Year Review in Music – 2024

Time to Read: 14 minutes (whole post)

It’s one of my favourite times of the year—time to celebrate and share some of my favourite releases from 2024 with you!

As always, there’s a strong focus on Pop music, with a sprinkling of other genres for good measure.

I genuinely think this year has been brilliant for Pop Music, especially for women in the genre. I don’t say that purely to be inclusive – the Pop girlies deserve to be celebrated this year. From Beyoncé to Dua Lipa, Ariana Grande to Sabrina Carpenter (our new Pop Princess), we’ve been spoiled with phenomenal albums.

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Liam Payne’s 5 Best Songs

The news of former One Direction member Liam Payne passing away at the tender age of 31 has shocked the world to its core. It felt like Liam had so much more to give, and ultimately, it feels like an absolute waste of a life.

Whilst Liam was known and loved by many for his warm, down-to-earth personality, the last few years didn’t seem quite as kind to him, and it felt like he became a little lost along the way. His solo career was a rocky ride with some success but seemingly didn’t capture the public’s attention like some of his ex-bandmates.

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Monthly Mixtape: June ’24

Reading Time: 8 minutes

Howdy. I’m quite late again, aren’t I? Sorry. Life is busy but I love doing this!

From now on, I’ll be trying to keep the mixtape to 20 songs dissected, but other stuff I’ve enjoyed this month are at the bottom in the complete playlist.

Short on time? My Essential 5 are featured at the top!

As always, I really appreciate every read, scan or visit and hope you find some new music you love.

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Music Monday – Volume Ninety Two

1) Kendrick Lamar – These Walls

The american rapper throws a curveball on this neo-soul influenced hip hop track. Breezy, light and reflective, it’s a brilliant track and one of Lamar’s best.

2) Mark Pritchard – Beautiful People

Gentle electronic track which drifts effortlessly throughout its six minute duration.

3) Zayn – SHe

Brilliant alt-R&B track with moody guitar riffs, an awesomely catchy chorus and polished production. It’s carried by buoyant beats and Zayn’s syrupy vocals. One of his best.

4) Digital Farm Animals – Wanna Know

Buoyant house track with a brilliantly catchy hook.

5) White Denim – Take It Easy

Soulful and relaxed track with a retro vibe. Utilising little more than organic percussion, bright keys, jazzy riffs, funky bass lines and beautiful falsetto vocals, it’s a lovely track.

6) ROMANS – Silence (ALUNA GEORGE Edit)

Chipmunk-esque pitch-moderated vocal samples, hip hop beats and reverberating soulful vocals carry this brilliant and powerful track.

7) SBTRKT, D.RAM, Mabel – I FEEL YOUR PAIN

Elusive producer SBTRKT teams up with vocalists D.RAM and Mabel on this jittery neo-soul track with elements of alternative R&B.

8) Nick Jonas & Tove Lo – Close

Sultry and moody R&B track which utilises steel pans and thunderous percussion. It’s a powerful track driven by Mattman and Robin’s tight production.

9) Barq – Gentle Kind of Lies

Quirky and brilliant Alternative R&B track with furious guitar riffs, funky bass lines and rock-influenced percussion. Jess Kav’s soulful vocals shine throughout.

10) James Morrison – Need you Tonight

Catchy pop track with funky guitar riffs, skipping bass lines and bright piano chords. Drawing upon disco and soul elements, it’s one of his best songs of his career.

Zayn – Mind of Mine Album Review

 

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The past year has been something of a roller-coaster for Zayn Malik. A year ago, he broke millions of fans’ hearts when he announced he would be leaving One Direction to pursue the life of a ‘normal 22 year old’. It later emerged that he had been secretly recording solo material and his animosity towards his boyband days was soon made crystal clear in numerous interviews in which he took multiple swipes at the band and their music.  A shock split with fiancée Perrie Edwards soon followed in addition to multiple venomous and highly publicised Twitter spats. Still, these potential career suicide-moments have been long forgotten since lead single ‘PILLOWTALK‘ rocketed in to the top of the charts of over a dozen countries.

