel pans, not too dissimilar to Duke Dumont’s huge 2014 summer hit ‘I Got U’. It’s impossible for this song not to leave the listener with a huge grin on their face.

6) Stylo G & Gyption – My Number One

Catchy reggae track. Depends on mood for the enjoyment of this one but it’s a great summer song.

https://www.youtube.com/watch?v=wPoHZ-IifZ0

7) Jess Glynne – You Can Find Me

Brilliant Prince styled track full of punchy percussion, gospel layered vocals, funky bass and 80’s synthesisers. SO good.

8) Galantis – Peanut Butter Jelly

It’s hard to determine if this is meant to be taken seriously or as a novelty track. Either way, it’s an impossibly catchy dance track full of sweeping 60’s styled strings.

9) Robbie Williams – Nan’s Song

Beautiful acoustic ballad which closed Williams’ best album ‘Escapology’. Williams croons about the loss of his grandparent, aching with sincerity. One of very few tracks Williams wrote alone, its a well-written and lovely track.

10) Michael & Janet Jackson – Scream

Aggressive and explosive electro-rock track by two of the Jackson siblings. Both Jacksons more or less spit the lyrics in assertion as they demand the press to “Stop f*****g with me”. The fury in the track is understandable considering it was Michael’s first single release since his 1993 child molestation allegations. Awesome, powerful track.

Music Monday – Volume Sixty Three

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  1. Selena Gomez & A$AP Rocky – Good For You

Moody and seductive, Gomez is pulling out all the stops to emphasise her new-found maturity. It never quite reaches its full potential; it’s crying out for a huge climax towards the end of the song but with its provocative message and the inclusion of A$Ap Rocky’s rap, it’s a step in the right direction of producing more grown-up music.

2) Jack Garratt – Weathered

Jittery with fierce beats, grunge-y guitars and a silky smooth vocal delivery from Garratt. It’s a huge song with fantastic production.

3) Jennifer Lopez – Play

Throwback to when J-Lo was still producing GOOD music. Drawing upon Prince and Madonna for influence, it’s a catchy and funk-driven dance-pop track with squeaky synths and slamming beats. One of the best pop tracks from the noughties era.

4) Leona Lewis – Fire Under My Feet

Explosive comeback single for 2006 X Factor winner Leona Lewis. Unfortunately, the lead single from Lewis’ forthcoming album has fallen under the radar due to slack promotion from new label Island/Def Jam. With stomping percussion layered with hand claps and moody piano chords, it’s Lewis at her best.

5) Chris Brown – Don’t Judge Me

Sombre, sulky and aching with sincerity, this is Brown at his best. The lyrical content is straight from the heart and Brown croons passionately over stuttering percussion and remote production.

6) Mark Owen – Makin’ Out

Much of this blog discusses how underrated I consider Mark Owen’s solo discography to be but I shall continue to reinforce my point! Quirky rock-fuelled track from Owen’s 2005 album ‘How The Mighty Fall’, this single was only a moderate success and deserved to fare far better. Brilliant lyrics and powerful vocal delivery from Owen as always.

7) Taylor Swift – Bad Blood

The album version is far superior to the single version with Kendrick Lamar although Lamar’s rap does not particularly detract from the power of the song. Fierce.

8) Taylor Swift – Style

Still one of Swift’s best singles of her career so far. Moody and sultry with funky 80’s styled guitars and crashing percussion.

9) Take That – Today I’ve Lost You

One of the most underrated songs of Take That’s career. Originally written as the follow up to 1995’s massive hit ‘Back For Food’, Barlow saved this one (many other songs written for what would have been Take That’s follow up album to ‘Nobody Else’ appeared on Barlow’s debut album ‘Open Road’) and it was recorded for the band’s 2005 Greatest Hits compilation. Barlow’s gentle vocals trickle over a soft and organic backing track, comprised of soft guitar strums and piano chords, sweeping strings and an awesome guitar solo. It’s a shame this was never taken further and released as a single; it’s a beautifully written and performed song.

10) Gary Barlow – My Commitment

Schmaltz-y love song from Barlow’s début solo album ‘Open Road’ which screams ’90’s!’ with its heavily programmed drum machine and glittery pianos. Co-written with songwriting legend Diane Warren, this is a beautiful ballad with a lovely message.