Music Monday – Volume Sixty One

1) Aqualung ft Lianne La Havas – Eggshells

Haunting piece of electro-pop comprised of eerie synth sounds, soft beats, tinny guitars and fierce piano chords. La Havas’ soulful vocals and Aqualung’s excessively auto-tuned vocals are a surprisingly effective combination.

2) Years & Years – Memo

Stunning electropop ballad which closes Years & Years’ début album. Olly Alexander’s vocal performance is powerful and sincere as it drifts effortlessly over soft hip-hop beats, piano chords and distorted synthesisers.

3) Years & Years – Eyes Shut

Another beautiful gospel-influenced ballad with jazzy chords and soulful vocals from Olly Alexander. One of the highlights from Years & Years’ début album.

4) Years & Years – Ties

Years & Years doing what they do best; a powerful electronic piece with slamming beats, stuttering synths and sincere lyrics.

5) Seal – Kiss From A Rose

One of the most beautiful love songs ever written. Seal’s raspy vocals have a distinctive flare and powerfully soar above sweeping strings and acoustic guitar strums. It’s hard to believe this gorgeous ballad was not initially a success upon its release until it was included in the movie Batman Forever a year later. It’s also a shame Seal hasn’t maintained this level of success – his music is still just as well-written and powerful. One of the most underrated British artists around.

6) The Internet ft Kaytranada – Girl

A rich fusion of neo soul, electro and R&B with gorgeous vocals, shuffling percussion and littered with eerie sounds.

7) The Blue Nile – Sentimental Man

One of the most underrated bands of all time, not aided by their very limited output over a twenty+ year career. Gorgeous track from their 1996 album ‘Peace At Last’.

8) Nothing But Thieves – Trip Switch

LOVE this right now. Explosive track from Essex-born band Nothing But Thieves with a massive chorus. Conor Mason’s robust vocal delivery often drifting into his falsetto range really drives this powerful song.

9) Matthew Morrison & Laura Michelle Kelly – What You Mean To Me

Absolutely stunning ballad composed by Gary Barlow & Eliot Kennedy for the Broadway musical ‘Finding Neverland’. Matthew Morrison & Laura Michelle Kelly is a perfect pairing and their voices gel perfectly on this dreamy duet.

10) The Corrs – What Can I Do

Upon release in early 1998, this song wasn’t a hit until it was remixed by Tin Tin Out who added the punchy percussion and metallic guitar riffs. The remixed version was released in the summer 0f 1998 and became a massive hit. One of the greatest pop songs ever written with a syrupy sweet melody, gorgeous strings, a catchy beat and awesome vocals.

Years & Years – Communion Album Review

Years-Years-Communion

2015 has certainly been Years & Years’ well, year… The British electronica trio have witnessed two singles reach the top 3 (one reaching the Number One spot and the other soaring straight into Number Two, respectively), a number one album and a slot at this year’s Glastonbury festival.

Debut album ‘Communion’ is a pleasant, beguiling affair; a fusion of synth-pop, electronica and house music. Abundant with festival ready hooks, dreamy synths, squeaky bass lines and front man Olly Alexander’s wailing vocals, it differs from usual synth-pop band albums in that it avoids separating the edge usually associated with this genre and heartfelt music. It makes use of punchy backing tracks and lyrics bursting with sincerity, resulting in a mixed affair of successes and failures.

The album’s main successes are its most successful singles, the ever-endearing ‘King’ and detuned ‘Shine’ in addition to its ballads. Gentle synth-pop ballad ‘Eyes Shut’ utilises elements of gospel music, complete with jumpy piano chord changes and finger click percussion. ‘Without’ is a saccharine synth-pop moment but it works whilst closing track ‘Memo’ is heartbreakingly beautiful. There are other triumphs – ‘Worship’ is a genuine highlight with its dirty, punchy percussion and gospel-induced synths whilst second track ‘Real’ (which should have been the opening track instead of the dreary and uninviting ‘Foundation’) is memorable with its squeaky bass lines and stamping percussion.

Whilst it may challenge the norm associated with the synth-pop genre, it’s hardly innovative. The album’s main issue is that the more up-tempo tracks lack diversity and therefore become instantly forgettable. Moreover, whilst Alexander’s voice certainly transmits an enchanting vulnerability and uniqueness, there is the possibility this may not hold up quite as strongly live, free of the highly cherished auto-tune.

Nevertheless, the album contains enough charm to just about compensate for these teething problems. It is an enjoyable listen and serves as a fitting introduction to the band. Its utilisation of a range of genres is a charming device but this could be exploited much further.

It’s perhaps best to consider Years and Years as a work in progress but they are certainly one to watch.

Rating: 3/5.

‘Communion’ is available now on Polydor/Universal records.

Music Monday – Volume Thirty Two

1) Robbie Williams – No One likes a fat popstar

One of many songs that highlights Robbie’s genius. Witty, well-written lyrics that poke fun at the media and those fond of food, its self deprecation style is actually a little sad too. Love the merry-go-round feel of the verses and the operatic chorus. Awesome song.

2) B.o.B & Hayley Williams – Airplanes

Still an absolute tune, I really love the lyrics to this song. Hayley Williams has an incredible voice and B.o.B is a great artist.

3) U2- I still haven’t found what I’m looking for

A song that will forever be relevant to many people a little lost in life. An all time rock-classic.

4) The Magician ft Years & Years– Sunlight

A song reminiscent of early 2000’s house, this is one of the best dance tracks in years. So catchy and SO damn good.

5) Take That – These Days

They’re finally back after a three year hiatus! Take That’s new track is a rather camp, poppy, danceable track which is destined to be a hit. Love the 1980’s feel and the blend of their voices together. Awesome song.

6) Coldplay – Always in my head

A melancholic, chilled song that’s utterly beautiful.

7) John Mayer – Belief

I honestly believe this is one of the greatest songs ever written. Incredible lyrics and the last minute or so is just sheer power. Amazing.

8) Coldplay – 0 (Fly on)

A stunning end to Coldplay’s incredible ‘Ghost Stories’ album. ‘Just a flock of birds is how you think of love’ – what a line.

9) Mark Owen – Falling Star

A song featured only as a bonus track on the Japanese edition of Owen’s 2005 ‘How the mighty fall’ album. It’s a song which proves quite how underrated Mark Owen’s solo career is and this should have been on the standard edition of the album. Utterly stunning.

10) Calvin Goldspink – Grown Up

A great, great song by Calvin Goldspink who, many years ago, was a member of the S Club Juniors (or S Club 8).