As expected, ‘Mind of Mine’ is a world away from Malik’s One Direction days. Gone is the pop-punk and stadium-pop and in is alternative R&B, catchy dance-pop and elements of Soul. It’s slick, polished, consistent and mature with reverberating vocal samples, hip-hop beats and effect-drenched vocals scattered throughout. It’s a natural transition into R&B music similarly to Justin Timberlake’s début ‘Justified’ fourteen years ago.

‘Mind of Mine’ excels from start to finish with barely a blip. Overall, it possesses a moody and brooding tone with sexualized lyrics and a deeply-textured sound, resulting in a cohesive catalogue of material on which Malik revels in his newly-found freedom. Lead single ‘PILLOWTALK’ remains a stand-out track with its its thunderous percussion, reverberating synths, wailing guitars and Zayn’s sweeping vocals. The rest of the album follows suit with the sullen yet dreamy ‘dRuNk‘ featuring Malik’s multi-layered harmonies boasting ‘I’ve been drunk all summer’ over unsettled R&B percussion, summery synthesisers and weeping electric guitars. ‘rEaR vIeW‘ is similarly a sulky progressive R&B track with sparse production and a Timbaland-like chorus. Then there’s the beautifully haunting ‘iT’s YoU‘ – a gentle downtempo ballad on which Zayn’s stunning falsetto soars over jittering synths, a droning organ, hip-hop beats and crunching piano chords.

Just when things need shaking up a bit, the Beatle-esque piano chords of ‘fOoL fOr YoU‘ arrive. It’s a pleasant piano ballad on which Malik’s vocals really glisten and are relatively free of the over-production the rest of the album is laden with. The track mirrors The Beatles in both song-writing and production and it punctuates the album nicely.

Malik also refreshingly incorporates his cultural heritage into the album in the form of haunting interludes. The opening title-track features soaring Qawwali-influenced melodies over piano chords and clonking synthesiser arpeggios. Similarly, one of the album’s unexpected highlights is ‘fLoWer‘, a gorgeous acoustic interlude influenced by Malik’s upbringing as a British Pakistani Muslim. He executes his voice in Urdu, his father’s native language and warbles over eerie synthesisers and gentle acoustic guitars. It’s an innovative and utterly unique inclusion on an R&B album which works perfectly.

The dance-pop moments also work well, implemented best on ‘sHe‘ with its brilliantly catchy hook, slick production and buoyant production. It is miles away from the stadium pop-rock One Direction produced and is a steer in the right direction (pun not intended), reminiscent of some of Justin Bieber’s best moments on ‘Purpose’. Then there’s the soulful ‘tRuTh’, a track reminiscent of 70’s Soul with giggling synthesisers, a retro-guitar sound and distorted production. Featuring a brilliantly sunny chorus with sugary falsettos, it’s one of the album’s understated highlights.

Malik always had the advantage of having the strongest voice in One Direction and he exhibits his syrupy vocals perfectly on the album. His vocals are sturdy and powerful throughout, whilst his falsetto is his real gift, fluttering delicately over meticulously programmed instrumentals.

A bold and compelling album which validates Zayn’s transition into a credible recording artist.

Rating: 5/5.
Highlights: ‘PILLOWTALK’, ‘dRuNk’, ‘iT’s YoU’, ‘sHe’, ‘fLoWer’, ‘tRuTh’

‘Mind of Mine’ is available now on RCA Records.

Music Monday – Volume Ninety One

1) The 1975 – She’s American 

Funky indie-rock ballad which mirrors work by INXS & Duran. Slamming percussion, frantic guitar riffs and skippy synthesiser sounds provide the song’s instrumentation as Matt Healy sings of cultural differences between him and his American girlfriend. It’s brilliantly catchy and very witty lyrically.

2) The 1975 – This Must Be My Dream

Perhaps the best song on The 1975’s new album. The band demonstrate their impeccable synchronicity through layering gospel melodies, silky vocals, slamming percussion, driving bass lines and snarling guitar riffs. It’s a throwback to the new-jack-swing era in the late eighties and early nineties bought to popularity through producers Jimmy Jam & Terry Lewis and Teddy Riley through musicians such as Bobby Brown, Janet Jackson and Michael Jackson.

3) The 1975 – Paris

Beautiful and mellow electropop ballad which imitates Yazoo’s ‘Only You’ to a point just before being eligible for a lawsuit. Sparse guitars, dizzy synthesisers and a gorgeous honeyed ‘again and again’ refrain makes this another of the album’s strongest tracks.

4) The 1975 – I like it when you sleep, for you are so beautiful yet so unaware of it

A proficient, cleverly-created instrumental which punctuates the album beautifully. Pretty and melodic piano particles flutter over driving electronica whilst Healy’s lusciously layered vocals beg his lover not to leave. The track is lengthy at six minutes but is split into two parts, evolving into an uplifting and exquisitely beautiful house track.

5) The 1975 – Loving Someone

Giggling synthesisers and hiphop beats form the backdrop as Matt Healy half-raps his best lyrics to date; a cultural observation on the impact pop culture and celebrity have on youth.

6) Gallant & Jhene Aiko – Skipping Stones

Chilled-out neosoul track which carries a retro vibe. Gallant’s incredible vocals flutter into a rich falsetto over brass instruments, driving bass lines and twinkling keyboards.

7) Joe & Jake – You’re Not Alone

Uplifting and euphoric pop-rock track which is this year’s UK Eurovision entry. Whilst criticised by many for its generic formula and chord structure, it’s a powerful and beautiful track.

8) Laurel – Life Worth Living

Moody alternative-pop track which avoids over-production, instead focussing on using organic, pure instruments.

9) Zayn – Like I Would

Catchy alt-R&B track featuring elastic synthesisers, synthetic percussion and a brilliantly sing-song chorus.

10) The Last Shadow Puppets – Everything You’ve Come to Expect

Quirky and brilliantly written track which utilised genres such as baroque pop, psychedelic pop and experimental rock.

 

Music Monday – Volume Eighty Nine

1) Panic! At the Disco – Death of a Bachelor

Brilliant brass-infused tune which utilises a range of genres such as jazz, hip hop, EDM, trap and swing impeccably. Front-man Brendon Urie does his best imitation of Frank Sinatra amid hip hop beats, jittery synths and organic brass instruments.

2) The 1975 – Somebody Else

Powerful, emotive and raw song which lyrically tells of dealing with a past over moving onto somebody new. Gentle, tinkling synthesisers evolve into slamming ’80’s-influenced beats on this stunning love song. One of The 1975’s best ever songs.

3) Shura – Touch

Gentle and tentative synthpop track featuring fuzzy synths, pretty piano chords and ethereal vocals from Shura. Gorgeous.

4) Netsky ft Digital Farm Animals – Work It Out

Catchy EDM track with gospel vocals, fierce drum patterns and catchy piano riffs. Much in the same vein as Sigma’s ‘Nobody To Love’ two years ago in terms of repetition, catchiness and the use of piano riffs.

5) Gwen Stefani – Make Me Like You

Gwen Stefani resurrects her solo career with this catchy and funky disco-pop track. Chanelling The Cardigans’ ‘Lovefool’ and elements of Kylie, it’s one of Stefani’s best.

6) Zayn – It’s You

Gorgeous downtempo R&B ballad on which Zayn fully utilises his gorgeous feathery falsetto.

https://www.youtube.com/watch?v=QoB7c3miDrg

7) MUNA – Winterbreak

Dark electropop track featuring hollow beats, heavily processes vocals and gentle guitar riffs. Absolutely gorgeous.

8) All Tvvins – Unbelievable

Fierce electro-guitar track with a brilliant chorus and reverberating guitar riffs.

9) BJ The Chicago Kid & Kendrick Lamar – The New Cupid

Chilled out, retro inspired R&B/hiphop track with soulful guitar riffs and syrupy smooth vocals.

https://www.youtube.com/watch?v=heRre3KXLGY

10) The Knocks & Walk The Moon – Best for Last

Brilliant electronic infused track with catchy bass riffs and Nicholas Petricca’s smooth vocals.